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Senior VFX professional with 25+ years of experience delivering lighting, look development, CG supervision, and previsualisation across major feature productions. Proven strength in leading and stabilising VFX pipelines across concurrent shows, collaborating closely with directors, DPs, and production teams to realise ambitious creative visions. Currently Lighting Supervisor at Flow VFX, leading real-time lighting pipelines in Unreal Engine. Past credits include Oscar-winning work such as The Lord of the Rings: The Return of the King (2003), The Golden Compass (2007), and Mad Max: Fury Road (2015), plus franchise work including Spider-Man, Godzilla vs. Kong, and multiple Marvel titles.…Senior VFX professional with 25+ years of experience delivering lighting, look development, CG supervision, and previsualisation across major feature productions. Proven strength in leading and stabilising VFX pipelines across concurrent shows, collaborating closely with directors, DPs, and production teams to realise ambitious creative visions. Currently Lighting Supervisor at Flow VFX, leading real-time lighting pipelines in Unreal Engine. Past credits include Oscar-winning work such as The Lord of the Rings: The Return of the King (2003), The Golden Compass (2007), and Mad Max: Fury Road (2015), plus franchise work including Spider-Man, Godzilla vs. Kong, and multiple Marvel titles.

Jensen Tom

Lighting, VFX Supervisor, Visual Effects Artist, +1

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Senior VFX professional with 25+ years of experience delivering lighting, look development, CG supervision, and previsualisation across major feature productions. Proven strength in leading and stabilising VFX pipelines across concurrent shows, collaborating closely with directors, DPs, and production teams to realise ambitious creative visions. Currently Lighting Supervisor at Flow VFX, leading real-time lighting pipelines in Unreal Engine. Past credits include Oscar-winning work such as The Lord of the Rings: The Return of the King (2003), The Golden Compass (2007), and Mad Max: Fury Road (2015), plus franchise work including Spider-Man, Godzilla vs. Kong, and multiple Marvel titles.…Senior VFX professional with 25+ years of experience delivering lighting, look development, CG supervision, and previsualisation across major feature productions. Proven strength in leading and stabilising VFX pipelines across concurrent shows, collaborating closely with directors, DPs, and production teams to realise ambitious creative visions. Currently Lighting Supervisor at Flow VFX, leading real-time lighting pipelines in Unreal Engine. Past credits include Oscar-winning work such as The Lord of the Rings: The Return of the King (2003), The Golden Compass (2007), and Mad Max: Fury Road (2015), plus franchise work including Spider-Man, Godzilla vs. Kong, and multiple Marvel titles.

Available to hire

Senior VFX professional with 25+ years of experience delivering lighting, look development, CG supervision, and previsualisation across major feature productions. Proven strength in leading and stabilising VFX pipelines across concurrent shows, collaborating closely with directors, DPs, and production teams to realise ambitious creative visions.

Currently Lighting Supervisor at Flow VFX, leading real-time lighting pipelines in Unreal Engine. Past credits include Oscar-winning work such as The Lord of the Rings: The Return of the King (2003), The Golden Compass (2007), and Mad Max: Fury Road (2015), plus franchise work including Spider-Man, Godzilla vs. Kong, and multiple Marvel titles.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Work Experience

Lighting Supervisor at Flow VFX

May 1, 2025 - Present

Lighting supervision across productions, supporting real-time lighting pipeline development and operational consistency.

Lighting Supervisor at Flow VFX

May 1, 2025 - Present

Lighting supervision across productions, supporting real-time lighting pipeline development and operational consistency.

Lighting Supervisor at Flow VFX

May 1, 2025 - Present

Leading real-time lighting pipelines in Unreal Engine, establishing standards and workflows for virtual production.

VFX Supervisor (Lighting Supervisor) at Flying Bark Productions

October 1, 2021 - April 30, 2025

Supervised VFX across multiple simultaneous high-profile streaming productions with different client pipelines and delivery requirements. Implemented unified shot management and review workflows across Stranger Things, Avatar: The Last Airbender, and What If...? to reduce cross-show version confusion and delivery errors.

Previs Supervisor at ProxiVR

July 1, 2021 - October 1, 2021

Collaborated directly with the director on previs sequences in Unreal Engine, visualising large-scale action sequences ahead of principal photography.

Senior Lighter at Alt VFX

July 1, 2020 - July 1, 2021

Lighting and look development for high-profile Australian and international television commercials.

CG Supervisor (Lighting Supervisor roles within) at Mill Film

March 1, 2019 - March 1, 2020

CG supervision and previs supervision. Stabilised fragmented lighting and rendering pipelines across concurrent feature productions; standardised look development libraries and shot tracking to reduce rework and deliver multiple features simultaneously.

CG Supervisor (Lighting Supervisor roles within) at Cutting Edge

January 1, 2017 - February 1, 2019

CG supervision across multiple productions, supporting lighting/CG delivery.

Lighting Lead (Look Development / Lead Lighting) at Method Studios

January 1, 2012 - January 1, 2017

Led look development and lighting for major feature productions, including Spider-Man: Homecoming and Mad Max: Fury Road (Academy Award – Best Visual Effects). Delivered leading lighting across multiple high-profile films and sequences.

Senior Lighter at Dr. D Studios

January 1, 2011 - November 1, 2011

Senior lighting responsibilities including Happy Feet 2.

CG Supervisor at Cinesite

May 1, 2009 - October 1, 2010

CG supervision for The Chronicles of Narnia: The Voyage of the Dawn Treader and senior lighter work on Prince of Persia: The Sands of Time.

Senior Lighter at MPC (Moving Picture Company)

December 1, 2008 - April 30, 2009

Lighting and look development for Night at the Museum: Battle of the Smithsonian; look development/lighting for The Wolfman.

Lighting Lead (Look Dev / Lighting) at Cinesite

November 1, 2006 - November 1, 2008

Look development and lighting, including lead roles on The Golden Compass (Academy Award – Best Visual Effects) as sequence lead / look dev.