Hi, I'm Evelyn Vega, a proactive Audio Visual Producer based in Miami, FL. I have a strong eye for detail and my top skill is editing, creating compelling storytelling content that truly connects with viewers. I am always ready to produce content as needed and bring projects to life with professionalism and creativity. With experience working both in Mexico and the United States, I have developed strong skills in broadcast production, live events, and post-production editing including motion graphics, color correction, and animated backgrounds. I enjoy managing multimedia projects end-to-end and thrive under pressure while staying highly organized and eager to learn new techniques.

Evelyn Vega

Hi, I'm Evelyn Vega, a proactive Audio Visual Producer based in Miami, FL. I have a strong eye for detail and my top skill is editing, creating compelling storytelling content that truly connects with viewers. I am always ready to produce content as needed and bring projects to life with professionalism and creativity. With experience working both in Mexico and the United States, I have developed strong skills in broadcast production, live events, and post-production editing including motion graphics, color correction, and animated backgrounds. I enjoy managing multimedia projects end-to-end and thrive under pressure while staying highly organized and eager to learn new techniques.

Available to hire

Hi, I’m Evelyn Vega, a proactive Audio Visual Producer based in Miami, FL. I have a strong eye for detail and my top skill is editing, creating compelling storytelling content that truly connects with viewers. I am always ready to produce content as needed and bring projects to life with professionalism and creativity.

With experience working both in Mexico and the United States, I have developed strong skills in broadcast production, live events, and post-production editing including motion graphics, color correction, and animated backgrounds. I enjoy managing multimedia projects end-to-end and thrive under pressure while staying highly organized and eager to learn new techniques.

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Language

Spanish; Castilian
Fluent
English
Advanced

Work Experience

Broadcast Production Assistant at Maria Vision, México - U.S.A.
June 30, 2025 - July 9, 2025
Supported broadcast production by setting up studios, audio, lights, and cameras for recordings and live transmissions. Created, filmed, and edited reels, bumpers, capsules, interviews, and long documentary programs. Operated cameras at live events including robotic cameras, directed live AV podcasts, and managed switcher operations. Performed editing and post-production tasks such as making graphics, animated backgrounds, intros, color correction, and storytelling. Managed the Master Control Room by creating daily playlists and handling external signals for live broadcasts.
Stage Manager at Talent Network, Guadalajara, Jalisco, México
September 29, 2023 - March 24, 2024
Oversaw material and technical needs for speakers and performers including audio, props, lighting, and photography to ensure smooth stage operations.

Education

Graduate of Communication Sciences at Universidad LAMAR, Guadalajara, Jalisco, México
August 1, 2020 - October 1, 2023

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Non-Profit Organization, Gaming, Telecommunications
    paper SHORTS/REELS/TIKTOK VIDEO CONTENT (SPANISH)

    WATCH IT HERE:

    • Short-form video content designed specifically for social media platforms like TikTok and YouTube Shorts.
    • The goal of this project was to engage a young audience by sharing a message of faith in God. I handled the creative and dynamic editing, incorporating transitions, animated text, and graphic elements to enhance visual impact and storytelling.
    paper TELEVISION PROGRAM (LONG-FORM VIDEO CONTENT)

    Watch it here:

    Description


    • A program about a Jubilee Site in St. Joseph, Missouri. The priest discusses a church called “The Cathedral of the Immaculate Conception,” and explains its history, including its points of interest and faith—especially in relation to the jubilee year in 2025.

    Process & Methodology


    • Contacts: Communicated with church leadership and coordinated with the priest to establish a production date.
    • Production: To maximize efficiency, we assembled a three-person and cameras team. One of us took care of set up the three-camera interview, then I handled a gimbal to record an inside walking tour of the church, another one was shooting some broll inside and the last one flew a drone outside for a general shoot of the place.
    • Scouting: We visited the site a day before recording and held a preliminary discussion with the priest to understand the historical chronology and identify key filming locations.
    • Script: As director, I created a script mapping out all points of interest for the walking tour.
    • Direction and photography: I provided clear instructions to my team regarding filming responsibilities and ensured consistent camera settings across all equipment.
    • Filmming: I handled a gimbal to follow our host and guest for a visit-walk in-out the church, was a good challenge to follow them and keep a nice frame of both.
    • Edition & Post-Production: I organized footage from all cameras, arranged sequences logically, putting at the beggining the initial interview with the priest, I incorporated complementary B-roll, to visually enhance the narrative. This phase included color correction, transitions, text, graphics, and effects to complete the project.

    Equipment Used for production


    • Cameras: 3 Sets of LUMIX DC-S9K
    • Microphones: DJI Mic 2
    • Tripods.
    • Gimbal stabilizator.
    • Edited in a Mac Book Pro in Final Cut Pro.


    paper TESTIMONY VIDEO PRODUCTION

    Watch it here:

    Description


    • A testimony of faith by a Woman in a Jubilee’s Retreat,
    • I took care about the camera direction, filming, editing and post production.

    Process & Methodology


    • Contacts: Our public relations officer agreed with the Christ Peace House of Prayer to record some testimonies during an scheduled retreat.
    • Production: To maximize efficiency, we assembled a three-person team. Each member used their own camera—one for the speaker shots, one for close-ups using a gimbal, and another for capturing B-roll.
    • Scouting: Once we arrived at the location, we explored the house to find the most visually appealing spots (there were many!). We decided to film each interview in a different area to keep the visuals varied and avoid repetition.
    • Direction & Cinematography: I gave clear instructions to my team regarding their filming roles and ensured that all cameras were set up with consistent settings. One of my teammates also captured B-roll footage with a drone to provide wide establishing shots and enhance the storytelling.
    • Filming: I operated the second camera, using a gimbal for smooth, dynamic shots.
    • Editing & Post-Production: I organized footage from all cameras, structured the sequences logically, and incorporated B-roll to support the narrative. I also applied LUTs and performed color correction for visual consistency.

    Equipment Used for production


    • Cameras: LUMIX DC-S9K
    • Microphones: DJI Mic 2
    • Tripod
    • Gimbal stabilizator
    • Drone: DJI Mini 4 pro
    • Edited in a Mac Book Air in Final Cut Pro.


    paper LONG-FORM YOUTUBE CONTENT (SPANISH)

    WATCH HERE:

    • Video journal for a Spanish YouTube channel.
    • I took care about edition, compilation of content, b-roll, and post-production.
    • The goal for this was to project her journal with a paced edition according to a storytelling.