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A driven individual experienced in sound editing with a keen interest in post-production. Wishes to contribute and to further build skills, seeking a role that will help realise this. Highly adaptable, a fast learner, and works effectively both independently and as a member of a team. Previous roles have given valuable insights to various sides of the post-production process; is always eager to learn more.…A driven individual experienced in sound editing with a keen interest in post-production. Wishes to contribute and to further build skills, seeking a role that will help realise this. Highly adaptable, a fast learner, and works effectively both independently and as a member of a team. Previous roles have given valuable insights to various sides of the post-production process; is always eager to learn more.

Elizabeth Holmes

Sound Editor, Post-Production, Audio Engineer, +2

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A driven individual experienced in sound editing with a keen interest in post-production. Wishes to contribute and to further build skills, seeking a role that will help realise this. Highly adaptable, a fast learner, and works effectively both independently and as a member of a team. Previous roles have given valuable insights to various sides of the post-production process; is always eager to learn more.…A driven individual experienced in sound editing with a keen interest in post-production. Wishes to contribute and to further build skills, seeking a role that will help realise this. Highly adaptable, a fast learner, and works effectively both independently and as a member of a team. Previous roles have given valuable insights to various sides of the post-production process; is always eager to learn more.

Available to hire

A driven individual experienced in sound editing with a keen interest in post-production. Wishes to contribute and to further build skills, seeking a role that will help realise this.

Highly adaptable, a fast learner, and works effectively both independently and as a member of a team. Previous roles have given valuable insights to various sides of the post-production process; is always eager to learn more.

Skills

Experience Level

Expert

Expert

Expert

Intermediate

Intermediate

Beginner

Beginner

Beginner

Work Experience

Freelance Sound Editor at Shepperton Studios

June 1, 2024 - Present

Working as part of the localisation team on high-profile productions, including shows for streaming platforms and films for cinematic release. Preparing each version for mixing, working with ADR sessions supplied from international studios and editing dialogue – track cleanup, tracklaying, adjusting sync, and sourcing/flagging missing audio. Quality Control operator for various sound formats prior to final delivery – primarily 7.1 and 5.1 theatrical, Dolby Atmos, and 5.1 and 2.0 Nearfield mixes. Consulting documents to aid checks and ensure client decisions are adhered to, including localisation/narrative text lists, lead sheets and dialogue lists. Working to deadlines to help keep the department on track with its often tight schedule so that all assets are delivered on time.

Post- Production Runner at Pinewood and Shepperton Studios

April 1, 2024 - Present

Working independently on large sites with clients/staff in multiple facilities. Being adaptable and anticipating potential issues and their resolutions; being resourceful and keeping track of a variety of locations across sites to keep them stocked, maintained and well looked-after.

Runner at Goldcrest Post- Production

July 1, 2022 - November 30, 2023

Worked as part of a busy post facility, efficiently navigating fast-paced and stressful situations. Prepared Cue Sheets for ADR sessions, allowing the ADR assistants to quickly and easily distribute them and helping the sessions run without delays. Handled and delivered sensitive data – ensuring drives and LTOs were where they needed to be, were logged properly and were kept secure. Learned from, shadowed and trained with the sound team in quiet periods and own time – in particular with the ADR Recordists and Assistants, but also with the Mix Technicians and Sound Editorial. Took opportunities to practice sound skills and contribute to staff members’ personal projects – e.g. working on the dialogue edit of Lobo, a bilingual short film that was brought in by one of the ADR mixers, and was selected for the 2023 Festival Internacional de Cine de Huesca and Norwich Film Festival.

Post- Production Assistant at Lucasfilm

May 1, 2021 - April 30, 2022

Watched through the dailies and noted any issues in the footage/files, paying close attention to detail. Aided the edit staff and learnt from them; interacted with and assisted guests; telephone and email communication. Carried out administrative work (e.g., calendar updates, team’s weekly timesheets, tracking shuttle drives, checking reports, logging LTOs) requiring confidence working with set and post-production paperwork (e.g., call-sheets, continuity notes and LTO manifests).