I was the team lead on this project, managing a team of 3 artists to produce this interactive Unreal scene. I also modelled the building, in a modular fashion from laser scanned reference. I also designed, and produced the all aspects of the animated showpiece to accompany the project.

As a senior Unreal I was involved in many aspects of production for the content in this showreel, including design and pre-production, 3d modelling, lighting, rendering, animation. As a senior/lead I managed fellow artist to produce exceptional results.

I was the lead artist and visual designer on this interactive world with a series of minigames. I designed the environment, leading a small team of artists to create stunning results. I developed a pipeline for efficient and quick asset production, which enabled us to create a substantial amount of content with a very small team. We created an efficient yet high fidelity interactive world and a series of high quality cinematics.

I also built the main castle structure from historical schematics, inside an out, producing a historically correct reconstruction of the main keep that was destroyed by the 1657 Meireki fire.

I designed and produced the gameplay, environment and assets for the Ninja Jonin mini game.

I was responsible for importing the track model from a low quality asset into Unreal, Upgrading the track and stadium quality, modelling the 2021 track changes into the model seamlessly, Lighting and props.

I produced a highly detailed reconstruction of the Japanese nightclub “Club Camelot”, Initial as an interactive metaverse space. It’s a highly detailed replica of the real world space. We ended up making a version of it for UEFN as an Fortnite island experience.

Conversion and implementation of a giant virtual production set for the ICC, using Unreal Engine with Datasmith and C4D . Also creating the surrounding environment, inspired by Mumbai.