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I’m a Sydney based sound designer and composer with 3 years professional experience in video game audio. I have built hands-on experience developing and implementing high-quality game audio across the full production pipeline. In addition, I’ve been fortunate enough to work freelance on short films, animations and video game projects as a sound recordist, sound designer and composer, making me a diverse candidate for sound-based roles. I also play guitar and produce the music for the Sydney progressive death metal band Okisma in which we have released an E.P and have a full length release on the way.…I’m a Sydney based sound designer and composer with 3 years professional experience in video game audio. I have built hands-on experience developing and implementing high-quality game audio across the full production pipeline. In addition, I’ve been fortunate enough to work freelance on short films, animations and video game projects as a sound recordist, sound designer and composer, making me a diverse candidate for sound-based roles. I also play guitar and produce the music for the Sydney progressive death metal band Okisma in which we have released an E.P and have a full length release on the way.

Skadiven

Sound Engineer, Composer, Music Producer, +2

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I’m a Sydney based sound designer and composer with 3 years professional experience in video game audio. I have built hands-on experience developing and implementing high-quality game audio across the full production pipeline. In addition, I’ve been fortunate enough to work freelance on short films, animations and video game projects as a sound recordist, sound designer and composer, making me a diverse candidate for sound-based roles. I also play guitar and produce the music for the Sydney progressive death metal band Okisma in which we have released an E.P and have a full length release on the way.…I’m a Sydney based sound designer and composer with 3 years professional experience in video game audio. I have built hands-on experience developing and implementing high-quality game audio across the full production pipeline. In addition, I’ve been fortunate enough to work freelance on short films, animations and video game projects as a sound recordist, sound designer and composer, making me a diverse candidate for sound-based roles. I also play guitar and produce the music for the Sydney progressive death metal band Okisma in which we have released an E.P and have a full length release on the way.

Available to hire

I’m a Sydney based sound designer and composer with 3 years professional experience in video game audio.
I have built hands-on experience developing and implementing high-quality game audio across the full production pipeline.
In addition, I’ve been fortunate enough to work freelance on short films, animations and video game projects as a sound recordist, sound designer and composer, making me a diverse candidate for sound-based roles.

I also play guitar and produce the music for the Sydney progressive death metal band Okisma in which we have released an E.P and have a full length release on the way.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Language

English

Fluent

Work Experience

Sound Engineer and Composer at Velvix Sydney

April 1, 2022 - June 30, 2025

Sound engineer and composer for Velvix Sydney. Created music and sound assets using Reaper; designed audio systems with FMOD to fit game design briefs and narratives; developed and integrated audio systems within Unity using FMOD; used Git GUI (SourceTree) for version control and collaborated with QA teams; improved audio playback and performance for specific hardware; collaborated with game designers to establish sonic identity and incorporate feedback; recorded voice-overs for games.

Freelance Sound Designer and Composer at Self-employed

August 1, 2021 - Present

Produced sword sound effects, dialogue and Foley for a video game brief featuring near-futurism; recreated vintage anime SFX using tape-simulated batch recording and effects processing with outboard units (Eventide H3000 and Eclipse); worked as a sound recordist, sound designer, sound editor and mixer for Daydream (dir. J. Hamman) and The Affliction (dir. D. Calabrese); recorded, mixed and mastered the band's metal EP Amygdala; notable achievements include 2019 UTS/Studio 301 Mixing Competition track 'Redliner Sixth' and selection for Jungle Train recognition (Best Direction, People's Choice; nominated for Best Sound Design, Best Adaptation).

Sound Designer / Composer at Jungle Train (Netflix Film Festival 2021)

January 1, 2021 - December 31, 2021

Animation project featured at Netflix Film Festival 2021; contributed as sound designer and composer; project won Best Direction Award and People's Choice Award; nominated for Best Sound Design and Best Adaptation.

Sound Engineer and Composer at Velvet Sydney

April 1, 2022 - June 1, 2025

Created music and sound assets using Reaper; designed audio systems using FMOD to fit game design briefs; developed and integrated audio systems within Unity using FMOD; utilized Git GUI version control; recorded voice-overs for games; collaborated with game designers to establish sonic identity.

Freelance Sound Designer and Composer at Self-Employed / Freelance

August 1, 2021 - Present

Produced sound effects, dialogue and Foley for video game briefs; replicated vintage anime SFX processes including tape-simulated batch recording and effects processing using external units such as Eventide H3000 and Eclipse.

Recording / Mixing / Mastering Engineer at Amygdala (Band) – EP Amygdala

January 1, 2019 - December 31, 2019

Recorded, mixed and mastered band's metal EP Amygdala; achievements include track 'Redliner Sixth' (2019) and winning the UTS Studio 301 Mixing Competition, selected by Mastering Engineer Ben Feggan.