Hi, I'm Sílvia, a creative designer from Portugal. My work sits at the intersection of strategy and form, weaving branding, digital communication and advertising into cohesive experiences. I lead teams and collaborate with clients to uncover real problems and shape what’s possible, always aiming to make people pause and look twice.

Sílvia Cerqueira

PRO

Hi, I'm Sílvia, a creative designer from Portugal. My work sits at the intersection of strategy and form, weaving branding, digital communication and advertising into cohesive experiences. I lead teams and collaborate with clients to uncover real problems and shape what’s possible, always aiming to make people pause and look twice.

Available to hire

Hi, I’m Sílvia, a creative designer from Portugal. My work sits at the intersection of strategy and form, weaving branding, digital communication and advertising into cohesive experiences.

I lead teams and collaborate with clients to uncover real problems and shape what’s possible, always aiming to make people pause and look twice.

See more

Language

Portuguese
Fluent
English
Advanced

Work Experience

CREATIVE DESIGNER at NOVAMEDIA.
July 26, 2021 - December 31, 2024
Creative direction and project management for clients in Automotive, Restaurant, E- commerce, and Industry sectors - Brand strategy and visual identities from concept to implementation - Art direction and coordination of photographer, videographer, and marketers - Creation and presentation of pitches - Multi-channel campaign production: digital and print creatives, copy, content animation, and web pages (sites, landing pages) - Storytelling and storyboards for advertising spots
Branding / Web Designer at UMADE
January 1, 2025 - Present
Branding Content and template production for campaigns; Web design
Brand Designer / Project Manager at Nova Media
January 1, 2021 - December 31, 2024
Branding; project management, communication and strategy; campaign direction for content production; advertising content for digital, print and events; web design for sites, landing pages and newsletters; copy, storytelling and storyboards
Branding / Project Manager at B&BI / ADN
January 1, 2020 - December 31, 2021
Branding; project management, communication and strategy; social media and campaign graphics; web design for sites and landing pages
Brand Designer at Homens e Métodos
January 1, 2018 - December 31, 2020
Branding; content for social media and Meta ads; web design for sites, landing pages and newsletters; infographics and printed ads
Brand Designer at Men in a Design
January 1, 2017 - December 31, 2018
Static and motion content for web campaigns; concept and production of e-books and infographics
Branding / Branding & Web Design at Foto Felicidade
January 1, 2017 - December 31, 2017
Static and motion content for web and social media; printed content for campaigns and events; photo edition and album editorial; branding and webdesign for clients
Branding & Identity Designer at UMADE
January 1, 2025 - Present
Branding & Identity Design; Content and template production for campaigns; Web design and Wordpress development
Branding & Identity Designer at Nova Media
January 1, 2021 - January 1, 2024
Branding & Identity Design; Project management, communication and strategy; Campaign direction for content production; Advertising content for digital, print and events; Web design for sites, landing pages and newsletters; Copy, storytelling and storyboards
Branding & Identity Designer at B&BI / ADN
January 1, 2020 - January 1, 2021
Branding & Identity Design; Project management, communication and strategy; Social media and campaign graphics; Web design for sites and landing pages
Branding & Identity Designer at Homens Sem Étodos
January 1, 2018 - January 1, 2020
Branding & Identity Design; Content for social media and Meta ads; Web design for sites, landing pages and newsletters; Infographics and printed ads
Branding & Identity Designer at Men in Design
January 1, 2017 - January 1, 2018
Static and animated content for web campaigns; Concept and production of e-books and infographics
Branding & Identity Designer at Foto Felicidade
January 1, 2017 - January 1, 2017
Static and motion content for web and social media; Printed content for campaigns and events; Photo edition and album editorial

Education

Bachelor's Degree in Digital Marketing at University of Porto, Faculty of Fine Arts
January 11, 2030 - January 21, 2026
High School Diploma at Carlos Amarante High School, Porto
September 10, 2009 - July 20, 2012
Bachelor's Degree at Faculty of Fine Arts, University of Porto
January 1, 2012 - January 1, 2017
High School at Carlos Amarante Visual Arts High School
January 1, 2009 - January 1, 2012
Bachelor's Degree at Faculty of Fine Arts University of Porto (FAUP)
January 1, 2012 - January 1, 2017
High School Diploma in Visual Arts at Visual Arts High School, Carlos Amarante
January 1, 2009 - January 1, 2012

Qualifications

AC IAB
January 1, 2024 - March 16, 2026
ENA
January 1, 2025 - March 16, 2026
IE FP
January 1, 2025 - March 16, 2026
ANJE
January 1, 2025 - March 16, 2026
CINEL
January 1, 2026 - March 16, 2026

Industry Experience

Media & Entertainment, Retail, Professional Services, Software & Internet, Other, Healthcare, Travel & Hospitality, Education
    paper OFICINA DO OURO - Portuguese filigree workshop

    DIRECTION To have a jewel from this workshop is like holding art and a piece of Portuguese history
    INSPIRATION Imprimerie du Marais

    THE IDENTITY
    The Oficina logo was designed by Jil Martel, a junior designer at the time, under my direction. The proposal involved a multifaceted approach to communication, encompassing both history and art. In addition, it involved meticulous preparation for a new segment: like a luxury brand. This expansion led to a complex
    branding universe, with four typefaces necessary to infuse creativity into the details for an extensive catalog and website.

    THE POSITIONING
    My bet to display the jewelry pieces against a dark background, accentuated the intricacy of the filigree and ensured the artistic heritage, was properly showcased. This approach was aligned with the high standards expected for artifacts of a luxury brand. The typefaces, dance among themselves, yet they do not detract from the following: one touch is enough to feel Oficina’s excellence.

    THE PURPOSE
    The new positioning called for a professional, efficient catalog that would truly stand out. At this stage, I decided to incorporate a frame into all the pieces that were photographed, in order to create a visual scale. The catalog’s diverse typeface selection ensures optimal readability, while the incorporation of photos, editorials, and frames enhances the visual appeal of each piece.

    THE WEBSITE
    Oficina’s digital presence evolved into a catalog in itself, visually resembling a museum’s web experience. Micro interactions, arches that create the same frame effect and give rise to many filigree pieces, provide weight and presence to the family that has been producing these works of art for five generations.

    paper Silvia's Portfolio
    A brief but somewhat deep dive into my work as a Creative Designer. Follow along the journey of AFFAIR's branding and storytelling; how I developed Mercadão ad's, landing pages and newsletters visual system; the upgrade of Oficina da Ouro's perception from artisanal to luxurious filigree; and many more ad campaigns about chocolat and soccer, which typeof airfryer Mona Lisa would pick, a zombie family with a high tech home, storyboards and pitch decks. Have fun and if you check it twice? Leave some feedback graphicdesigner illustrator portfolio webdesign branding logodesign
    paper MERCADÃO - Grocery delivery service

    DIRECTION Gamify the experience and make more personal
    INSPIRATION Shipt + The Sims

    I D E N T I T Y
    The creation of a brand manual with a color palette, icons, and font selection is essential for enhancing the perception of a digital brand, particularly for a service that is not easily visible. The “product” is contextualized with visual metaphors and infographics, leading to the delivery service and shopper, creating a strong digital identity centered on Mercadão.pt

    THE ICONS
    When we initiated the photo shoot process, our primary objective was to enhance Mercadão’s visual
    system. Consequently, the bag, cart, and basket were the primary icons. I designed the Mercadão bag with production in mind, taking into account elements such as a prominent logo and good enough contrast. Additionally, I painted the shopping cart and basket green. In the shotlist I provided for the shopper, it was already included elements that would be very useful for the landing pages and digital campaigns. By deconstructing these elements, I was able to assemble a “visual alphabet” with approximately 55 image blocks for ads, newsletter and landing pages.

    THE CAMPAIGNS
    All photo production was created for static and animated content that satisfied the requirements for social media, Google Ads, Meta Ads, and other multi-channel content. The visual strategy was implemented across the website and a landing page, to capture new leads who received a themed newsletter, segmented from Churn and Lost clients. I developed up to four campaigns per month, with one campaign developed per week.

    THE ADVERTISING SPOT
    In film productions, the storyboard was designed from the customer’s perspective, taking into account factors such as their conversion rates on landing pages, the points where they felt most understood through the newsletters, and the key visual elements that performed better in ads. Following the completion of the final edit, including the addition of stills and minor adjustments, animations were produced for various social networks.

    paper AFFAIR - Restaurant & Gastrobar

    DIRECTION Rendezvous, sensual and decadent
    INSPIRATION In the Mood for Love & Matisse

    THE IDENTITY
    Affair is a romantic idea, so that’s how the idea of looking for serifs with ears, spurs, and pronounced arms began—and ones with food names (it’s a restaurant, why not?). The “ff” ligature, which was part of the vision, is used for a light touch of decadence, a nostalgic love. For the branding, I expanded icons and the muse - Carlota - they were born to craft a narrative that cohesively binds the space, which presented a physical challenge due to its two-floor layout with distinct functions.

    THE SPACE
    This narrative was incorporated into the graphic design of the space, along with signage and messages dispersed throughout. The muse Carlota is depicted, drawing inspiration from Matisse’s simplified forms - the shapes - a testament to the pursuit of pleasure and aesthetic perfection, aligning with the highest standards of culinary excellence.

    THE MENU CHALLENGES
    It was a real challenge to design an A3 size menu that is a blend of Portuguese and French culinary, with dishes named after Portuguese cities/locations and on top of that - translated into three languages. My first attempt was to design a menu that felt like a diary, with manual cloth binding made by me. Unfortunately, it was not approved due to production costs. To adapt, the A3 menu contemplated the icons, resembling letter stamps - my idea to still evoque the feeling of an artifact.

    THE COCKTAILS
    The signature cocktails are deserving of a different highlight and strategy. The concept was developed into a series of collectible postcards, featuring the cocktail recipe and a unique illustration from four works by Matisse and four by Picasso. This initiative highlights the real-life dynamic between the artists, characterized by a mutual admiration and inspiration, with a muse consistently present in their works.