DaVinci Resolve Colorist for Lighting Match Research SessionSearching

Match two 1080p clips (approximately 13 seconds each) to a supplied reference shot. The clips feature the same person on a fixed camera, with differences caused by a dimmed key light and a key light moved to the opposite side of the face.

Use your normal DaVinci Resolve workflow; Resolve Studio’s Relight is preferred where available. Screen-record the session and briefly explain the adjustments, tools, and reasoning as you work.

Deliver the screen recording plus two exported, graded clips. Please also reserve approximately 10 minutes at the end to discuss how lighting mismatches arise on real jobs and how you typically approach them. The remote session is needed this week.

About the client
I’m Ash, founder of Snaplux, an early-stage startup in Taipei building tools that help colorists fix lighting mismatches between shots, starting with faces. I studied data science at UC Berkeley and black-and-white filmmaking in Osaka, and I’m now working on video relighting. Right now I’m doing research: I want to watch how working colorists actually handle lighting mismatches, so I build something that fits real workflows. The session is short, paid, and can be done remotely. Clips are ready to send.