I am an AI-native cinematic video editor and generative video pipeline specialist, building end-to-end workflows from concept and prompt engineering through generation, editing, and final color-graded delivery. I combine 15+ years of traditional film and VFX craft with hands-on daily use of tools like Google Veo, Kling, and Nanobanana to produce narrative-driven content with strong character and scene consistency. I can take projects from story concept to finished output independently—script, shot planning, generation, post-production, and final cinematic color. I also supervise VFX/AI hybrid pipelines, lead post-production teams, and mentor collaborators through training focused on modern VFX-to-AI workflows.

Mathew Mosses

I am an AI-native cinematic video editor and generative video pipeline specialist, building end-to-end workflows from concept and prompt engineering through generation, editing, and final color-graded delivery. I combine 15+ years of traditional film and VFX craft with hands-on daily use of tools like Google Veo, Kling, and Nanobanana to produce narrative-driven content with strong character and scene consistency. I can take projects from story concept to finished output independently—script, shot planning, generation, post-production, and final cinematic color. I also supervise VFX/AI hybrid pipelines, lead post-production teams, and mentor collaborators through training focused on modern VFX-to-AI workflows.

Available to hire

I am an AI-native cinematic video editor and generative video pipeline specialist, building end-to-end workflows from concept and prompt engineering through generation, editing, and final color-graded delivery. I combine 15+ years of traditional film and VFX craft with hands-on daily use of tools like Google Veo, Kling, and Nanobanana to produce narrative-driven content with strong character and scene consistency.

I can take projects from story concept to finished output independently—script, shot planning, generation, post-production, and final cinematic color. I also supervise VFX/AI hybrid pipelines, lead post-production teams, and mentor collaborators through training focused on modern VFX-to-AI workflows.

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Work Experience

VFX / AI Supervisor at Independent / Freelance
June 1, 2024 - Present
Supervise visual effects production for films, documentaries, and global media projects while integrating AI-powered generative pipelines (Veo, Kling, Nanobanana) into content creation and production workflows. Design and deliver industry-focused training in AI-assisted content creation and modern VFX-to-AI hybrid workflows.
Video Post-Production Team Lead at VMG Digital, Chennai
March 1, 2022 - January 31, 2024
Led post-production teams (edit, color correction, key and roto) for global brands including Nike, Tory Burch, and Splendid.
VFX Supervisor at Artistry United, Hyderabad
June 1, 2020 - March 31, 2022
VFX Supervisor on 'Panthrand' (2022) (JC Daniel Award for Best VFX). Also worked on 'AAHA' (2021) and 'God's Own Kingdom'.
Video Retouching Team Lead at VMG Digital, Chennai
March 1, 2019 - January 31, 2020
Team lead for post-production (edit, color correction, key and roto) for Nike, Tory Burch, and Splendid.
VFX Supervisor at Artistry United, Hyderabad
June 1, 2014 - March 31, 2019
VFX site supervisor and prep artist on 'Vimanam' (2017), 'Pixelia' (2017), and 'Thotappan' (2019).
VFX Artist at Sony Pictures Imageworks, Chennai
June 1, 2008 - December 31, 2012
Roto/paint artist on major motion pictures including The Amazing Spider-Man, The Green Lantern, Terminator Salvation, The Smurfs, 2012, and Alice in Wonderland.

Education

Keltron Certified Multimedia Expert Programme (KCME) at Keltron Animation Campus, CMS College, Kottayam, Kerala
June 1, 2007 - December 31, 2008

Qualifications

Keltron Certified Multimedia Expert Programme (KCME)
June 1, 2007 - July 14, 2026

Industry Experience

Media & Entertainment, Professional Services