Polina Bubennikova

For my graduation project, I did a concept design for a computer game in the adventure quest genre. To create the world, I got inspired by Scandinavian myths and legends to make the game space as deep and intense as possible. The plot centers on the lighthouse keeper, the main character. During one of the rough nights, a storm throws a huge boulder that knocks down the protective runes on the lighthouse. Taking advantage of the moment, mythical creatures were able to sneak inside and steal the rune stone that activated the mechanism and provided light. Now the main character must go on a long journey in search of the stone to return it and restart the lighthouse s light.

To create the concept for a computer game, I developed the visual environment (locations, splash art for characters and bosses, weapons), created a 3D model and final render of the lighthouse, drew the game icon, and created examples of riddles and puzzles.

https://www.twine.net/signin

You can watch my works here:
https://www.twine.net/signin
https://www.twine.net/signin
https://www.twine.net/signin
https://www.twine.net/signin

I completed a course in environment concept art with my responsibilities being:

• Creating 3D models of various objects and environments
• Drawing or designing environment models
• Researching and working with references
• Establishing lighting and angles for 3D models
• Selecting color palettes
• Drawing thumbnails and line art
• Final rendering of images in Adobe Photoshop

Adobe Photoshop, KeyShot, 3DCoat, PureRef

At Starlink we develop an indie horror simulator, where players
take on the role of a meat processing factory worker, allowing the
character to gradually lose their sanity with each passing hour,
due to increasingly vivid hallucinations.

https://www.twine.net/signin

My main responsibilities are:

1. Visual Ideas Optimization: I have analyzed visual concepts from
   the CEO and proposed improvements that enhanced game
   performance during development, laying the foundation for the
   visual design strategy.

2. Game Location Development: I created complex game location
   from scratch, integrating various interactive elements like a
   circular saw that requires sharpening and the ability to replace
   damaged tools. This approach ensured an intuitive interface,
   ultimately increasing user satisfaction.

3. Integration of 2D and 3D Graphics: I combined 2D and 3D
   elements to enhance depth perception and perspective within the
   game, adding visual complexity and realism to positively affect
   player engagement.

Adobe Photoshop, Figma, Adobe After Effects, Adobe Animate,
KeyShot, 3DCoat, PureRef