I have done various types of editing from shot form to feature length documentary films. Experience is primarily with Avid Media Composer and Final Cut Pro.

Charles S. Miller

I have done various types of editing from shot form to feature length documentary films. Experience is primarily with Avid Media Composer and Final Cut Pro.

Available to hire

I have done various types of editing from shot form to feature length documentary films. Experience is primarily with Avid Media Composer and Final Cut Pro.

Language

English
Fluent

Work Experience

SORNA Coordinator at Keweenaw Bay Tribal Police Department, Keweenaw Bay Indian Community
January 1, 2012 - Present
Primary in charge of KBIC sex offender registry program and KBIC’s role in the US DOJ Tribal Access Program; responsibilities include maintenance of the KBIC Sex Offender Registry, TAP workstation operations, training of officers in registration procedures, ensuring compliance with SORNA guidelines, and coordinating NCIC access with FBI/CJIS/DOJ.
Camera/Audio/Editing at Planet of the Humans - Huron Mountain Productions
January 1, 2002 - December 31, 2011
Documentary feature film/video production; camera, audio and editing work across multiple formats.
Camera Operator at Starsuckers - S2S Productions
January 1, 2009 - December 31, 2009
Camera operator for Starsuckers (2009).
Camera Operator at The Yes Men
January 1, 2009 - December 31, 2009
Additional camera work for The Yes Men Fix the World (2009).
Co-Director of Photography at Pollywog Travesty
January 1, 2009 - December 31, 2009
Co-Director of Photography and contributing editor for No Manifesto (2009).
Editor at Sensory Overload Productions
January 1, 2007 - December 31, 2007
Editor for America The Beautiful (2007).
Editor at Sharkwater
January 1, 2006 - December 31, 2006
Editor for Sharkwater (2006).
Audio Boom Operator at The Dixie Chicks – Shut Up and Sing
January 1, 2006 - December 31, 2006
Provided audio, boom operator work for Shut Up and Sing (2006).
Audio Boom Operator at Dog Eat Dog Productions
January 1, 2004 - December 31, 2004
Audio boom operator for Fahrenheit 9/11 (2004).
Audio Boom Operator at A League of Ordinary Gentlemen
January 1, 2004 - December 31, 2004
Audio boom operator for A League of Ordinary Gentlemen (2004).
Post-Production Manager at United Broadcasting
January 1, 1998 - December 31, 1999
In charge of editing staff and post-production for Michael Moore’s The Awful Truth; performed Avid editing and show assembly.
Production Assistant at Sports Illustrated Television
January 1, 1997 - December 31, 1997
Coordinated post-production processes; oversaw edit sessions and music research for The Sports Illustrated for Kids Show.
Production Coordinator/Director at Cablevision Industries/Time Warner Cable
January 1, 1992 - December 31, 1997
In charge of multi-camera studio and remote shoots; filled roles including director, technical director, floor manager, camera operator, audio and graphics.
Editor at RW Productions
January 1, 2000 - January 1, 2002
Editor and camera operator; online editing and show segments.
Avid Editor at NHL Productions
January 1, 2000 - December 31, 2000
Avid editor for NHL’s Cool Shots; highlighted stories and production support.
Avid Editor at New Jersey Network PBS
January 1, 1999 - December 31, 2000
Avid Editor and studio operations for NJN and PBS.

Education

Bachelor of Arts, Film and Television Production at Wayne State University, Detroit, MI
January 11, 2030 - January 1, 1990
Associate of Arts, Mass Communications at Henry Ford Community College, Dearborn, MI
January 11, 2030 - January 1, 1984
Avid Basic Editing at Video Central, Orlando, FL
January 11, 2030 - January 1, 1998

Qualifications

Certified trainer for Justice Telecommunications System NCIC access
January 11, 2030 - May 2, 2026

Industry Experience

Media & Entertainment, Government, Professional Services

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