Here you can find my video game music portfolio, featuring projects focused on adaptive composition, orchestration, and immersive audio design.

One of the projects consists of a musical reimagining inspired by the game Ori and the Blind Forest, where I composed original music for four different gameplay states: menu, exploration, combat, and puzzle sections. The combat and puzzle tracks were designed using vertical remixing techniques, allowing the music to evolve dynamically according to gameplay. All tracks were created as seamless loops to ensure smooth integration and immersion during extended gameplay sessions.

The portfolio also includes my work for the Fortnite map Viking Odyssey, featuring orchestral and Nordic-inspired music written for different in-game environments and combat moments, as well as music composed for a game jam project.

All music in these projects was fully composed and produced by me.

You can listen it here: https://youtube.com/playlist?list=PLGkNf4sviQHCwkPOCZBoplf7JaB1b9_IA&si=jflffcGkemkw8UlM

his film scoring portfolio showcases my work composing music for scenes across different cinematic genres, including drama, action, epic fantasy, and suspense. Each piece was created to support the emotional narrative of the scene, enhancing tension, atmosphere, and storytelling through music.

The portfolio demonstrates my ability to adapt to different cinematic styles and emotional contexts, from intimate and emotional dramatic moments to large-scale orchestral action and epic sequences. It also includes suspense-driven cues focused on tension, pacing, and psychological atmosphere.

My approach to film scoring centers on understanding the emotions, rhythm, and narrative intention behind each scene in order to create music that feels deeply connected to the visual experience.

All music featured in this portfolio was fully composed, orchestrated, and produced by me.

You can listen it here: https://youtube.com/playlist?list=PLGkNf4sviQHD3feCQAY8-OzH0fzcagCLL&si=8YkAVxree4i-LVml

Here you can find my video game music portfolio, featuring projects focused on adaptive composition, orchestration, and immersive audio design.

One of the projects consists of a musical reimagining inspired by the game Ori and the Blind Forest, where I composed original music for four different gameplay states: menu, exploration, combat, and puzzle sections. The combat and puzzle tracks were designed using vertical remixing techniques, allowing the music to evolve dynamically according to gameplay. All tracks were created as seamless loops to ensure smooth integration and immersion during extended gameplay sessions.

The portfolio also includes my work for the Fortnite map Viking Odyssey, featuring orchestral and Nordic-inspired music written for different in-game environments and combat moments, as well as music composed for a game jam project.

All music in these projects was fully composed and produced by me.

You can listen it here: https://youtube.com/playlist?list=PLGkNf4sviQHCwkPOCZBoplf7JaB1b9_IA&si=jflffcGkemkw8UlM

I composed the original soundtrack for the 2024 Fortnite map Viking Odyssey, creating immersive medieval and Viking-inspired music for three different stages of the game.

The project involved composing seamless looping tracks designed to adapt naturally to gameplay and maintain immersion during extended play sessions. Each piece was written using orchestral arrangements combined with historical instruments inspired by those used during the Viking and medieval eras.

The soundtrack was created for:

a Viking village environment,
an exploration/forest area,
and an intense combat sequence.

The goal was to enhance the player’s immersion and support the progression of the gameplay through dynamic and thematic music inspired by Nordic culture and medieval aesthetics.

I worked on composition, orchestration, thematic development, and atmospheric design to give each stage its own musical identity while maintaining a cohesive experience throughout the entire map.

You can listen the music with the gameplay here: