yegor-irodov.com

Yegor Irodov

yegor-irodov.com

Language

English
Fluent
Ukrainian
Fluent
Russian
Fluent

Work Experience

Freelance Sound Editor & Sound Designer
January 1, 2018 - Present
Collaborated with multiple studios and clients to deliver sound editing, sound design, dialogue/music editing, ADR/VO recording, and re-recording/mixing for film and television projects, including sports broadcast work (Vancouver Canucks ice hockey team).
Freelance Sound Editor & Sound Designer at Independent / Freelance
January 1, 2018 - Present
Provided sound editing, design, dialogue/music editing, ADR/VO recording, and mixing for film and TV projects. Collaborated with Big World Sound, Craft Cave Sound Studio, FX Squared Sound Design Inc., DFAD (USA), Mercor (USA).
Freelance Sound Editor & Sound Designer at Freelance / Self-employed
January 1, 2018 - Present
Collaborated with studios including Big World Sound, Craft Cave Sound Studio, FX Squared Sound Design Inc., DFAD (USA), and Mercor (USA). Provided sound editing, design, dialogue/music editing, ADR/VO recording, and mixing for film and TV projects. Also contributed as a Sound Designer for Vancouver Canucks productions.
Freelance Sound Editor & Sound Designer at Independent Freelance
January 1, 2018 - Present
Collaborated with Big World Sound, Craft Cave Sound Studio, FX Squared Sound Design Inc., DFAD (USA), Mercor (USA). Provided sound editing, design, dialogue/music editing, ADR/VO recording, and mixing for film and TV projects.
Head of Sound Department, Re-recording Mixer, Sound Supervisor at Star Media Group
January 1, 2018 - October 12, 2025
Led the sound department, served as re-recording mixer and sound supervisor, supervising dialogue editing, sound effects, music editing, and final mix for multiple productions.
Freelance Sound Editor & Sound Designer at Freelance
December 31, 2017 - Present
Collaborated with Big World Sound, Craft Cave Sound Studio, FX Squared Sound Design Inc., DFAD (USA), Mercor (USA). Provided sound editing, design, dialogue/music editing, ADR/VO recording, and mixing for film and TV projects, including work for the Vancouver Canucks as a sound designer.
Head of Sound Department / Re-recording Mixer / Sound Supervisor at Star Media Group
January 1, 2006 - January 1, 2018
Led the sound department and provided re-recording mixing and sound supervision for film/TV production work at Star Media Group in Kyiv, Ukraine.
Head of Sound Department, Re-recording Mixer, Sound Supervisor at Star Media Group
January 1, 2006 - December 31, 2018
Led the sound department, oversaw re-recording mixing and supervision, and managed post-production sound workflows on film and television projects.
Re-recording Mixer, Sound Supervisor, Composer at Film UA Group
May 1, 2002 - October 1, 2006
Directed re-recording mixing and sound supervision, contributed composition work and overall sound design for Ukrainian productions.
Re-recording Mixer / Sound Supervisor / Composer at Film UA Group
January 1, 2002 - January 1, 2006
Worked as a re-recording mixer and sound supervisor and also contributed composition work as part of Film UA Group production activities in Kyiv, Ukraine.

Education

Modern Music Specialization at Berklee College of Music
January 11, 2014 - July 1, 2014
Electronics Design at Technical College of Radio Electronics, Kyiv, Ukraine
September 1, 1981 - June 1, 1985
Jazz Improvisation, Scoring, Orchestration, Composition Skills & Tools at Jazz-Pop Music Specialized School, Kyiv, Ukraine
September 1, 1981 - July 1, 1985
Modern Music Specialization at Berklee College of Music
January 1, 2014 - January 1, 2014
Electronics Design at Technical College of Radio Electronics
January 1, 1985 - January 1, 1985
Jazz Improvisation, Scoring, Orchestration, Composition at Jazz-Pop Music Specialized School
January 1, 1985 - January 1, 1985
Modern Music Specialization at Berklee College of Music
January 1, 2014 - December 1, 2025
Electronics Design at Technical College of Radio Electronics
January 1, 1985 - December 1, 2025
Jazz Improvisation, Scoring, Orchestration, Composition Skills at Jazz-Pop Music Specialized School
January 1, 1985 - December 1, 2025
Modern Music Specialization at Berklee College of Music
January 1, 2014 - January 27, 2026
Electronics Design at Technical College of Radio Electronics
January 1, 1985 - January 27, 2026
Jazz Improvisation, Scoring, Orchestration, Composition Skills & Tools at Jazz-Pop Music Specialized School
January 1, 1985 - January 27, 2026
Modern Music (specialization) at Berklee College of Music (Boston, MA)
January 1, 2014 - January 1, 2014
Technical College of Radio Electronics (Electronics Design) at Technical College of Radio Electronics (Kyiv, Ukraine)
January 1, 1985 - January 1, 1985
Jazz-Pop Music Specialized School (Jazz Improvisation, Scoring, Orchestration, Composition) at Jazz-Pop Music Specialized School (Kyiv, Ukraine)
January 1, 1985 - January 1, 1985

Qualifications

Best Sound Supervisor Award, Filming in Ukraine: Best of 10 Years
January 1, 2020 - October 12, 2025
Member & Juror, International Emmy Awards
July 1, 2015 - October 15, 2025
Juror, BANFF World Media Festival
March 1, 2015 - October 15, 2025
Member & Juror, International Emmy Awards
January 11, 2030 - January 27, 2026
Member & Juror, Academy of Canadian Cinema & Television
January 11, 2030 - January 27, 2026
Juror, BANFF World Media Festival
January 11, 2030 - January 27, 2026
LEO Awards (Winner, 2026) and LEO Awards nominations (2x)
January 1, 2026 - August 19, 2026
Member & Juror (International Emmy Awards / Academy of Canadian Cinema & Television / BANFF World Media Festival)
January 11, 2030 - August 19, 2026
Best Sound Supervisor Award (Film: FILMING IN UKRAINE: Best of 10 Years, 2020)
January 1, 2020 - August 19, 2026

Industry Experience

Media & Entertainment, Professional Services, Education, Software & Internet
    Irodov Sound Edit/Sound Design Showreel
    This reel reflects my approach to sound atmospheres — from the quiet shoreline to the hum of an industrial laundry. Each fragment highlights my attention to subtle details and textures that bring spaces to life. Beyond ambience, every scene also conveys its emotional tone and narrative context, showcasing the range and sensitivity of my work. People often ask, “Is this in 5.1?” — but no, it’s stereo. It just sounds bigger. 😉