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I'm Antonio Urquijo, a Spanish camera operator specializing in high-speed and aerial cinematography for commercials and feature films. Before I joined the camera department, I worked as an electronic artist on interactive installations and video art, exploring new ways to perceive and visualise concepts. In 2005 my work was exhibited at Le Fresnoy and curated by the Pompidou Museum, and I later showcased my art internationally before turning my focus to on-set cinematography. My training comes from a mix of programs and workshops, including Panavision Polska, CLR Spain, and Maine USA, plus specialized sessions in Underwater, High-Speed, Aerial, and Wheels Operating. Over the years I’ve collaborated with many Directors and DPs and developed a passion for using high-speed cameras to expand narrative possibilities on set.…I'm Antonio Urquijo, a Spanish camera operator specializing in high-speed and aerial cinematography for commercials and feature films. Before I joined the camera department, I worked as an electronic artist on interactive installations and video art, exploring new ways to perceive and visualise concepts. In 2005 my work was exhibited at Le Fresnoy and curated by the Pompidou Museum, and I later showcased my art internationally before turning my focus to on-set cinematography. My training comes from a mix of programs and workshops, including Panavision Polska, CLR Spain, and Maine USA, plus specialized sessions in Underwater, High-Speed, Aerial, and Wheels Operating. Over the years I’ve collaborated with many Directors and DPs and developed a passion for using high-speed cameras to expand narrative possibilities on set.

Antonio Urquijo

Camera Operator, Cinematographer, Director of Photography, +2

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I'm Antonio Urquijo, a Spanish camera operator specializing in high-speed and aerial cinematography for commercials and feature films. Before I joined the camera department, I worked as an electronic artist on interactive installations and video art, exploring new ways to perceive and visualise concepts. In 2005 my work was exhibited at Le Fresnoy and curated by the Pompidou Museum, and I later showcased my art internationally before turning my focus to on-set cinematography. My training comes from a mix of programs and workshops, including Panavision Polska, CLR Spain, and Maine USA, plus specialized sessions in Underwater, High-Speed, Aerial, and Wheels Operating. Over the years I’ve collaborated with many Directors and DPs and developed a passion for using high-speed cameras to expand narrative possibilities on set.…I'm Antonio Urquijo, a Spanish camera operator specializing in high-speed and aerial cinematography for commercials and feature films. Before I joined the camera department, I worked as an electronic artist on interactive installations and video art, exploring new ways to perceive and visualise concepts. In 2005 my work was exhibited at Le Fresnoy and curated by the Pompidou Museum, and I later showcased my art internationally before turning my focus to on-set cinematography. My training comes from a mix of programs and workshops, including Panavision Polska, CLR Spain, and Maine USA, plus specialized sessions in Underwater, High-Speed, Aerial, and Wheels Operating. Over the years I’ve collaborated with many Directors and DPs and developed a passion for using high-speed cameras to expand narrative possibilities on set.

Available to hire

I’m Antonio Urquijo, a Spanish camera operator specializing in high-speed and aerial cinematography for commercials and feature films. Before I joined the camera department, I worked as an electronic artist on interactive installations and video art, exploring new ways to perceive and visualise concepts.

In 2005 my work was exhibited at Le Fresnoy and curated by the Pompidou Museum, and I later showcased my art internationally before turning my focus to on-set cinematography. My training comes from a mix of programs and workshops, including Panavision Polska, CLR Spain, and Maine USA, plus specialized sessions in Underwater, High-Speed, Aerial, and Wheels Operating. Over the years I’ve collaborated with many Directors and DPs and developed a passion for using high-speed cameras to expand narrative possibilities on set.