I am a storyboard artist with a professional background in film and television. I graduated from the Institute of Cinema and Television (GITR) with a degree in Film, TV, and Visual Effects Art Direction. For over six years, I have been creating storyboards for advertising projects, animated videos, short animated films, and various other visual productions. I work in both color and black-and-white formats, creating storyboards using pencil, gouache, and digital techniques. I also have professional experience as a production designer in film and video production, which allows me to understand the specifics of the filmmaking process, the collaboration between directors, cinematographers, and art departments, as well as the principles of visual storytelling and shot composition. My work is based on strong academic knowledge of drawing and painting. I have a solid understanding of composition, anatomy, perspective, lighting, and color theory. I can work in different visual styles, adapt to the requirements of a project, and create artwork based on references. My goal is not only to visualize individual shots but also to help communicate the director’s vision and develop a strong visual language for each story. Portfolio: _Website not available. Sign in: https://www.twine.net/signup_

Anastasia Tanchenko

I am a storyboard artist with a professional background in film and television. I graduated from the Institute of Cinema and Television (GITR) with a degree in Film, TV, and Visual Effects Art Direction. For over six years, I have been creating storyboards for advertising projects, animated videos, short animated films, and various other visual productions. I work in both color and black-and-white formats, creating storyboards using pencil, gouache, and digital techniques. I also have professional experience as a production designer in film and video production, which allows me to understand the specifics of the filmmaking process, the collaboration between directors, cinematographers, and art departments, as well as the principles of visual storytelling and shot composition. My work is based on strong academic knowledge of drawing and painting. I have a solid understanding of composition, anatomy, perspective, lighting, and color theory. I can work in different visual styles, adapt to the requirements of a project, and create artwork based on references. My goal is not only to visualize individual shots but also to help communicate the director’s vision and develop a strong visual language for each story. Portfolio: _Website not available. Sign in: https://www.twine.net/signup_

Available to hire

I am a storyboard artist with a professional background in film and television. I graduated from the Institute of Cinema and Television (GITR) with a degree in Film, TV, and Visual Effects Art Direction.

For over six years, I have been creating storyboards for advertising projects, animated videos, short animated films, and various other visual productions. I work in both color and black-and-white formats, creating storyboards using pencil, gouache, and digital techniques.

I also have professional experience as a production designer in film and video production, which allows me to understand the specifics of the filmmaking process, the collaboration between directors, cinematographers, and art departments, as well as the principles of visual storytelling and shot composition.

My work is based on strong academic knowledge of drawing and painting. I have a solid understanding of composition, anatomy, perspective, lighting, and color theory. I can work in different visual styles, adapt to the requirements of a project, and create artwork based on references.

My goal is not only to visualize individual shots but also to help communicate the director’s vision and develop a strong visual language for each story.

Portfolio:
Website not available. Sign in: https://www.twine.net/signup

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Work Experience

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Education

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Qualifications

Storyboard Artist
September 10, 2020 - December 28, 2025

Industry Experience

Media & Entertainment
    Detective Void
    The storyboard consists of approximately 100 frames and was created digitally in a black-and-white color palette with selective color accents. The story follows seven magical red spheres that symbolize seven serpents bringing misfortune to humanity. The characters attempt to destroy these mysterious artifacts, only to discover that they cannot be destroyed. The storyboard was created based on the studio's script, visual references, and production guidelines. The main objective was to develop a clear sequence of shots, strong compositions, and cinematic camera angles to create a dynamic and easy-to-follow visual narrative. https://www.twine.net/signin
    White Fang
    Storyboard of a scene from Jack London's novel "White Fang" for a diploma project. The storyboard consists of 60 hand-painted frames, created with brown gouache on paper using traditional techniques. This episode provides an opportunity to present the Native American village while revealing its architecture, everyday life, and atmosphere. In this scene, White Fang runs away from his mother and encounters Lip-Lip. A fight breaks out between the two cubs, ending with White Fang's defeat. After returning to his mother, he sets off once again to explore his surroundings and wanders into the village. Curious about the people, he watches them gathering firewood while Gray Beaver prepares a campfire. Having never seen fire before, White Fang cautiously approaches it and tries to lick the flames. Burned by the heat, he yelps in pain and runs away as the villagers burst into laughter. Special attention was given to cinematic composition, shot variety, and camera angles in order to convey the emotional development of the scene and create a visually engaging sequence suitable for film production. https://www.twine.net/signin