Audio isn’t just what I do; it’s who I am. I’m obsessed with sound in all its forms and completely dedicated to becoming the best audio professional I can be. Whether I’m working on set, behind the board, or in the studio, my goal is always to give people a powerful sonic experience that enhances emotion, storytelling, and impact. My journey began with a deep love for music and technology, which led me to study at OIART, one of Canada's top audio schools. Since then, I’ve gained hands-on experience across a range of roles including post-production, field recording, mixing, and live sound. Each role has helped me grow in precision, creativity, and collaboration under pressure. I’m constantly learning, whether it’s new software, evolving best practices, or deeper listening skills. I approach every project with curiosity, discipline, and drive. My technical toolkit includes proficiency with Pro Tools, FL Studio, and Wwise, along with certifications like Wwise 101 and Dante Level 1. I’ve also assisted in media wrangling, live FOH mixing, and location audio work. But above all, I believe sound is about feeling. I want to be part of projects that move people, excite them, and stay with them long after the final scene or song. I care about quality, consistency, and collaboration, and I’m always looking to work with others who share the same attention to detail and creative energy. If you're building something that deserves to sound as good as it looks, I’d love to be part of it.

Jorel Ferasol

Audio isn’t just what I do; it’s who I am. I’m obsessed with sound in all its forms and completely dedicated to becoming the best audio professional I can be. Whether I’m working on set, behind the board, or in the studio, my goal is always to give people a powerful sonic experience that enhances emotion, storytelling, and impact. My journey began with a deep love for music and technology, which led me to study at OIART, one of Canada's top audio schools. Since then, I’ve gained hands-on experience across a range of roles including post-production, field recording, mixing, and live sound. Each role has helped me grow in precision, creativity, and collaboration under pressure. I’m constantly learning, whether it’s new software, evolving best practices, or deeper listening skills. I approach every project with curiosity, discipline, and drive. My technical toolkit includes proficiency with Pro Tools, FL Studio, and Wwise, along with certifications like Wwise 101 and Dante Level 1. I’ve also assisted in media wrangling, live FOH mixing, and location audio work. But above all, I believe sound is about feeling. I want to be part of projects that move people, excite them, and stay with them long after the final scene or song. I care about quality, consistency, and collaboration, and I’m always looking to work with others who share the same attention to detail and creative energy. If you're building something that deserves to sound as good as it looks, I’d love to be part of it.

Available to hire

Audio isn’t just what I do; it’s who I am. I’m obsessed with sound in all its forms and completely dedicated to becoming the best audio professional I can be. Whether I’m working on set, behind the board, or in the studio, my goal is always to give people a powerful sonic experience that enhances emotion, storytelling, and impact.

My journey began with a deep love for music and technology, which led me to study at OIART, one of Canada’s top audio schools. Since then, I’ve gained hands-on experience across a range of roles including post-production, field recording, mixing, and live sound. Each role has helped me grow in precision, creativity, and collaboration under pressure.

I’m constantly learning, whether it’s new software, evolving best practices, or deeper listening skills. I approach every project with curiosity, discipline, and drive. My technical toolkit includes proficiency with Pro Tools, FL Studio, and Wwise, along with certifications like Wwise 101 and Dante Level 1. I’ve also assisted in media wrangling, live FOH mixing, and location audio work.

But above all, I believe sound is about feeling. I want to be part of projects that move people, excite them, and stay with them long after the final scene or song. I care about quality, consistency, and collaboration, and I’m always looking to work with others who share the same attention to detail and creative energy.

If you’re building something that deserves to sound as good as it looks, I’d love to be part of it.

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Experience Level

Expert
Intermediate
Intermediate
Intermediate
Beginner
Beginner

Language

English
Fluent

Work Experience

Audio Technician (Lab Assignments) at Ontario Institute of Audio Recording Technology (OIART)
July 1, 2025 - October 16, 2025
Completed intensive hands-on training in recording, editing, and mixing for film and media; Operated professional field recorders, microphones, and digital audio workstations (Pro Tools); Conducted mock film shoots focusing on mic placement, signal flow, and clean dialogue capture.
Location Sound Assistant at Autumn Hill / Slasher Films
July 1, 2025 - October 16, 2025
Location sound duties including boom operation, lavalier placement, wireless audio setup, on-set audio monitoring, ambient sound capture; Post-production tasks include editing, mixing, and organizing audio in Pro Tools; Technical tasks include file wrangling, media backup, signal troubleshooting, and cable management.
Sound Designer / Wwise Implementer at Gaia Tower Defense
June 1, 2025 - Present
Implemented all in-game audio using Wwise middleware, integrating sounds directly with Unreal/Unity event systems; Designed and mixed turret sound effects, emphasizing mechanical feedback and clarity for player response; Optimized event hierarchies and switch containers in Wwise for efficient tower and UI sound variation.

Education

Bachelor's of Forensic Science at University of Windsor
September 6, 2019 - June 19, 2024
Completed a comprehensive program focused on scientific analysis, critical thinking, and evidence-based problem solving. Developed strong skills in attention to detail, organization, and disciplined work habits through laboratory work, research projects, and structured coursework.
Diploma in Audio Recording Technology at OIART
September 6, 2024 - July 25, 2025
Completed an intensive, hands-on program covering recording, mixing, sound design, post-production editing, and live sound. Gained experience with Pro Tools, Wwise, and industry-standard workflows used in film, television, and game audio. Developed strong technical and creative skills through practical studio sessions, collaborative projects, and real-world production environments.
Diploma in Audio Recording Technology at Ontario Institute of Audio Recording Technology (OIART)
January 11, 2030 - October 16, 2025
Bachelor of Forensic Science at University of Windsor
September 1, 2019 - June 1, 2024

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Gaming, Software & Internet
    paper Porcelain Eyes

    For the horror short film Porcelain Eyes, I worked as a post-sound editor, focusing on foley and sound design to enhance the film’s eerie and unsettling atmosphere. I designed and recorded foley, layered and edited sound effects to heighten tension, and collaborated closely with the director to ensure the audio complemented the visual storytelling. I also assisted in the final post-production mix, balancing dialogue, effects, and ambient sounds to create a fully immersive horror experience.

    paper Simple Wwise Demonstration

    Implemented simple sound integration using Audiokinetic Wwise middleware for an untitled tower defense game. Managed event-based audio triggers for in-game actions such as tower placement, enemy movement, and wave progression. Integrated Wwise with the game engine to handle background music, sound effects, and adaptive audio transitions, ensuring responsive and immersive sound behavior aligned with gameplay.

    paper Demo Reel

    A collection of my post-production work showcasing sound design, Foley, sound effects editing, and final sound mixing. Each piece highlights my ability to enhance storytelling through detailed audio work, creative atmosphere building, and balanced, immersive mixes.