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Hi, I’m Slamm Andrews—a sound engineer and music editor with over 30 years of experience in feature film, television, live performance, and commercial music. I specialize in music editing, score mixing, and technical sound engineering for major studios, with credits on Despicable Me, Pirates of the Caribbean, Kung Fu Panda, and Iron Man. I collaborate with top composers, including Hans Zimmer, and am known for precision, musical intuition, and technical mastery across analog and digital domains. I bring experience across music editing, recording and mixing, sound restoration, and soundtrack production for film, TV, and live events. I work well in post-production teams, and I’m proficient with Pro Tools, Logic Pro, and both analog and digital workflows. I have years of experience recording and mixing indie bands and established artists alike.…Hi, I’m Slamm Andrews—a sound engineer and music editor with over 30 years of experience in feature film, television, live performance, and commercial music. I specialize in music editing, score mixing, and technical sound engineering for major studios, with credits on Despicable Me, Pirates of the Caribbean, Kung Fu Panda, and Iron Man. I collaborate with top composers, including Hans Zimmer, and am known for precision, musical intuition, and technical mastery across analog and digital domains. I bring experience across music editing, recording and mixing, sound restoration, and soundtrack production for film, TV, and live events. I work well in post-production teams, and I’m proficient with Pro Tools, Logic Pro, and both analog and digital workflows. I have years of experience recording and mixing indie bands and established artists alike.

Slamm Andrews

Sound Engineer, Audio Engineer, Mixing Engineer, +7

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Hi, I’m Slamm Andrews—a sound engineer and music editor with over 30 years of experience in feature film, television, live performance, and commercial music. I specialize in music editing, score mixing, and technical sound engineering for major studios, with credits on Despicable Me, Pirates of the Caribbean, Kung Fu Panda, and Iron Man. I collaborate with top composers, including Hans Zimmer, and am known for precision, musical intuition, and technical mastery across analog and digital domains. I bring experience across music editing, recording and mixing, sound restoration, and soundtrack production for film, TV, and live events. I work well in post-production teams, and I’m proficient with Pro Tools, Logic Pro, and both analog and digital workflows. I have years of experience recording and mixing indie bands and established artists alike.…Hi, I’m Slamm Andrews—a sound engineer and music editor with over 30 years of experience in feature film, television, live performance, and commercial music. I specialize in music editing, score mixing, and technical sound engineering for major studios, with credits on Despicable Me, Pirates of the Caribbean, Kung Fu Panda, and Iron Man. I collaborate with top composers, including Hans Zimmer, and am known for precision, musical intuition, and technical mastery across analog and digital domains. I bring experience across music editing, recording and mixing, sound restoration, and soundtrack production for film, TV, and live events. I work well in post-production teams, and I’m proficient with Pro Tools, Logic Pro, and both analog and digital workflows. I have years of experience recording and mixing indie bands and established artists alike.

Available to hire

Hi, I’m Slamm Andrews—a sound engineer and music editor with over 30 years of experience in feature film, television, live performance, and commercial music. I specialize in music editing, score mixing, and technical sound engineering for major studios, with credits on Despicable Me, Pirates of the Caribbean, Kung Fu Panda, and Iron Man. I collaborate with top composers, including Hans Zimmer, and am known for precision, musical intuition, and technical mastery across analog and digital domains.

I bring experience across music editing, recording and mixing, sound restoration, and soundtrack production for film, TV, and live events. I work well in post-production teams, and I’m proficient with Pro Tools, Logic Pro, and both analog and digital workflows. I have years of experience recording and mixing indie bands and established artists alike.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

DaVinci Resolve Studio

Intermediate

Intermediate

Intermediate

Intermediate

Intermediate

Language

English

Fluent

Work Experience

Live Sound Mixer at The 89th Academy Awards (Oscars Broadcast)

February 26, 2017 - February 26, 2017

Live sound mixing for a high-profile broadcast; recognized with Primetime Emmy considerations for Outstanding Sound Mixing as part of the team.

Chief Engineer at Remote Control Productions, Santa Monica, Ca

December 31, 2008 - July 22, 2025

Managed recording, mixing, and music editing for major feature films like Pirates of the Caribbean: At World's End, Over the Hedge, Domino, Disturbia, and The Simpsons Movie. Also supervised studio construction.

Independent Scoring Mixer & Music Editor at Self-employed, Los Angeles, Ca

January 1, 2008 - Present

Responsible for recording, mixing, and music editing for feature films such as Despicable Me 2, Madagascar 3, Salinger, Kung Fu Panda 2, and Megamind.

Chief Engineer at Media Ventures, Santa Monica, Ca

December 31, 2004 - July 22, 2025

Oversaw recording and mixing scores for feature films including The Pledge, The Ring, Hannibal, Pirates of the Caribbean: The Curse of the Black Pearl, and Somethings Gotta Give. Responsible for recording and mixing albums for bands such as Goldfinger, Reel Big Fish, and Jane's Addiction.

Theme Park Audio Mixer at Various Theme Park Projects (Jimmy Neutron's Nicktoon Blast, The Simpsons Ride, Despicable Me: Minion Mayhem)

January 1, 2003 - January 1, 2012

Audio mixing for multiple theme park installations, including projects from 2003 through 2012.

Independent Live and Recording Engineer at Self-employed, San Diego, Ca

December 31, 1995 - July 22, 2025

Worked as live sound and recording engineer and audio/acoustic consultant. Artists included Stephen Stills, Greg Douglas, and The Offspring.

F.O.H. Sound Engineer at 311, Omaha, Ne

December 31, 1994 - July 22, 2025

Managed sound for front of house, monitors, and maintenance of band and touring equipment during several national tours.

Engineer at Ocean Entertainment, Burbank, Ca

December 31, 1993 - July 22, 2025

Performed testing and maintenance of consoles, tape machines, microphones, monitoring, and automation systems in two separate 48 track analog studio facilities. Provided audio engineering and production in recording sessions. Experienced with Neve, Trident, Studer, MCI, Sony, Ampex, and other studio equipment.