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I edit the way I shoot — with a clear sense of where the story is going before the first cut. My background spans short-form brand content, long-form documentary and episodic, and feature film post-production. I work fast, I work clean, and I don't need supervision to know when something isn't working. I lead projects from concept through final delivery, build organized file systems and proxy workflows, and collaborate across creative and production teams to achieve tight-turnaround deliverables.…I edit the way I shoot — with a clear sense of where the story is going before the first cut. My background spans short-form brand content, long-form documentary and episodic, and feature film post-production. I work fast, I work clean, and I don't need supervision to know when something isn't working. I lead projects from concept through final delivery, build organized file systems and proxy workflows, and collaborate across creative and production teams to achieve tight-turnaround deliverables.

Eric Pham

Video Editor, Film Director, Film Producer, +2

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I edit the way I shoot — with a clear sense of where the story is going before the first cut. My background spans short-form brand content, long-form documentary and episodic, and feature film post-production. I work fast, I work clean, and I don't need supervision to know when something isn't working. I lead projects from concept through final delivery, build organized file systems and proxy workflows, and collaborate across creative and production teams to achieve tight-turnaround deliverables.…I edit the way I shoot — with a clear sense of where the story is going before the first cut. My background spans short-form brand content, long-form documentary and episodic, and feature film post-production. I work fast, I work clean, and I don't need supervision to know when something isn't working. I lead projects from concept through final delivery, build organized file systems and proxy workflows, and collaborate across creative and production teams to achieve tight-turnaround deliverables.

Available to hire

I edit the way I shoot — with a clear sense of where the story is going before the first cut. My background spans short-form brand content, long-form documentary and episodic, and feature film post-production.

I work fast, I work clean, and I don’t need supervision to know when something isn’t working. I lead projects from concept through final delivery, build organized file systems and proxy workflows, and collaborate across creative and production teams to achieve tight-turnaround deliverables.

Skills

Adobe Premiere Pro

Adobe After Effects

Corporate Video

DaVinci Resolve Studio

Music Video

Experience Level

Adobe Premiere Pro

Expert

Adobe After Effects

Expert

Corporate Video

Expert

DaVinci Resolve Studio

Expert

Music Video

Expert

Feature

Expert

Motion Graphic

Expert

Work Experience

Founder / Director / Editor / Producer at Phame Factory Productions

January 1, 2006 - Present

Independent production company — edited every project in-house across short-form brand content, episodic series, feature films, music videos, and commercial spots. Directed and edited Zen Living, a long-form lifestyle episodic series for ON Networks — sole editor from assembly through final delivery across multiple episodes. Produced and edited music videos, brand films, and commercial spots for clients requiring fast turnaround — typical short-form delivery within 24–48 hours of picture lock. Edited feature films Flay and Action News 5 — full post-production pipeline including color, audio cleanup, graphics, and deliverables. Built and maintained organized project file systems across all productions — proxies, naming conventions, version control, and archive standards.

Creative Director / Video Producer & Editor at Hoover's / Dun & Bradstreet via Hansa

January 1, 2010 - January 1, 2012

Produced, directed, and edited corporate video content for a major brand — fast iteration cycles based on stakeholder feedback, multiple concurrent projects under tight deadlines. Managed revision rounds efficiently — developed a feedback intake process that reduced cycles and kept deliverables on schedule.

VFX Supervisor / Color Timing Supervisor at Troublemaker Studios

January 1, 2003 - January 1, 2006

Supervised color timing on Sin City, Planet Terror, Spy Kids 3D — developed a precision eye for image quality and tonal consistency that informs every editing and grading decision today.