Composer + Audio Engineer at Crooked Media

Developed brand strategy and sonic identity for new podcasts and campaigns; aligned creative direction in compositions with audience insights to increase listener retention. Created cross-platform content (audio for trailers, teasers, short-form video) for show launches and social engagement. Oversaw production workflows across multiple campaigns, coordinating with producers, talent, and external partners. Directed studio and remote (Zoom & Riverside) recording sessions for network podcasts, mixed with Pro Tools. Established and systematized the network's in-house music library to align with brand standards.

Composer + Audio Engineer at Crooked Media

Oversaw the creation of theme compositions and audio assets for new shows, establishing the brand's audio identity and style to drive audience engagement. Implemented and systemized the network’s in-house music library. Composed and established Crooked’s first sonic ID tag featured on all content. Directed studio and remote recording sessions for network podcasts. Utilized Descript and Pro Tools to edit, mix, score, and sound design podcasts within Crooked’s catalogue.

Audio Producer + Composer at The New York Times / The Athletic (Scoops City with Diana Russini)

Created the sonic strategy for The Athletic’s NFL show; composed the theme music and audio assets.

Guest Lecturer at Film Heritage Foundation Biennial Audio-Visual Summer School

Instructed students on the historical progression of film audio technology from early to mid-20th century; introduced digital audio fundamentals and conducted detailed examination of film audio restoration practices, achieving increased knowledge retention and engagement. Developed comprehensive lesson plans and hands-on workshops focused on audio restoration techniques, engaging 50+ participants and achieving a 95% satisfaction rate. Facilitated discussions on best practices in sound mixing and audio recording.

Guest Lecturer at Film Heritage Foundation Biennial Audio-Visual Summer School

Instructed students on the historical progression of film audio technology; introduced digital audio fundamentals; conducted detailed examinations of film audio restoration practices; students reported increased knowledge retention and engagement.

Composer (Live Multimedia A/V Exhibit) at SOHO House

Composed for a live multimedia A/V exhibit at the SOHO House.

Audio Editor + Restoration Engineer at The Criterion Collection

Industry-leading restoration of film audio assets; major restorations including Blue Velvet, Midnight Cowboy, The Breakfast Club and ~200 other titles — using Pro Tools, Izotope RX and various software suites.

Audio Editor + Restoration Engineer at The Criterion Collection

Led industry-leading restoration of film audio assets, including major restorations such as Blue Velvet, Midnight Cowboy, and The Breakfast Club with approximately 200 other titles, utilizing Pro Tools, Izotope RX, and other software suites. Edited and mixed documentary content, supplementary materials, and feature-length in-house productions. Maintained production schedules for broadcast and product delivery. Collaborated with talent, producers, visual restoration engineers, and quality control to facilitate ideal production outcomes.