Looks like you have JavaScript disabled. For the full Twine experience, you will need to re-enable it.

John J.A. Jannone is a film and media composer known for crafting bespoke electronic scores that blur the boundaries between sound design, contemporary composition, and narrative storytelling. His work is marked by a commitment to the singular and unrepeatable, shaping each project with a sonic palette designed from the ground up—textures, rhythms, and harmonic worlds built uniquely for the film they inhabit. Rather than relying on pre-existing templates or stock orchestrations, Jannone approaches every score as an audiovisual sculpture, sculpting sound to fit the precise contours of character, image, and emotion. Drawing from modular synthesis, custom sampling, and digital manipulation, he creates music that feels both intimately human and radically new—music that resonates not because it imitates, but because it belongs nowhere else but the screen it was written for. His compositions move fluidly between haunting atmospheres, propulsive rhythms, and fragile melodic fragments, always serving the deeper emotional architecture of the work. Whether scoring an experimental short, an independent feature, or a multi-platform media piece, Jannone brings a meticulous ear for detail and a restless inventiveness, ensuring each project carries its own unmistakable sound-world. At the heart of his practice is a belief that music for film and media should not be generic decoration, but an integral narrative voice—a bespoke companion to the images and stories it supports.…John J.A. Jannone is a film and media composer known for crafting bespoke electronic scores that blur the boundaries between sound design, contemporary composition, and narrative storytelling. His work is marked by a commitment to the singular and unrepeatable, shaping each project with a sonic palette designed from the ground up—textures, rhythms, and harmonic worlds built uniquely for the film they inhabit. Rather than relying on pre-existing templates or stock orchestrations, Jannone approaches every score as an audiovisual sculpture, sculpting sound to fit the precise contours of character, image, and emotion. Drawing from modular synthesis, custom sampling, and digital manipulation, he creates music that feels both intimately human and radically new—music that resonates not because it imitates, but because it belongs nowhere else but the screen it was written for. His compositions move fluidly between haunting atmospheres, propulsive rhythms, and fragile melodic fragments, always serving the deeper emotional architecture of the work. Whether scoring an experimental short, an independent feature, or a multi-platform media piece, Jannone brings a meticulous ear for detail and a restless inventiveness, ensuring each project carries its own unmistakable sound-world. At the heart of his practice is a belief that music for film and media should not be generic decoration, but an integral narrative voice—a bespoke companion to the images and stories it supports.

John J.A. Jannone





John J.A. Jannone is a film and media composer known for crafting bespoke electronic scores that blur the boundaries between sound design, contemporary composition, and narrative storytelling. His work is marked by a commitment to the singular and unrepeatable, shaping each project with a sonic palette designed from the ground up—textures, rhythms, and harmonic worlds built uniquely for the film they inhabit. Rather than relying on pre-existing templates or stock orchestrations, Jannone approaches every score as an audiovisual sculpture, sculpting sound to fit the precise contours of character, image, and emotion. Drawing from modular synthesis, custom sampling, and digital manipulation, he creates music that feels both intimately human and radically new—music that resonates not because it imitates, but because it belongs nowhere else but the screen it was written for. His compositions move fluidly between haunting atmospheres, propulsive rhythms, and fragile melodic fragments, always serving the deeper emotional architecture of the work. Whether scoring an experimental short, an independent feature, or a multi-platform media piece, Jannone brings a meticulous ear for detail and a restless inventiveness, ensuring each project carries its own unmistakable sound-world. At the heart of his practice is a belief that music for film and media should not be generic decoration, but an integral narrative voice—a bespoke companion to the images and stories it supports.…John J.A. Jannone is a film and media composer known for crafting bespoke electronic scores that blur the boundaries between sound design, contemporary composition, and narrative storytelling. His work is marked by a commitment to the singular and unrepeatable, shaping each project with a sonic palette designed from the ground up—textures, rhythms, and harmonic worlds built uniquely for the film they inhabit. Rather than relying on pre-existing templates or stock orchestrations, Jannone approaches every score as an audiovisual sculpture, sculpting sound to fit the precise contours of character, image, and emotion. Drawing from modular synthesis, custom sampling, and digital manipulation, he creates music that feels both intimately human and radically new—music that resonates not because it imitates, but because it belongs nowhere else but the screen it was written for. His compositions move fluidly between haunting atmospheres, propulsive rhythms, and fragile melodic fragments, always serving the deeper emotional architecture of the work. Whether scoring an experimental short, an independent feature, or a multi-platform media piece, Jannone brings a meticulous ear for detail and a restless inventiveness, ensuring each project carries its own unmistakable sound-world. At the heart of his practice is a belief that music for film and media should not be generic decoration, but an integral narrative voice—a bespoke companion to the images and stories it supports.

Available to hire

John J.A. Jannone is a film and media composer known for crafting bespoke electronic scores that blur the boundaries between sound design, contemporary composition, and narrative storytelling. His work is marked by a commitment to the singular and unrepeatable, shaping each project with a sonic palette designed from the ground up—textures, rhythms, and harmonic worlds built uniquely for the film they inhabit.

Rather than relying on pre-existing templates or stock orchestrations, Jannone approaches every score as an audiovisual sculpture, sculpting sound to fit the precise contours of character, image, and emotion. Drawing from modular synthesis, custom sampling, and digital manipulation, he creates music that feels both intimately human and radically new—music that resonates not because it imitates, but because it belongs nowhere else but the screen it was written for.

His compositions move fluidly between haunting atmospheres, propulsive rhythms, and fragile melodic fragments, always serving the deeper emotional architecture of the work. Whether scoring an experimental short, an independent feature, or a multi-platform media piece, Jannone brings a meticulous ear for detail and a restless inventiveness, ensuring each project carries its own unmistakable sound-world.

At the heart of his practice is a belief that music for film and media should not be generic decoration, but an integral narrative voice—a bespoke companion to the images and stories it supports.