2D Animator & Compositor | Hand-Drawn Specialist
I bring stories to life through the meticulous art of
frame-by-frame animation. Specializing in high-energy action and stylized character acting, I blend the traditional feel of hand-drawn movement with modern cinematic compositing.
Why clients hire me:
Full-Pipeline Mastery: From rough storyboards in Clip Studio Paint EX to high-end VFX in After Effects, I handle the entire visual journey.
Versatile Style: Whether you need the high-impact “Sakuga” intensity of anime or the polished fluid motion of a TV commercial, I adapt my technique to fit your brand’s voice.
Director’s Eye: I don’t just move pixels; I focus on timing, weight, and cinematography to ensure every second of footage serves the narrative.
From directing independent action shorts to animating for Indonesian TVCs, I deliver professional-grade 2D motion that stands out in a crowded digital landscape.
Ready to start? Let’s build something moving.
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Direction: Translated a script into a dynamic storyboard and directed a team of artists and animators to ensure visual consistency.
Action Choreography: Focused on “Sakuga” principles—exaggerated perspective, impactful timing, and complex character movement.
Post-Production: Managed the final assembly, including cinematic color grading, VFX, and editing to sync with the custom-made soundtrack.
I led the animation team for this action-packed project, focusing on intense choreography and fluid character motion. My role was central to the project’s success: I directed the animation, personally animated the majority of the scenes, and handled all final compositing and editing.
I directed and animated this entire official music video for Every Other Year. Except for the music itself, every visual element, including character designs, frame-by-frame sequences, and environmental lighting, was hand-crafted by me.
This project highlights my ability to take a client’s track and build a complete visual world around it. It features a mix of expressive character performance and moody, cinematic backgrounds, demonstrating my capability to handle high-volume, full-length animation projects independently.
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