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I have been working in audio for film and television for 29 years as a Supervising Sound Editor, ADR/Dialogue supervisor, and sound designer. I manage budgeting, scheduling, and hiring of my sound team, and I work closely with clients in casting, coordinating, and directing voice talent. I wrote and performed storytelling for a live weekly show and competed at festivals. I am organized, detail-oriented, patient, and work well with others.…I have been working in audio for film and television for 29 years as a Supervising Sound Editor, ADR/Dialogue supervisor, and sound designer. I manage budgeting, scheduling, and hiring of my sound team, and I work closely with clients in casting, coordinating, and directing voice talent. I wrote and performed storytelling for a live weekly show and competed at festivals. I am organized, detail-oriented, patient, and work well with others.

Robert C. Jackson

Sound Editor, Sound Designer, Audio Engineer, +2

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I have been working in audio for film and television for 29 years as a Supervising Sound Editor, ADR/Dialogue supervisor, and sound designer. I manage budgeting, scheduling, and hiring of my sound team, and I work closely with clients in casting, coordinating, and directing voice talent. I wrote and performed storytelling for a live weekly show and competed at festivals. I am organized, detail-oriented, patient, and work well with others.…I have been working in audio for film and television for 29 years as a Supervising Sound Editor, ADR/Dialogue supervisor, and sound designer. I manage budgeting, scheduling, and hiring of my sound team, and I work closely with clients in casting, coordinating, and directing voice talent. I wrote and performed storytelling for a live weekly show and competed at festivals. I am organized, detail-oriented, patient, and work well with others.

Available to hire

I have been working in audio for film and television for 29 years as a Supervising Sound Editor, ADR/Dialogue supervisor, and sound designer. I manage budgeting, scheduling, and hiring of my sound team, and I work closely with clients in casting, coordinating, and directing voice talent.

I wrote and performed storytelling for a live weekly show and competed at festivals. I am organized, detail-oriented, patient, and work well with others.

Skills

Pro Tools

Adobe Audition

Anchor

Experience Level

Pro Tools

Expert

Adobe Audition

Expert

Anchor

Intermediate

Work Experience

Supervising Sound Editor / Dialogue/ADR Supervisor at Warner Brothers

January 1, 2015 - Present

Lead supervising sound editor and dialogue/ADR supervisor on multiple projects. Responsible for budgeting, scheduling, hiring and managing the sound team; collaborate with producers and directors on voice casting, talent direction, and ADR/lining sessions; oversee sound editorial, Foley, ambience, and final mix preparation.

Supervising Sound Editor / Dialogue/ADR Supervisor at Technicolor

January 1, 2015 - Present

Lead supervising sound editor and dialogue/ADR supervisor on various film/TV projects. Managed editorial workflow, ADR sessions, and coordination with producers and directors.

Supervising Sound Editor / Dialogue/ADR Supervisor at Formosa

January 1, 2015 - Present

Oversee sound editorial, ADR supervision, and voice talent coordination; collaborate with post-production teams to ensure timely delivery of final mixes.

Supervising Sound Editor / Dialogue/ADR Supervisor at Sony

January 1, 2013 - January 1, 2015

Led sound editorial and ADR supervision for Sony projects; responsible for budgeting, scheduling, and talent direction in collaboration with producers.

Supervising Sound Editor / Dialogue/ADR Supervisor at Wildfire Post

January 1, 2007 - January 1, 2013

Directed sound editorial, Foley, ambience editing, and ADR supervision; managed project timelines and cross-team coordination.

Supervising Sound Editor / Dialogue/ADR Supervisor at Wilshire Stages

January 1, 2003 - January 1, 2007

Oversaw editorial tasks, voice talent direction, and ADR sessions; collaborated with editors and directors to shape final sound.

Supervising Sound Editor / Dialogue/ADR Supervisor at Todd - AO Soundelux

January 1, 2001 - January 1, 2003

Managed sound editorial workflow, ADR coordination, and talent direction for a range of projects; supervised junior editors.

Supervising Sound Editor / Dialogue/ADR Supervisor at Digital Sound & Picture

January 1, 1996 - January 1, 2001

Led editorial and ADR supervision; ensured quality control across sound design, effects, and dialogue tracks.