Hi, I’m a composer and 3D artist working with orchestral soundtrack music, cinematic audio, and Unreal Engine environments. I create original music for films, trailers, games, and other media projects, focusing on orchestral, atmospheric, and cinematic styles. My work includes composition, orchestration, music production, and sound design. I aim to deliver music that supports the story, mood, and pacing of a project without unnecessary complexity. Alongside music, I create 3D scenes and cinematic visuals in Unreal Engine. My experience includes environment creation, lighting, rendering, animation, and visual storytelling for short films, trailers, and digital media. I enjoy working on projects that combine sound and visuals, helping clients develop a consistent atmosphere across both. Whether the task is creating an orchestral score, building a cinematic environment, or contributing to a larger production pipeline, I focus on clear communication, reliability, and practical results. Interested in creative collaborations and freelance opportunities.…Hi, I’m a composer and 3D artist working with orchestral soundtrack music, cinematic audio, and Unreal Engine environments. I create original music for films, trailers, games, and other media projects, focusing on orchestral, atmospheric, and cinematic styles. My work includes composition, orchestration, music production, and sound design. I aim to deliver music that supports the story, mood, and pacing of a project without unnecessary complexity. Alongside music, I create 3D scenes and cinematic visuals in Unreal Engine. My experience includes environment creation, lighting, rendering, animation, and visual storytelling for short films, trailers, and digital media. I enjoy working on projects that combine sound and visuals, helping clients develop a consistent atmosphere across both. Whether the task is creating an orchestral score, building a cinematic environment, or contributing to a larger production pipeline, I focus on clear communication, reliability, and practical results. Interested in creative collaborations and freelance opportunities.WWW…
Hi, I’m a composer and 3D artist working with orchestral soundtrack music, cinematic audio, and Unreal Engine environments. I create original music for films, trailers, games, and other media projects, focusing on orchestral, atmospheric, and cinematic styles. My work includes composition, orchestration, music production, and sound design. I aim to deliver music that supports the story, mood, and pacing of a project without unnecessary complexity. Alongside music, I create 3D scenes and cinematic visuals in Unreal Engine. My experience includes environment creation, lighting, rendering, animation, and visual storytelling for short films, trailers, and digital media. I enjoy working on projects that combine sound and visuals, helping clients develop a consistent atmosphere across both. Whether the task is creating an orchestral score, building a cinematic environment, or contributing to a larger production pipeline, I focus on clear communication, reliability, and practical results. Interested in creative collaborations and freelance opportunities.…Hi, I’m a composer and 3D artist working with orchestral soundtrack music, cinematic audio, and Unreal Engine environments. I create original music for films, trailers, games, and other media projects, focusing on orchestral, atmospheric, and cinematic styles. My work includes composition, orchestration, music production, and sound design. I aim to deliver music that supports the story, mood, and pacing of a project without unnecessary complexity. Alongside music, I create 3D scenes and cinematic visuals in Unreal Engine. My experience includes environment creation, lighting, rendering, animation, and visual storytelling for short films, trailers, and digital media. I enjoy working on projects that combine sound and visuals, helping clients develop a consistent atmosphere across both. Whether the task is creating an orchestral score, building a cinematic environment, or contributing to a larger production pipeline, I focus on clear communication, reliability, and practical results. Interested in creative collaborations and freelance opportunities.WWWW…
Available to hire
Hi, I’m a composer and 3D artist working with orchestral soundtrack music, cinematic audio, and Unreal Engine environments.
I create original music for films, trailers, games, and other media projects, focusing on orchestral, atmospheric, and cinematic styles. My work includes composition, orchestration, music production, and sound design. I aim to deliver music that supports the story, mood, and pacing of a project without unnecessary complexity.
Alongside music, I create 3D scenes and cinematic visuals in Unreal Engine. My experience includes environment creation, lighting, rendering, animation, and visual storytelling for short films, trailers, and digital media.
I enjoy working on projects that combine sound and visuals, helping clients develop a consistent atmosphere across both. Whether the task is creating an orchestral score, building a cinematic environment, or contributing to a larger production pipeline, I focus on clear communication, reliability, and practical results.
Interested in creative collaborations and freelance opportunities.
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Language
English
Fluent
Ukrainian
Fluent
Work Experience
Freelance Digital Artist & Composer at Ukraine
January 1, 2018 - PresentConceptualize, design and deliver full-scale CGI projects combining visuals, original music and sound design for clients across digital media, games, commercials and short films.
Co-Founder & Director of 3D Motion Design at Augle, Inc.
January 1, 2022 - January 1, 2025Co-founded a startup focused on experiential 3D motion design and visual content for digital marketing campaigns; oversaw creative direction for major campaigns (e.g., Augle × Nike Air Max 90), led a small team of 3D artists, animators and compositors; established workflows, supervised quality-control, and liaised with clients and stakeholders.
Education
Master of Finance and Marketing at ZIEIT
September 1, 2010 - January 1, 2014Qualifications
Industry Experience
Media & Entertainment, Gaming, Professional Services
Zombie Survival | An Unreal Engine Animated Short
SYNOPSIS
Zombie Survival is an animated project created in the Unreal Engine, presented in a post-apocalyptic, dystopian style.
The main foundations on which the project was built include the client’s script, stylistic criteria, the appearance of the characters, and the overall look of the environment. In addition to CGI, the project also features sound design, an original soundtrack composed of three distinct pieces, and voice-over. However, there is little dialogue in the project, so the main focus was placed on animation, soundtrack, and sound effects.
The project features three main survivor characters. Each character was created separately, with their own clothing, hairstyle, gear, and animations. The main location of the short film is a gas station — the base environment initially created. Other locations were built around this central gas station area.
Various cinematic references were used in the project, particularly in the composition and color grading. One of the most notable references was Blade Runner 2049, chosen for its post-apocalyptic/dystopian tone and color palette.
The soundtrack was composed using different modal structures: E Phrygian Dominant for the opening section, D Phrygian Dominant for the action scenes, and C Harmonic Minor for the closing part, giving it a more gothic tone.
The sound effect sequence includes actions of the main characters, zombie sounds, environmental noises, and ambience.
Character creation was done in Character Creator, animation in iClone, assembly and rendering of locations, characters, animations, and environments in Unreal Engine, editing, effects, and color grading in DaVinci Resolve, and the sound design and soundtrack production in Cubase.
CLIENT
Quazi Mojo.
CREDIT
Script, Character & 3D Model Design Descriptions, Environment & Location Design Descriptions, Style Direction, Soundtrack Concept: Quazi Mojo.
Character Assembly, 3D Model Assembly, Animation, Environment Design, Lighting, Rendering, Editing, Color Grading, Soundtrack Composition, Sound Design, Mixing & Mastering: Artem Beliakov.
TOOLS
Unreal Engine 5, Davinci Resolve, Character Creator, Iclone, Quixel Megascans, KitBash3D, Cubase.…SYNOPSIS
Zombie Survival is an animated project created in the Unreal Engine, presented in a post-apocalyptic, dystopian style.
The main foundations on which the project was built include the client’s script, stylistic criteria, the appearance of the characters, and the overall look of the environment. In addition to CGI, the project also features sound design, an original soundtrack composed of three distinct pieces, and voice-over. However, there is little dialogue in the project, so the main focus was placed on animation, soundtrack, and sound effects.
The project features three main survivor characters. Each character was created separately, with their own clothing, hairstyle, gear, and animations. The main location of the short film is a gas station — the base environment initially created. Other locations were built around this central gas station area.
Various cinematic references were used in the project, particularly in the composition and color grading. One of the most notable references was Blade Runner 2049, chosen for its post-apocalyptic/dystopian tone and color palette.
The soundtrack was composed using different modal structures: E Phrygian Dominant for the opening section, D Phrygian Dominant for the action scenes, and C Harmonic Minor for the closing part, giving it a more gothic tone.
The sound effect sequence includes actions of the main characters, zombie sounds, environmental noises, and ambience.
Character creation was done in Character Creator, animation in iClone, assembly and rendering of locations, characters, animations, and environments in Unreal Engine, editing, effects, and color grading in DaVinci Resolve, and the sound design and soundtrack production in Cubase.
CLIENT
Quazi Mojo.
CREDIT
Script, Character & 3D Model Design Descriptions, Environment & Location Design Descriptions, Style Direction, Soundtrack Concept: Quazi Mojo.
Character Assembly, 3D Model Assembly, Animation, Environment Design, Lighting, Rendering, Editing, Color Grading, Soundtrack Composition, Sound Design, Mixing & Mastering: Artem Beliakov.
TOOLS
Unreal Engine 5, Davinci Resolve, Character Creator, Iclone, Quixel Megascans, KitBash3D, Cubase.WW…
AUGLE | THE COURSE
SYNOPSIS
"The Course" is a concise guide to recent creative endeavors. It is not a single-themed conceptual work but rather a montage of several pieces seamlessly woven into one. The essence of "The Course" lies in illuminating the significance of labor and learning, in the potential for realizing ideas and aspirations, thanks to the modern tools and software at our disposal.
CREDIT
Team: Augle.
Director: Cory Kelly.
Design, Animation, Sound Design: Artem Beliakov.
Music: Oldways - Cursed Violin.
TOOLS
Unreal Engine 5, Cinema 4D, After Effects, Quixel Megascans, KitBash3D.…SYNOPSIS
"The Course" is a concise guide to recent creative endeavors. It is not a single-themed conceptual work but rather a montage of several pieces seamlessly woven into one. The essence of "The Course" lies in illuminating the significance of labor and learning, in the potential for realizing ideas and aspirations, thanks to the modern tools and software at our disposal.
CREDIT
Team: Augle.
Director: Cory Kelly.
Design, Animation, Sound Design: Artem Beliakov.
Music: Oldways - Cursed Violin.
TOOLS
Unreal Engine 5, Cinema 4D, After Effects, Quixel Megascans, KitBash3D.WW…
AUGLE x NIKE AIR MAX 90
SYNOPSIS
3D motion project - Augle x Nike Air Max 90.
CREDIT
Team: Augle.
Creative Director: Cory Kelly.
Design, animation, sound design: Artem Beliakov.
Music: Big Time ft. Mr. Chantilly & Avila - St. Society.
TOOLS
Unreal Engine 5, Quixel Megascans, KitBash3D, Cinema 4D, After Effects.…SYNOPSIS
3D motion project - Augle x Nike Air Max 90.
CREDIT
Team: Augle.
Creative Director: Cory Kelly.
Design, animation, sound design: Artem Beliakov.
Music: Big Time ft. Mr. Chantilly & Avila - St. Society.
TOOLS
Unreal Engine 5, Quixel Megascans, KitBash3D, Cinema 4D, After Effects.WW…
Unreal Engine 5 I Buffalo Sneakers
SYNOPSIS
Unreal Engine 5 personal sneaker animation project.
CREDIT
Design, animation, sound design by Artem Beliakov.
Music by Daylight - RYYZN.
(Creative Commons - Attribution 3.0 Unported - CC BY 3.0).
https://soundcloud.com/ryyzn
TOOLS
Unreal Engine 5, Quixel Megascans, Cinema 4D, After Effects.…SYNOPSIS
Unreal Engine 5 personal sneaker animation project.
CREDIT
Design, animation, sound design by Artem Beliakov.
Music by Daylight - RYYZN.
(Creative Commons - Attribution 3.0 Unported - CC BY 3.0).
https://soundcloud.com/ryyzn
TOOLS
Unreal Engine 5, Quixel Megascans, Cinema 4D, After Effects.WW…
Along The Silent Path 2 — Cinematic Orchestral Album
Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signin…Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signinWW…
ALONG THE SILENT PATH 2 - Talking to Someone | Cinematic Orchestral Music
Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signin…Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signinWW…
ALONG THE SILENT PATH 2 - Under the Grass | Cinematic Orchestral Music
Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signin…Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signinWW…
ALONG THE SILENT PATH 2 - Road to the North | Cinematic Orchestral Music
Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signin…Album Overview
Along The Silent Path 2 is an orchestral music album in the detective and adventure genres. The music is intended to fit, or could potentially fit, various films, animated films, television series, and documentary works where music of older eras and detective-style adventures is needed. The compositions were inspired by the works of composers such as Hans Zimmer, John Williams, Jerry Goldsmith, and Danny Elfman. Inspiration also comes from stories about Sherlock Holmes, tales of pirates from past centuries, the illustrated stories of Hergé about Tintin, and the atmosphere of the Caribbean islands and Easter Island with its famous stone statues.
The album contains ten tracks of different types and orchestration, yet they share a single thread—connecting elements that allow the album to function as a unified and cohesive whole.
What about the album cover? The cover serves as a visual element that helps recreate the atmosphere of the album’s universe. It features imagery reminiscent of Caribbean islands, an old ship sailing its course, a hero standing on a cliff who resembles a protagonist from classic detective adventures, and a statue in the style of the stone figures of Easter Island.
The style and sound of the album combine something of the character of older musical compositions from past eras with a modern approach.
Credits
Composer, Mixing & Mastering – Artem Beliakov
🔹 Album Title: Along The Silent Path 2
🔹 Genres: Orchestral, Cinematic, Soundtrack
🔹 Mood: Mysterious, Adventurous
📩 For Licensing & Inquiries: https://www.twine.net/signinWW…
[FREE] SCH Type Beat - "Ground Ain’t Safe Beat" | Epic Violins 2026
🎧 Purchase / Download (Instant Delivery):
https://airbit.com/share/beliakovworks/ground-aint-safe
📩 Contact:
EMAIL: https://www.twine.net/signin
IG: https://instagram.com/beliakovworks/
—
"Ground Ain’t Safe" - Epic Dark / Drill]
BPM: (142)
Key: (D♯ min / E♭ min)
✔ Trackouts (Stems) Available
✔ Instant Delivery
✔ Free for Non-Profit (Credit Required)…🎧 Purchase / Download (Instant Delivery):
https://airbit.com/share/beliakovworks/ground-aint-safe
📩 Contact:
EMAIL: https://www.twine.net/signin
IG: https://instagram.com/beliakovworks/
—
"Ground Ain’t Safe" - Epic Dark / Drill]
BPM: (142)
Key: (D♯ min / E♭ min)
✔ Trackouts (Stems) Available
✔ Instant Delivery
✔ Free for Non-Profit (Credit Required)WW…
[FREE] Headie One Type Beat - "Cloud Steps" | Dark UK Drill 2026
🎧 Purchase / Download (Instant Delivery):
https://airbit.com/share/beliakovworks/cloud-steps
📩 Contact:
EMAIL: https://www.twine.net/signin
IG: https://instagram.com/beliakovworks/
—
"Cloud Steps" - Dark / Hip-Hop]
BPM: (143)
Key: (C♯ min / D♭ min)
✔ Trackouts (Stems) Available
✔ Instant Delivery
✔ Free for Non-Profit (Credit Required)…🎧 Purchase / Download (Instant Delivery):
https://airbit.com/share/beliakovworks/cloud-steps
📩 Contact:
EMAIL: https://www.twine.net/signin
IG: https://instagram.com/beliakovworks/
—
"Cloud Steps" - Dark / Hip-Hop]
BPM: (143)
Key: (C♯ min / D♭ min)
✔ Trackouts (Stems) Available
✔ Instant Delivery
✔ Free for Non-Profit (Credit Required)WW…
Lovecraft's Vermont Letter | Halloween Edition
SYNOPSIS
"Lovecraft's Vermont Letter" is a short documentary narrative animation utilizing computer graphics. The editing incorporates live footage to enhance the storytelling and diversify the documentary genre experience. The project is specifically themed around Halloween, and it begins by incorporating the first four lines of H.P. Lovecraft's "Hallowe'en in a Suburb," written in March 1926.
Regarding "Lovecraft's Vermont Letter," it delves into a factual aspect of the renowned author's life: a letter he sent in 1929 to a recipient named Woodburn Harris from the state of Vermont. Remarkably, this letter spanned 70 pages and was a response to a prior letter sent to H.P. Lovecraft, covering a wide range of topics.
As for the production of this animated documentary, it commenced with the writing of the text and subsequent script development. Using the Character Creator 4 program, a character was constructed, animations were prepared, and the character was animated using Iclone. Then exported to Unreal Engine 5, where scenes were assembled, animations were fine-tuned, and rendering was set up. Subsequently, the footage was edited using After Effects, resulting in the completion of the work for viewing.
CREDIT
Script, animation, rendering, editing, sound design: Artem Beliakov.
TOOLS
Unreal Engine 5, Cinema 4D, After Effects, Character Creator 4, Iclone 8, Quixel Megascans, KitBash3D.…SYNOPSIS
"Lovecraft's Vermont Letter" is a short documentary narrative animation utilizing computer graphics. The editing incorporates live footage to enhance the storytelling and diversify the documentary genre experience. The project is specifically themed around Halloween, and it begins by incorporating the first four lines of H.P. Lovecraft's "Hallowe'en in a Suburb," written in March 1926.
Regarding "Lovecraft's Vermont Letter," it delves into a factual aspect of the renowned author's life: a letter he sent in 1929 to a recipient named Woodburn Harris from the state of Vermont. Remarkably, this letter spanned 70 pages and was a response to a prior letter sent to H.P. Lovecraft, covering a wide range of topics.
As for the production of this animated documentary, it commenced with the writing of the text and subsequent script development. Using the Character Creator 4 program, a character was constructed, animations were prepared, and the character was animated using Iclone. Then exported to Unreal Engine 5, where scenes were assembled, animations were fine-tuned, and rendering was set up. Subsequently, the footage was edited using After Effects, resulting in the completion of the work for viewing.
CREDIT
Script, animation, rendering, editing, sound design: Artem Beliakov.
TOOLS
Unreal Engine 5, Cinema 4D, After Effects, Character Creator 4, Iclone 8, Quixel Megascans, KitBash3D.WW…
CTHULHU CULT | CGI Unreal Engine Short Film
SYNOPSIS
"CTHULHU CULT" is an attempt to bring to life the narrative through the dialogues of the main characters. Despite the plethora of remarkable CGI short films from renowned studios, there are relatively few works in the market that have been adapted from the works of the writer H.P. Lovecraft.
Crafting characters, writing dialogues, and guiding the narrative through animation are truly challenging tasks. Yet, it is incredibly captivating and engrossing.
Credit must be given to the workflow and a kind of learning experience. Having delved into "The Call of Cthulhu," listening to the audio version, making notes, with each iteration of the work, new "cyclopean blocks" emerge. These blocks bear hitherto unseen inscribed hieroglyphs, introducing entirely new meanings and details to the work that were previously undiscovered.
CREDIT
Script, animation, sound design, color correction: Artem Beliakov.
Music:
Seventh Seal by Kevin MacLeod Free download: https://www.twine.net/signin
Licensed under CC BY 4.0: https://www.twine.net/signin
Dark Secrets (DECISION) by Sascha Ende Free download: https://www.twine.net/signin
Licensed under CC BY 4.0: https://www.twine.net/signin
TOOLS
Unreal Engine 5, After Effects, Character Creator 4, Iclone 8, Quixel Megascans, KitBash3D.…SYNOPSIS
"CTHULHU CULT" is an attempt to bring to life the narrative through the dialogues of the main characters. Despite the plethora of remarkable CGI short films from renowned studios, there are relatively few works in the market that have been adapted from the works of the writer H.P. Lovecraft.
Crafting characters, writing dialogues, and guiding the narrative through animation are truly challenging tasks. Yet, it is incredibly captivating and engrossing.
Credit must be given to the workflow and a kind of learning experience. Having delved into "The Call of Cthulhu," listening to the audio version, making notes, with each iteration of the work, new "cyclopean blocks" emerge. These blocks bear hitherto unseen inscribed hieroglyphs, introducing entirely new meanings and details to the work that were previously undiscovered.
CREDIT
Script, animation, sound design, color correction: Artem Beliakov.
Music:
Seventh Seal by Kevin MacLeod Free download: https://www.twine.net/signin
Licensed under CC BY 4.0: https://www.twine.net/signin
Dark Secrets (DECISION) by Sascha Ende Free download: https://www.twine.net/signin
Licensed under CC BY 4.0: https://www.twine.net/signin
TOOLS
Unreal Engine 5, After Effects, Character Creator 4, Iclone 8, Quixel Megascans, KitBash3D.WW…
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