Physicist, Musician, Writer, Sound Engineer, Award-Winning Composer I am currently working as a physicist and engineer, but I worked as a musician, sound engineer and composer for many years and miss it. I have worked with a large variety of styles and ensembles.

Scott C Lillard

Physicist, Musician, Writer, Sound Engineer, Award-Winning Composer I am currently working as a physicist and engineer, but I worked as a musician, sound engineer and composer for many years and miss it. I have worked with a large variety of styles and ensembles.

Available to hire

Physicist, Musician, Writer, Sound Engineer, Award-Winning Composer

I am currently working as a physicist and engineer, but I worked as a musician, sound engineer and composer for many years and miss it. I have worked with a large variety of styles and ensembles.

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Language

English
Fluent
Spanish; Castilian
Intermediate

Work Experience

Test Engineer at Northrop Grumman
May 15, 2024 - Present
Making sure spaceships work
Composer at White Tomato Creative Design
June 16, 2000 - Present
Writing, leading and producing works for any ensemble across the classical, jazz, rock, and electronic genres and more

Education

Bachelor of Science at University of California, Santa Barbara
June 1, 2020 - September 12, 2022
B.S. in Physics with a minor in Music

Qualifications

Logic Pro Certified
November 29, 2025 - January 1, 2021

Industry Experience

Media & Entertainment, Education
    paper The Little Prince - Excerpt

    I wrote a suite based on the children’s book, “The Little Prince,” intending to extend it into a full-length ballet, but the project fell through. I am still very fond of some of the movements.

    paper The Universe in a Glass of Wine

    I was hired to compose a tone poem that was to be rehearsed and performed remotely by the Santa Barbara City College Symphony Orchestra. Here is the result:

    paper A life In The Day

    During the lockdown of 2020, I was hired by the director of the Santa Barbara City College Symphony Orchestra to compose a suite in seven short parts in which it would be easy for the orchestra to rehearse a movement every week on Zoom, record via multi-track, and still sound pretty.