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I create motion identities, on-air graphics, and product visualizations for sports, media, and fashion brands. I've collaborated with NBA teams (Utah Jazz), international magazines, and commercial clients, and I’m comfortable with the full production pipeline—from concept to final render—plus a video production background. Core tools include Cinema 4D, Redshift, After Effects, and Premiere Pro. I also have experience in video shooting and editing, and I continually explore new techniques (including Houdini) to elevate quality, storytelling, and efficiency across projects.…I create motion identities, on-air graphics, and product visualizations for sports, media, and fashion brands. I've collaborated with NBA teams (Utah Jazz), international magazines, and commercial clients, and I’m comfortable with the full production pipeline—from concept to final render—plus a video production background. Core tools include Cinema 4D, Redshift, After Effects, and Premiere Pro. I also have experience in video shooting and editing, and I continually explore new techniques (including Houdini) to elevate quality, storytelling, and efficiency across projects.

Aleksandr Romanov

3D Designer, Motion Graphic Designer, Video Editor, +2

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I create motion identities, on-air graphics, and product visualizations for sports, media, and fashion brands. I've collaborated with NBA teams (Utah Jazz), international magazines, and commercial clients, and I’m comfortable with the full production pipeline—from concept to final render—plus a video production background. Core tools include Cinema 4D, Redshift, After Effects, and Premiere Pro. I also have experience in video shooting and editing, and I continually explore new techniques (including Houdini) to elevate quality, storytelling, and efficiency across projects.…I create motion identities, on-air graphics, and product visualizations for sports, media, and fashion brands. I've collaborated with NBA teams (Utah Jazz), international magazines, and commercial clients, and I’m comfortable with the full production pipeline—from concept to final render—plus a video production background. Core tools include Cinema 4D, Redshift, After Effects, and Premiere Pro. I also have experience in video shooting and editing, and I continually explore new techniques (including Houdini) to elevate quality, storytelling, and efficiency across projects.

Available to hire

I create motion identities, on-air graphics, and product visualizations for sports, media, and fashion brands. I’ve collaborated with NBA teams (Utah Jazz), international magazines, and commercial clients, and I’m comfortable with the full production pipeline—from concept to final render—plus a video production background.

Core tools include Cinema 4D, Redshift, After Effects, and Premiere Pro. I also have experience in video shooting and editing, and I continually explore new techniques (including Houdini) to elevate quality, storytelling, and efficiency across projects.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Language

English

Fluent

Work Experience

3D Motion designer/CG Generalist at Natura Pine LLC

November 1, 2025 - December 1, 2025

Developed a 3D motion piece showing a peach transforming from a warm, natural state into an iced product. Full production pipeline — scene creation, look development, simulations, lighting, rendering, final editing. Built particle and RBD simulations (Cinema 4D) to support the melting / freezing transition. Set up lighting and rendering in Redshift for high-contrast, product-focused visuals. Handled post-production and color grading in After Effects and Premiere Pro. Managed the project independently from concept to final delivery.

3D Motion designer/CG Generalist at KHL HC Admiral

October 15, 2025 - October 20, 2025

Worked with the KHL hockey club 'Admiral' to create broadcast animations for three home games. Tight deadline — completed the full scope within 5 days from concept to final delivery. Three unique concepts — produced a separate broadcast animation for each of the three home games, each with its own story and visual approach. Theme integration — maritime and sailor aesthetics (anchors, ropes, sea elements, port atmosphere) into the motion design. On-air / broadcast format — graphics suitable for live stadium screens and TV broadcasts. End-to-end production — handled everything from idea development to final render independently.

3D Motion designer/CG Generalist at BK Leon

March 1, 2025 - September 1, 2025

Produced two 30‑second 3D motion pieces per month for a major sports betting brand. Full creative and technical ownership of the entire production process — from concept through final sound design. Full ownership of the 3D production pipeline – modeling, texturing, lighting, camera animation, simulations, rendering, post-production. Music & sound design – selected and edited music, mixed audio for each piece to match the energy of the spot. Brand identity integration – worked with the company's signature colors and sports oriented visual language. Developed narrative twists and continuously improved quality, even under tight deadlines. Consistent output – delivered two high quality 30 second pieces every month without exception.

3D Motion Designer / CG Generalist at Utah Jazz (NBA)

August 1, 2024 - October 1, 2025

Broadcast animation for the 2024–2025 season. The goal was to merge the spirit of Utah's unique natural landscape — canyons, rocks, desert — with the energy of basketball. Researched Utah's geography to ensure accurate visual realization (canyons, rock formations). Created broadcast elements reflecting Utah's nature while keeping the NBA team identity. Full 3D production: modeling, texturing (stone / rock surfaces), lighting, camera, simulations, rendering. Seamless integration of brand assets (Utah Jazz logo, team colors). End to end ownership — from concept to final broadcast ready spot.

3D Motion Designer / CG Generalist at NL International

April 1, 2024 - June 1, 2024

Created 3D motion for an event opener. Responsible for cloth simulation, lighting, animation, and modeling. Delivered the intro sequence with text and dynamic lighting. Cloth simulation – simulated fabric movement for the event opener. Lighting – set up dynamic lighting for the intro sequence. Animation – animated 3D elements and camera movement for the opener. Full 3D production (animation, modeling, rendering).

Freelance 3D Motion designer at Self-Employed

November 1, 2021 - Present

3D motion design for sports, broadcast, and commercial brands. Full ownership of production — from concept to final delivery. Creative development — original ideas, narrative solutions, engaging visuals. Commitment to quality — improve creative output, streamline workflow, fresh ideas. Tool exploration — actively learning new techniques, including Houdini. Full 3D pipeline — modeling, texturing, lighting, camera, simulations, rendering (Cinema 4D / Redshift). Independent project management — from client discussions to final delivery.

2D Motion Designer at Fares Logistics (Remote)

June 1, 2021 - July 1, 2021

Developed a 30‑second 2D motion piece from scratch: researched references, proposed the visual concept, and coordinated with the client. Produced for a corporate event celebrating company achievements — introduced the new brand identity. 2D animation – produced an impactful animated video reflecting the brand's updated identity. Event driven format – designed for display at a corporate event (success milestones). Music & sound design – selected and edited music, created custom sound design for the full piece. Found creative and engaging animation solutions to make the piece stand out.

Freelance Video Editor / Videographer at Self-Employed

June 1, 2019 - November 1, 2021

Filmed and edited videos for local clients. Developed skills in video editing, color grading, and post‑production (Premiere Pro, After Effects). This work later evolved into 3D motion design.

Freelance 2D Motion Designer at Self-Employed

June 1, 2019 - November 1, 2021

Worked with logos, typography, and brand elements. Main tool: After Effects, with Photoshop and Illustrator for asset preparation. Developed strong 2D motion skills and a solid foundation in visual communication.