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I am a seasoned audio professional with over three decades of experience in film, television, and games. My focus has been Supervising Sound Editing, ADR/Dialogue supervision, and sound design, where I lead budgeting, scheduling, and hiring for my sound team while collaborating closely with clients on casting, coordination, and directing voice talent. I’m organized, detail-oriented, patient, and thrive in collaborative environments. I bring a comprehensive range of skills to post-production, from ADR and dialogue to effects, foley, and music integration. I’m passionate about delivering immersive, high-quality audio experiences and mentoring teams to achieve creative and technical excellence across projects.…I am a seasoned audio professional with over three decades of experience in film, television, and games. My focus has been Supervising Sound Editing, ADR/Dialogue supervision, and sound design, where I lead budgeting, scheduling, and hiring for my sound team while collaborating closely with clients on casting, coordination, and directing voice talent. I’m organized, detail-oriented, patient, and thrive in collaborative environments. I bring a comprehensive range of skills to post-production, from ADR and dialogue to effects, foley, and music integration. I’m passionate about delivering immersive, high-quality audio experiences and mentoring teams to achieve creative and technical excellence across projects.

Robert C. Jackson

Sound Editor, Sound Designer, Audio Engineer, +4

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I am a seasoned audio professional with over three decades of experience in film, television, and games. My focus has been Supervising Sound Editing, ADR/Dialogue supervision, and sound design, where I lead budgeting, scheduling, and hiring for my sound team while collaborating closely with clients on casting, coordination, and directing voice talent. I’m organized, detail-oriented, patient, and thrive in collaborative environments. I bring a comprehensive range of skills to post-production, from ADR and dialogue to effects, foley, and music integration. I’m passionate about delivering immersive, high-quality audio experiences and mentoring teams to achieve creative and technical excellence across projects.…I am a seasoned audio professional with over three decades of experience in film, television, and games. My focus has been Supervising Sound Editing, ADR/Dialogue supervision, and sound design, where I lead budgeting, scheduling, and hiring for my sound team while collaborating closely with clients on casting, coordination, and directing voice talent. I’m organized, detail-oriented, patient, and thrive in collaborative environments. I bring a comprehensive range of skills to post-production, from ADR and dialogue to effects, foley, and music integration. I’m passionate about delivering immersive, high-quality audio experiences and mentoring teams to achieve creative and technical excellence across projects.

Available to hire

I am a seasoned audio professional with over three decades of experience in film, television, and games. My focus has been Supervising Sound Editing, ADR/Dialogue supervision, and sound design, where I lead budgeting, scheduling, and hiring for my sound team while collaborating closely with clients on casting, coordination, and directing voice talent. I’m organized, detail-oriented, patient, and thrive in collaborative environments.

I bring a comprehensive range of skills to post-production, from ADR and dialogue to effects, foley, and music integration. I’m passionate about delivering immersive, high-quality audio experiences and mentoring teams to achieve creative and technical excellence across projects.

Skills

Experience Level

Expert

Expert

Expert

Intermediate

Language

English

Fluent

Work Experience

Supervising Sound Editor / Dialogue/ADR Supervisor at Warner Brothers

January 1, 2015 - Present

Lead supervising sound editor and dialogue/ADR supervisor on multiple projects. Responsible for budgeting, scheduling, hiring and managing the sound team; collaborate with producers and directors on voice casting, talent direction, and ADR/lining sessions; oversee sound editorial, Foley, ambience, and final mix preparation.

Supervising Sound Editor / Dialogue/ADR Supervisor at Technicolor

January 1, 2015 - Present

Lead supervising sound editor and dialogue/ADR supervisor on various film/TV projects. Managed editorial workflow, ADR sessions, and coordination with producers and directors.

Supervising Sound Editor / Dialogue/ADR Supervisor at Formosa

January 1, 2015 - Present

Oversee sound editorial, ADR supervision, and voice talent coordination; collaborate with post-production teams to ensure timely delivery of final mixes.

Supervising Sound Editor / Dialogue/ADR Supervisor at Sony

January 1, 2013 - January 1, 2015

Led sound editorial and ADR supervision for Sony projects; responsible for budgeting, scheduling, and talent direction in collaboration with producers.

Supervising Sound Editor / Dialogue/ADR Supervisor at Wildfire Post

January 1, 2007 - January 1, 2013

Directed sound editorial, Foley, ambience editing, and ADR supervision; managed project timelines and cross-team coordination.

Supervising Sound Editor / Dialogue/ADR Supervisor at Wilshire Stages

January 1, 2003 - January 1, 2007

Oversaw editorial tasks, voice talent direction, and ADR sessions; collaborated with editors and directors to shape final sound.

Supervising Sound Editor / Dialogue/ADR Supervisor at Todd - AO Soundelux

January 1, 2001 - January 1, 2003

Managed sound editorial workflow, ADR coordination, and talent direction for a range of projects; supervised junior editors.

Supervising Sound Editor / Dialogue/ADR Supervisor at Digital Sound & Picture

January 1, 1996 - January 1, 2001

Led editorial and ADR supervision; ensured quality control across sound design, effects, and dialogue tracks.

Supervising Sound Editor / Dialogue/ADR Supervisor at Post Sound

January 1, 1991 - January 1, 1996

Early-career role in sound editing and ADR supervision; built foundational skills in editorial workflows and collaboration with post teams.

Supervising Sound Editor / Dialogue/ADR Supervisor at Activision

January 1, 2021 - January 1, 2023

Led the audio editorial pipeline for Call of Duty titles; managed budgeting, scheduling, and a multi-person sound team; directed ADR/dialogue sessions; collaborated with game directors and talent to deliver immersive game audio.

Supervising Sound Editor / Dialogue/ADR Supervisor at Warner Bros

January 1, 2015 - Present

Oversaw sound editorial, design, and ADR supervision for features; coordinated post workflows and mentored junior editors across multiple projects.

Supervising Sound Editor / Dialogue/ADR Supervisor at Todd-AO/Soundelux

January 1, 2001 - January 1, 2003

Directed editorial and ADR supervision for feature and television projects; managed team integration with picture editors and directors.