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I'm a Creative Executive and Writer with 15+ years of experience in narrative strategy, global production, and audience analytics. I've led IP development from concept to greenlight at Illumination and Aniventure, and I'm skilled at scaling content for high-volume digital platforms (PocketFM, VitalTek) by aligning creative vision with data-driven commercial goals. Most recently, I wrote Hitpig (2024), which can be seen on Peacock, as well as Riverdance: The Animated Adventure (2021) and served as a consultant and punch-up writer for the upcoming feature film, Animal Farm (2026).…I'm a Creative Executive and Writer with 15+ years of experience in narrative strategy, global production, and audience analytics. I've led IP development from concept to greenlight at Illumination and Aniventure, and I'm skilled at scaling content for high-volume digital platforms (PocketFM, VitalTek) by aligning creative vision with data-driven commercial goals. Most recently, I wrote Hitpig (2024), which can be seen on Peacock, as well as Riverdance: The Animated Adventure (2021) and served as a consultant and punch-up writer for the upcoming feature film, Animal Farm (2026).

Tyler Werrin

Assistant Editor, Assistant Producer, Copywriter, +3

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I'm a Creative Executive and Writer with 15+ years of experience in narrative strategy, global production, and audience analytics. I've led IP development from concept to greenlight at Illumination and Aniventure, and I'm skilled at scaling content for high-volume digital platforms (PocketFM, VitalTek) by aligning creative vision with data-driven commercial goals. Most recently, I wrote Hitpig (2024), which can be seen on Peacock, as well as Riverdance: The Animated Adventure (2021) and served as a consultant and punch-up writer for the upcoming feature film, Animal Farm (2026).…I'm a Creative Executive and Writer with 15+ years of experience in narrative strategy, global production, and audience analytics. I've led IP development from concept to greenlight at Illumination and Aniventure, and I'm skilled at scaling content for high-volume digital platforms (PocketFM, VitalTek) by aligning creative vision with data-driven commercial goals. Most recently, I wrote Hitpig (2024), which can be seen on Peacock, as well as Riverdance: The Animated Adventure (2021) and served as a consultant and punch-up writer for the upcoming feature film, Animal Farm (2026).

Available to hire

I’m a Creative Executive and Writer with 15+ years of experience in narrative strategy, global production, and audience analytics. I’ve led IP development from concept to greenlight at Illumination and Aniventure, and I’m skilled at scaling content for high-volume digital platforms (PocketFM, VitalTek) by aligning creative vision with data-driven commercial goals. Most recently, I wrote Hitpig (2024), which can be seen on Peacock, as well as Riverdance: The Animated Adventure (2021) and served as a consultant and punch-up writer for the upcoming feature film, Animal Farm (2026).

Skills

Script

3D Animation

Experience Level

Script

Expert

3D Animation

Intermediate

Language

Work Experience

Head Writer (Creative Development) at Aniventure

January 1, 2020 - January 1, 2025

Wrote and developed three animated feature films with budgets around $50M, steering projects from initial concept to global production.

Lead Staff Writer / Narrative Designer at PocketFM

February 1, 2025 - September 1, 2025

Data-driven creative: Used audience engagement analytics to iterate on story arcs, resulting in optimized retention for global audio series.

Head Writer & Creative Producer at VitalTek

May 1, 2024 - December 1, 2024

Scaled production: Developed and wrote over 100 episodes for streaming vertical series, successfully scaling creative output for a fast-paced digital environment.

Writer / Narrative Designer at Cinesite Animation Studios

October 1, 2016 - December 1, 2019

Narrative adaptation: Translated acquired properties into successful feature-length scripts and television formats, adhering to studio creative guidelines.

Production & Post-Production Supervisor at Illumination Entertainment

January 1, 2013 - April 1, 2016

Operational efficiency: Managed a global team of lead and assistant editors, coordinating complex post-production pipelines for major theatrical releases. Vendor management: Negotiated contracts and managed relationships with external vendors to support marketing and production goals.