Audio Post Engineer & Award-Winning Sound Designer bringing clarity, emotion, and polish to every project. I led sound design, mixing, and mastering on Unicorn Girl (the fastest Apple Original to reach 1 million downloads in under three weeks), Scamanda (U.S. #1 Podcast, 2023), and Surviving El Chapo (NY Radio Awards Bronze Winner).
My expertise spans podcast, narrative, and game-adjacent audio: DAWs like Pro Tools, Logic Pro, Adobe Premiere Pro, dialogue & VO editing, clean audio workflows, bespoke sound effects and ambience, and final masters that meet broadcast/streaming specs. I thrive under tight deadlines, am detail-driven, and passionate about storytelling through sound. Always refining workflow, mix templates, and asset versioning to ensure every deliverable sounds its best.
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- Dialogue Editing – ensuring clear, professional voiceover delivery for maximum impact
- Sound Design – creating subtle but engaging audio elements that supported the brand’s storytelling and kept the spot dynamic
- Final Mix – balancing dialogue, SFX, and music into a polished, broadcast-ready master that met commercial standards
Bruce Clay – SEO Company Commercial
Role: Sound Editing · Sound Design · Mixing
I handled the complete audio post-production for a commercial campaign by Bruce Clay, a leading SEO company.
My work included:
The goal was to make a technical subject feel approachable and engaging. By using precise sound design and a tight mix, the commercial delivers its message clearly while keeping the energy and pace lively.
Link:
- Dialogue Editing – polishing actor dialogue to ensure clarity and comedic timing
- Audio Cleanup – repairing production audio to meet broadcast quality
Jumanji Promo – Commercial
Role: Sound Editing
I contributed as Sound Editor on a high-profile promotional spot for Jumanji, featuring Dwayne “The Rock” Johnson, Jack Black, Kevin Hart, and Karen Gillan.
My responsibilities included:
Being part of a promo for such a major franchise meant working to tight deadlines while ensuring the audio matched the energy and humor of the visuals. The result was a polished, broadcast-ready spot that highlighted both the personalities of the cast and the playful tone of the campaign.
Link:
- Dialogue Editing – refined and repaired location audio for clarity and natural flow
- Sound Design – built a tense atmosphere with layered ambiences, hard-hitting effects, and subtle textures to heighten dramatic moments
- Final Mix – balanced dialogue, effects, and music into a cohesive, cinematic track ready for delivery
Vice Grip – Short Film
Role: Audio Post-Production (Dialogue · Sound Design · Final Mix)
For Vice Grip, an intense short film with a gritty, raw aesthetic, I was responsible for the complete audio post workflow:
The sound was crafted to match the film’s darker tone—immersive, edgy, and emotionally charged.
Link:
- Dialogue Editing – cleaned and balanced raw recordings for clarity and emotional impact
- Sound Design – created unsettling ambiences, textures, and SFX that build tension and heighten the surreal atmosphere
- Mixing – delivered a final mix that blends dialogue, music, and design into an immersive, cinematic soundscape
Somniphobia – Short Film
Role: Audio Post-Production (Editing · Sound Design · Mix)
For Somniphobia, a psychological short film exploring the tension between dream and reality, I handled the entire audio post-production pipeline:
The result is an audio experience that mirrors the film’s psychological themes—using sound not just to support the story but to amplify its unease and intensity.
This podcast reached top of the charts in just a few hours. A true crime series with big plot twists. I contributed with the edit, sound design and music edit creating an immersive experience.
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