Romantic piano composition needed

Music Composer
💰 Negotiable
🌎 Remote
HammocksNHurricane
Last online 3 months ago

I am looking for acmusic composer to create a custom piano piece that tells the story of my romantic relationship. My girlfriend is a highly skilled pianist and enjoys playing her baby grand piano at home.Sorry I realize I don’t know shit about music but if this is possible can you provide a quote, my deadline can be anytime really and is no longer a rush due to the realization of complexity. I don’t need don’t need a full blown song just I need a piece of art via piano. All I need is the sheet music that she can play while reading it. I have no knowledge on music, so please be realistic and let me know if it is possible to harmonize the below for piano only:

Hammocks and Hurricanes: Nocturne #13
Composer’s Brief – For Solo Piano
Title & Symbolism

The piece should be titled “Hammocks and Hurricanes: Nocturne #13.”
13 is the central motif (the day we met, recurring in our story, and the date of the Vegas trip).
Subtle nods to 27 and 05 are welcome if they can be woven in musically.
Emotional Arc & Story Beats
Opening – Hesitant but Hopeful
Soft beginning, uncertain but filled with possibility. Represents bad timing in life but the right
connection.
First Meetings – Playful Connection
Atlanta: pool & darts (light motifs), hikes, dinner, and the hammock + wine + first kiss by the lake. A
theme of laughter and intimacy.
Turning Point – Miscommunication
A shift toward tension — not tragic, but unresolved. The sense of almost losing it before reconciliation.
Reconciliation – Trip to the Virgin Islands
Hesitation turns into depth, daily connection, and a stronger bond.
The Hurricane
adversity.
Category 5 storm at the bottom of the hike: chaos, intensity, urgency. Transition into bonding through
Integration of Cody Johnson’s “Nothing on You” https://share.icloud.com/photos/00ctmCGSO4JD9S7LINn7kqZSg
Piano-only transcription (lyrics expressed in piano melody). Appears after either the hammock or the
hurricane, flowing naturally into the story. Not the start — but a centerpiece of longing, recognition, and
devotion.
Airport Farewell
departure.
Flight delayed by the storm → an unexpected extra day together. Resolution, exclusivity, and eventual
Closing – The Vegas Trip (Sept 13–23)
The final section is forward-looking, not retrospective. Represents hope, shared plans, and the feeling
of continuing the story together. End with a sense of openness, anticipation, and quiet certainty.
Konstantine Reference
Integration of the section from 7:54 onward of “Konstantine” (Something Corporate), transcribed for
piano only. Piano should carry the vocal line as melody. This can either blend into or precede the
Vegas ending as a bittersweet, reflective layer.
Style & Instrumentation
Entirely solo piano.
No vocals — piano must carry all melodies, including the vocal lines of “Nothing on You” and
“Konstantine.”
Transitions must be seamless and narrative, not abrupt.
Summary of Placement of References
Cody Johnson – Nothing on You: Piano-only, lyrics implied. Appears in the middle of the piece, after
hammock or hurricane.
Konstantine – Section from 7:54 onward: Piano-only transcription of vocals as melody. Serves as a
reflective passage leading into the hopeful Vegas conclusion.
Vegas trip (Sept 13–23): Final section, hopeful ending.

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Posted 3 months ago

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