Audio Engineer, Sound Designer, and Music Producer with 5+ years of experience in audio production, mixing, editing, and post-production. I have worked on documentary and narrative film projects, handling dialogue editing, sound design, ADR support, and final mixes from production through delivery. My background combines technical audio expertise with hands-on music creation as a producer, songwriter, and vocalist. I am proficient in Pro Tools, Logic Pro, and Ableton Live, and I enjoy exploring new technologies that improve creative workflows, including AI-powered music and audio tools. I am passionate about helping create high-quality audio experiences and enjoy collaborating with creative teams to bring projects from concept to final release.

Austin Lee Commack

Audio Engineer, Sound Designer, and Music Producer with 5+ years of experience in audio production, mixing, editing, and post-production. I have worked on documentary and narrative film projects, handling dialogue editing, sound design, ADR support, and final mixes from production through delivery. My background combines technical audio expertise with hands-on music creation as a producer, songwriter, and vocalist. I am proficient in Pro Tools, Logic Pro, and Ableton Live, and I enjoy exploring new technologies that improve creative workflows, including AI-powered music and audio tools. I am passionate about helping create high-quality audio experiences and enjoy collaborating with creative teams to bring projects from concept to final release.

Available to hire

Audio Engineer, Sound Designer, and Music Producer with 5+ years of experience in audio production, mixing, editing, and post-production. I have worked on documentary and narrative film projects, handling dialogue editing, sound design, ADR support, and final mixes from production through delivery.

My background combines technical audio expertise with hands-on music creation as a producer, songwriter, and vocalist. I am proficient in Pro Tools, Logic Pro, and Ableton Live, and I enjoy exploring new technologies that improve creative workflows, including AI-powered music and audio tools.

I am passionate about helping create high-quality audio experiences and enjoy collaborating with creative teams to bring projects from concept to final release.

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Language

Korean
Fluent
English
Fluent

Work Experience

Post Production Sound Engineer, Sound Designer, Composer at East Side Stories
March 1, 2022 - Present
Solo engineer for postproduction sound mix and design. Collaborated with composer on original music for two film projects. The Walk On: full-length documentary on Asian D1 athlete and entrepreneur; managed sound design and post production. The Spaces Between Us: 20-minute short about mother-daughter relationship; sole mixer/designer; ADR support; screened at Big Apple Film Festival 2025 and Asian Film Festival of Dallas 2025.
Audio Engineer, Sound Technician, Live Mixer at IN 2 Church
January 1, 2018 - February 1, 2021
Postproduction mix for recorded performances during 2020 quarantine services. Set up and troubleshoot live audio for bands, vocalists, choir, and orchestra. Sole audio engineer summer 2019.
Postproduction Sound Engineer, Sound Designer, Composer at East Side Stories
March 1, 2022 - Present
Single engineer for postproduction sound mix and design; collaborated with the composer on original music for two film projects; managed sound design and postproduction for The Walk On (documentary) and The Spaces Between Us (short); provided ADR support and festival screening coordination.
Postproduction Sound Engineer / Sound Designer / Composer at East Side Stories
March 1, 2022 - Present
Solo sound engineer for post-production sound mix, design, and editing. Collaborated with the composer on original music for two film projects. Worked on The Walk On, a full-length documentary about an Asian athlete and entrepreneur; managed sound design and post-production tasks including ADR and dialogue polishing. ADR support and post-production collaboration; festival screenings at Big Apple Film Festival 2025 and Asian Film Festival of Dallas 2025.

Education

Master of Science in Engineering, Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2017
Bachelor of Science, Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2016
Master of Science in Engineering, Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2017
Bachelor of Science in Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2016
Master of Science in Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2017
Bachelor of Science in Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2016
Master of Science in Engineering, Civil Engineering at Johns Hopkins University
January 11, 2030 - May 1, 2017
Bachelor of Science, Civil Engineering at Johns Hopkins University
January 11, 2030 - May 20, 2016

Qualifications

Proficient in Logic Pro X, Ableton Live, and Pro Tools
January 11, 2030 - June 17, 2026
Experience in postproduction sound editing, including recording, directing, and polishing dialogue and sound effects
January 11, 2030 - June 17, 2026
5+ years mixing and producing vocals and instruments
January 11, 2030 - June 17, 2026
Fluent in Korean
January 11, 2030 - June 17, 2026
Dean's List Recipient (Charles R. Westgate Scholarship, full-tuition)
January 11, 2030 - June 17, 2026
Charles R. Westgate Scholarship (full-tuition) | Dean's List Recipient
January 11, 2030 - June 17, 2026
Dean's List Scholarship (full-tuition)
January 11, 2030 - June 17, 2026

Industry Experience

Media & Entertainment, Professional Services