I am a 2025 Leeds Conservatoire Graduate with a degree in Music for Film and Television. I like to compose in a blend of musical styles, with a focus on orchestral and electronic fusion to create cinematic scores. I have a profound interest in original scores for video games, and have been privately composing, orchestrating and producing a plethora of tracks to improve my musical ability.

Robert Telfer

I am a 2025 Leeds Conservatoire Graduate with a degree in Music for Film and Television. I like to compose in a blend of musical styles, with a focus on orchestral and electronic fusion to create cinematic scores. I have a profound interest in original scores for video games, and have been privately composing, orchestrating and producing a plethora of tracks to improve my musical ability.

Available to hire

I am a 2025 Leeds Conservatoire Graduate with a degree in Music for Film and Television. I like to compose in a blend of musical styles, with a focus on orchestral and electronic fusion to create cinematic scores.

I have a profound interest in original scores for video games, and have been privately composing, orchestrating and producing a plethora of tracks to improve my musical ability.

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Experience Level

Expert
Intermediate
Intermediate
Beginner

Language

English
Fluent
German
Beginner

Work Experience

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Education

Bachelor of Arts at Leeds Conservatoire
September 14, 2022 - June 13, 2024

Qualifications

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Industry Experience

Gaming, Media & Entertainment
    uniE603 Lumino
    A track less closely fitting in to my usual focus on soundtrack music, maybe more of a song? Mixture of indie rock/electronic/IDM elements to try and create a more laid back, sombre track that perhaps feels more atmospheric.
    uniE603 Plunderblade ("Retro" Beat/Plunderphonics Track)
    A track I created using over 22 samples as an experiment to see if I could keep the track cohesive throughout. Good practice for multisampling and sample manipulation.
    uniE603 Yönchap
    A track focused more on beat making and music production than orchestral arrangement. I wanted to keep the structure and synthesised elements from IDM and dance music whilst also being cinematic.
    uniE603 Stake Driver (Dark Electronic Funk Track)
    A track inspired by Daft Punk's original score for Tron: Legacy (2010), Bill Kiley's work on Katana Zero (2019), and the soundtrack to Blade (1998). I wanted to work on a dark electronic track that sounded eerie and ominous, as well as rhythmic and funky. By mixing elements from multiple genres I hoped to create a multifaceted track that flows freely whilst still maintaining its core vibe throughout.
    uniE608 Hades (2020) Final Boss Soundtrack Rescore
    A rescoring of the Hades boss fight from Supergiant Games' Hades (2020). I wanted to experiment with a combination of orchestral, rock and electronic elements to create an intense energy to back the fight, with two distinct phases and transition points. Whilst the original score to this fight (by Darren Korb) is absolutely perfect, I wanted to see how altering such a core aspect of Hades' flavour would effect the mood of the scene.