Todd Burke came up in the legendary analog studios of Hollywood, cutting his teeth on tape before riding the first wave of digital audio in the '90s. Over the past 25+ years, he's stayed on the leading edge of every major shift in recording—from Pro Tools to Dolby Atmos, making records with artists like Ben Harper, Rhett Miller, M83, Belle and Sebastian, and Fitz and the Tantrums. He's recently mixed Atmos releases for Albert Hammond Jr., Christina Perri, and Jeff Goldblum, and his score mixing credits include Donnie Darko, Daddy's Home, The King of Staten Island, and The Bubble. Todd runs Listening Room LA, an immersive and stereo mix room nestled in the foothills east of Hollywood. He's a core contributor to recordBetter, and also teaches on Metal Mastermind and Spectre Academy, sharing his expertise with the next generation of producers and engineers.

Todd Burke

Todd Burke came up in the legendary analog studios of Hollywood, cutting his teeth on tape before riding the first wave of digital audio in the '90s. Over the past 25+ years, he's stayed on the leading edge of every major shift in recording—from Pro Tools to Dolby Atmos, making records with artists like Ben Harper, Rhett Miller, M83, Belle and Sebastian, and Fitz and the Tantrums. He's recently mixed Atmos releases for Albert Hammond Jr., Christina Perri, and Jeff Goldblum, and his score mixing credits include Donnie Darko, Daddy's Home, The King of Staten Island, and The Bubble. Todd runs Listening Room LA, an immersive and stereo mix room nestled in the foothills east of Hollywood. He's a core contributor to recordBetter, and also teaches on Metal Mastermind and Spectre Academy, sharing his expertise with the next generation of producers and engineers.

Available to hire

Todd Burke came up in the legendary analog studios of Hollywood, cutting his teeth on tape before riding the first wave of digital audio in the '90s. Over the past 25+ years, he’s stayed on the leading edge of every major shift in recording—from Pro Tools to Dolby Atmos, making records with artists like Ben Harper, Rhett Miller, M83, Belle and Sebastian, and Fitz and the Tantrums.

He’s recently mixed Atmos releases for Albert Hammond Jr., Christina Perri, and Jeff Goldblum, and his score mixing credits include Donnie Darko, Daddy’s Home, The King of Staten Island, and The Bubble.

Todd runs Listening Room LA, an immersive and stereo mix room nestled in the foothills east of Hollywood. He’s a core contributor to recordBetter, and also teaches on Metal Mastermind and Spectre Academy, sharing his expertise with the next generation of producers and engineers.

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Language

English
Fluent

Work Experience

Independent Recording Engineer/Mixer & Score Mixer (Freelance) at Freelance
July 1, 1996 - Present
Led recording and mixing on commercially released projects for artists including Ben Harper, Jack Johnson, Belle & Sebastian, Fitz and the Tantrums, and M83; collaborated with producers Sylvia Massy and Justin Meldal-Johnsen to deliver polished, release-ready productions. Directed and executed recording sessions for multiple British rock artists with producer Tony Hoffer across Los Angeles and international locations, overseeing technical workflow and session execution. Maintained long-term collaborations with musician/producer Mike Andrews and composer Rob Simonsen, recording and mixing a wide range of music and score-related projects.
Audio Post Production Lead and Mixer / Editor at Omnean
September 1, 2024 - Present
Lead all audio post-production for training and educational content serving providers working with special needs children and adults. Own full-cycle audio workflows for scripted video, recorded sessions, and long-form educational programming. Edit, mix, and master content to broadcast-quality standards, ensuring clarity, consistency, and a polished, cinematic finish. Manage Pro Tools-based editorial and mixing pipelines across high-volume, multi-project production environments. Design and maintain scalable remote post-production workflows to support distributed teams and rapid turnaround. Integrate AI-assisted tools for dialogue cleanup, restoration, transcription, and asset preparation. Ensure content meets high standards for intelligibility and emotional tone for sensitive material.
Brand Ambassador/Artist Representative at Antelope Audio
January 1, 2023 - Present
Provide pre-sale consultation, post-sale technical support, and product feedback for professional audio customers. Participate in product beta testing and brainstorm with engineering and product teams. Support professional user adoption through technical guidance, workflow consulting, and community engagement. Develop relationships with industry professionals to support endorsements and long-term brand loyalty.
Chief Engineer & Score Mixer at Elgonix LLC
February 1, 2012 - December 31, 2021
Recorded, mixed, and delivered music for film. Spearheaded the creation and presentation of demos for director’s approval, administered revisions, engineered final sessions, and delivered finished cues from stereo stems to full Atmos mixes. Maintained a recording studio with classic analog and digital equipment; troubleshooted system faults and planned repairs. Managed multiple duties including booking musicians, coordinating technicians’ schedules, organizing studio workflow, and running sessions as the Score Mixer.
Assistant Engineer & Studio Manager at Grandmaster Recorders Ltd
July 1, 1994 - July 31, 1996
Managed the organization’s recording studio by booking and running the facility. Provided optimal support to the engineer by operating various audio tools.

Education

Master Recording Program at The Conservatory of Recording Arts and Sciences
January 11, 2030 - June 1, 1993

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services, Education