Music producer and mixing engineer based in Mexico City, focused on music production, recording, mixing and mastering, as well as sound design and mixing for podcasts, audiobooks and social media. Session guitarist and vocalist, with experience delivering live session work and platform-specific narrative audio mixes, plus studio setup, editing, and Pro Tools operation for music and audio post-production.

Pablo Urrusti

Music producer and mixing engineer based in Mexico City, focused on music production, recording, mixing and mastering, as well as sound design and mixing for podcasts, audiobooks and social media. Session guitarist and vocalist, with experience delivering live session work and platform-specific narrative audio mixes, plus studio setup, editing, and Pro Tools operation for music and audio post-production.

Available to hire

Music producer and mixing engineer based in Mexico City, focused on music production, recording, mixing and mastering, as well as sound design and mixing for podcasts, audiobooks and social media.

Session guitarist and vocalist, with experience delivering live session work and platform-specific narrative audio mixes, plus studio setup, editing, and Pro Tools operation for music and audio post-production.

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Experience Level

Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Intermediate
Intermediate

Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Assistant Engineer at Pedro y El Lobo
August 1, 2025 - June 1, 2026
Assistant engineering during internship; performed hands-on support for recording/mixing workflows, including setup and operation within studio/live session environments.
Live Guitarist and Vocalist at Museo Rufino Tamayo / live acts (company name not specified)
January 1, 2024 - Present
Performed live as guitarist and vocalist, including playing guitar and vocals in Ragnar Kjartansson’s work 'Take Me Here By The Dishwasher' during the museum’s full opening hours.
Event Organizer
January 1, 2024 - December 31, 2025
Organización de talleres, concursos y eventos sociales para la comunidad estudiantil; planificación de sesiones en estudio profesional, incluyendo stage plots, riders y micrófonos.
Freelance Musician at Autónomo
January 1, 2024 - Present
Músico freelance ambulante; presentaciones en vivo, interpretación de guitarra y voz; grabación en home studio; manejo de equipo.
Production, Recording, Mixing and Mastering / Sound Design & Mixing at Freelance
January 1, 2022 - Present
Music production and delivery for independent artists from pre-production to final delivery. Sound design and mixing for narrative audio content delivered according to platform specifications. Mixing of live sessions and social content for YouTube, Instagram and TikTok, including stage planning (stage plots, riders and input lists) and audio setup. Session work as guitarist and vocalist for live performances.
Music Producer at Freelance
December 30, 2021 - Present
Producción musical, grabación y mezcla; interpretación en vivo como guitarrista y vocalista; arreglos y orquestación; organización de sesiones y desarrollo de stage plots y riders.
Instructor / Private Classes at Freelance
December 31, 2019 - Present
Teaching of private music classes (guitar, singing, music theory).

Education

Licenciatura en Psicología (inconclusa) at Universidad Iberoamericana CDMX
January 11, 2030 - April 30, 2026
Bachelor Degree in Music Production at Universidad (name not specified)
January 1, 2022 - January 1, 2026
Assistant Engineer at Pedro y El Lobo (internship) - Music internship (company/school name not specified)
August 1, 2025 - June 1, 2026

Qualifications

Licenciatura en Producción Musical
January 1, 2018 - January 1, 2020
Pro Tools Specialist
January 11, 2030 - August 20, 2026
Pro Tools Specialist - Level 110

Industry Experience

Media & Entertainment, Education, Professional Services
    Advertising Music Reel (Spec)
    Student spec work. These pieces were written as academic exercises for existing brands. None of them commissioned or endorsed them. Bubulubu — jingle Pritt — jingle HSBC — original background music Composition, arrangement, production and mix by me.
    Arrangement & Orchestration Reel
    Arrangements and orchestration of existing songs, reworked into new settings. Barro Tal Vez (Luis Alberto Spinetta) Bésame Mucho (Consuelo Velázquez) People Are Strange (The Doors) — 80s synth-pop arrangement Arrangement, orchestration and production by me. These are arrangements of songs I don't own, made to show how I work with harmony, instrumentation and texture.
    Post-Production Sound Reel
    Post-production sound for picture and audio: dialogue editing and cleanup, sound design, Foley, ambiences, music placement, mix and master to platform spec. Wow Facts, Season 1 (Yoto) — 12 audio episodes for a children's audio platform. Recording, dialogue edit, sound design, music placement, mix and master to Yoto's delivery spec. The reel opens with a before/after: raw take, edited, final mix. Guten Tag Ramón — academic project. Complete re-design of a scene from the feature film: sound design, Foley, ambiences, original score and final mix. The original dialogue is from the film. Cello by Jessica Plancarte. Sprite Fright (Blender Foundation, CC BY) — academic project. Original orchestral score only. The sound design in this clip is the original team's work, not mine.
    Production & Mixing Reel
    Selected work in music production, recording, mixing and mastering. Sed de Todo (Darien) Pies en Círculos — written, recorded, produced and performed by me. Bass by Bernardo Bernabéu, drums by Rubén Gallegos. En la Cara — co-production with Constantino de la Garza and Luis Contreras. Vocals and co-writing by me. Tell Me About It (Thea Wang) — mix Pasajero (Euge Ortega) — mix I play guitar, bass and sing, and I bring in a session drummer when a track needs real drums. Logic Pro, Pro Tools.
    Wow Facts, Season 1 (Yoto): Episode 1
    Audio episode for Yoto, a children's audio platform. I recorded, edited and mixed the full 12-episode first season of Wow Facts, delivered to Yoto's platform specification. On this episode: recording, dialogue editing and cleanup, sound design, ambiences, music placement, mix and master. Pro Tools, iZotope RX. Spanish-language version.
    Sprite Fright (School Project)
    Original orchestral score for a scene from Sprite Fright, a Blender Foundation open movie released under CC BY. This was an academic exercise: I replaced the music only. The sound design and dialogue in this clip are the original team's work, not mine. Composed and produced with virtual instruments.
    Guten Tag Ramón (School Project)
    Academic project: complete re-design of the soundscape and original score for a scene from the feature film Guten Tag Ramón. Sound design, foley, ambiences, music composition and production, and the final mix. The original dialogue is from the film. Guitar by me, cello by Jess Plancarte.