Freelance Sound Editor Hourly Rates: What You Need to Know Before Hiring

When you’re building an impactful video, podcast, ad, or game, sound isn’t just an add-on—it’s part of the story. Clean dialogue, immersive soundscapes, and dynamic effects bring your project to life. That’s where a freelance sound editor comes in. One of the biggest factors when hiring is understanding freelance sound editor hourly rates.

But before you start browsing profiles on Twine, one of the most common questions we hear from clients is: “How much does it cost to hire a freelance sound editor?”

Let’s break it down.


What Does a Sound Editor Do?

Before we dive into numbers, it’s important to understand what you’re paying for. A freelance sound editor typically handles:

  • Cleaning and editing dialogue
  • Syncing sound to video
  • Adding Foley and effects
  • Mixing and mastering audio
  • Fixing audio issues like background noise or peaking
  • Preparing audio for broadcast or streaming platforms

Depending on your project, a sound editor may work solo or collaborate with other audio pros (like composers or voice-over artists).


Freelance Sound Editor Hourly Rates: What to Expect

On Twine and similar platforms, freelance sound editor rates can vary widely based on several factors. Here’s a general breakdown:

Experience Level
Hourly Rate (USD)
Entry-Level (0–2 yrs)
$15 – $30
Mid-Level (3–7 yrs)
$30 – $60
Expert (8+ yrs)
$60 – $120+

These ranges can shift based on geography, project scope, and the editor’s niche. For instance, a sound editor specialising in feature films or AAA games may charge higher than someone editing podcasts.


Estimating Your Sound Editing Budget

Here are a few factors that influence pricing:

1. Project Complexity

A 30-second ad spot with clear audio requires far less editing than a 90-minute indie film or a narrative podcast with layered sound design.

2. Turnaround Time

Need it by tomorrow? Be prepared to pay a premium for rush delivery.

3. Deliverables & Format

If your editor is exporting for specific platforms (e.g. Dolby 5.1 surround, podcast mastering specs, YouTube loudness standards), that additional expertise is reflected in their rate.

4. Revisions and Communication

Some editors include a certain number of revisions in their rate. Extra changes or frequent back-and-forth may increase costs.


Hourly vs. Fixed-Price Projects

Many clients choose to pay hourly when the project scope is flexible or ongoing. But if you have a tightly defined brief (e.g. “edit and mix five podcast episodes”), a fixed price quote may be more cost-effective.

If you’re considering fixed budgets, check out our full cost guide for video editors.

Pro Tip: Ask the freelancer for an estimate of hours upfront if you’re opting for an hourly contract. This gives you clarity and helps avoid surprises.


Hiring Sound Editors: What to Look For

When choosing your freelance sound editor, don’t just look at the rate, look at:

  • Portfolio quality
  • Experience with similar projects
  • Client reviews and communication style
  • Equipment and software used (e.g. Pro Tools, Adobe Audition, Logic Pro)

Twine makes it easy to browse verified freelancers, view their past work, and chat before you hire. For help choosing the right freelancer, see our guide on how to hire a sound editor.


Wrap-Up: What Should You Expect to Pay?

Here’s a rough summary:

  • Small podcast edit? $20–$40/hour
  • Commercial or branded content? $40–$70/hour
  • Complex film or game audio? $70–$120+/hour

The key is to match the editor’s skill with your project’s needs. A good sound editor is an investment in the emotional impact and polish of your content.


Ready to find your perfect freelance sound editor?
👉 Post your project for free on Twine

Let your story sound as great as it looks.

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Vicky

After studying English Literature at university, Vicky decided she didn’t want to be either a teacher or whoever it is that writes those interminable mash-up novels about Jane Austen and pirates, so sensibly moved into graphic design.

She worked freelance for some time on various projects before starting at Twine and giving the site its unique, colourful look.

Despite having studied in Manchester and spent some years in Cheshire, she’s originally from Cumbria and stubbornly refuses to pick up a Mancunian accent. A keen hiker, Vicky also shows her geographic preferences by preferring the Cumbrian landscape to anything more local.

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