I am a music producer and sound engineer focused on cinematic and ambient music production for audiovisual content. I create atmospheric and engaging compositions to support visual storytelling, enhance mood, rhythm, and narrative impact, delivering polished work from composition to final mix. I work as an independent freelancer, providing music production, sound design, and audio post-production services for visual media. I hold a VAT number since January 2025 to enable structured collaborations with international clients and partners.
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Sakura is an ambient, introspective piece inspired by the fleeting beauty of cherry blossom season in Japan. Built on a slow, understated pulse, the track unfolds gradually through soft piano textures, delicate percussive elements, and evolving atmospheres that breathe and recede like passing thoughts.
Rather than leading with a strong melody, Sakura creates emotional space: a suspended moment where sound supports reflection and stillness. Subtle modulations and restrained dynamics shape a calm yet cinematic flow, making the track feel intimate, contemplative, and quietly expressive.
Sakura is part of “Land of the Rising Sound”, an ongoing exploration of “emerging sound”, where music grows organically, revealing itself over time without forcing attention—much like the blossoms themselves, present only for a brief moment before fading away.
Okinawa Waves is a fragment of summer carved into sound.
A slow pulse, like the ebb of water on the shore, guides a clear soundscape, filtered through light. Pads unfold like horizons, modulating gently, like waves breaking with grace. The drums arrive late, but never interrupt — they accompany, they flow, expanding without haste, like a rising tide.
This track is a bright pause in the journey of Land of the Rising Sound, a light interference between two depths.
Here, sound becomes summer, and lightness takes the shape of presence.
Mindfulness is a suspended passage of time. Bells echo like inner callings, while the sound slowly unfolds into a rising pulse. Where stillness tightens, rhythm emerges—an impulse that doesn’t break the calm, but moves through it. In this track, part of Land of the Rising Sound, a sonic journey inspired by Japan, each sound surfaces like a thought taking shape, then fading away.
A sonic journey between mysticism and restlessness, where shadows intertwine with the moonlight. Midnight at the Temple evokes a suspended, dark and tormented atmosphere, through organic sounds and a musical construction inspired by both ambient music and 20th century electronic experimentation.
Subtle rhythms, ethereal harmonies and lo-fi nuances envelop the listener in an immersive experience, between abstract references to natural elements and a cinematic sensibility.
Part of my upcoming album “Land of the Rising Sound”, where the emerging sound develops through electronic soundscapes and oriental influences.
Far East Dawn blends suspended harmonies and electronic soundscapes, drawing inspiration from Japanese culture. Ethereal atmospheres, slow rhythms and evocative sounds intertwine to transport you into a meditative and cinematic world.
Perfect for those looking for a soundtrack for introspection, contemplation or simply a moment of peace.
Far East Dawn is the first single from my upcoming album “Land of The Rising Sound”, coming soon!
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