A twenty-two-track compilation album, consisting of the musical work I have done for other artists’ creative projects, ranging from 2023 to 2025, along with a compilation of sound effects I have recorded and designed in DAWs for video games. Projects I’ve composed and produced music for, aside from the university projects mentioned above, include extracurricular game development projects for game jams and a YouTube video in 2023. I’ve made songs in various musical styles for different types of games, considering their ease of implementation when composing them and regularly sharing drafts with collaborators or clients to receive feedback to improve the work off.

https://www.twine.net/signin

For this project, I assumed the role of an environment artist, music composer, producer and sound designer in a team of four other people in my course, who took a mixture of programming, art and project management roles. My visual artistic contributions include concept art sketches for the game’s main environments in earlier stages of development, inspired by retro-futuristic and Art Deco aesthetics, and creation of some 3D assets and textures using a combination of Blender and Aseprite (for creating UV textures). I’ve sought to improve my audio implementation techniques with this project by incorporating use of FMOD into the game along with the engine, allowing me to easily add stem variations of songs I composed and produced for the game, re-arrange them and set parameters that change their volume or transition to different song sections.

The songs I made for the game are available on Bandcamp for free:
https://www.twine.net/signin