I'm a multidisciplinary illustrator and visual storyteller with over 5 years of experience creating expressive, character-driven work for digital and print media. Whether I'm developing educational visuals, textured 3D assets, or whimsical narratives, I bring strong technical skills, a collaborative mindset, and a love for thoughtful, engaging design. I'm passionate about crafting art that connects—visually, emotionally, and conceptually—and I thrive in teams that value creativity, communication, and curiosity. I took time away to recover from a resolved thyroid-related condition; now fully healthy and excited to rejoin the workforce.

Naima Sawyer Dymski

I'm a multidisciplinary illustrator and visual storyteller with over 5 years of experience creating expressive, character-driven work for digital and print media. Whether I'm developing educational visuals, textured 3D assets, or whimsical narratives, I bring strong technical skills, a collaborative mindset, and a love for thoughtful, engaging design. I'm passionate about crafting art that connects—visually, emotionally, and conceptually—and I thrive in teams that value creativity, communication, and curiosity. I took time away to recover from a resolved thyroid-related condition; now fully healthy and excited to rejoin the workforce.

Available to hire

I’m a multidisciplinary illustrator and visual storyteller with over 5 years of experience creating expressive, character-driven work for digital and print media. Whether I’m developing educational visuals, textured 3D assets, or whimsical narratives, I bring strong technical skills, a collaborative mindset, and a love for thoughtful, engaging design. I’m passionate about crafting art that connects—visually, emotionally, and conceptually—and I thrive in teams that value creativity, communication, and curiosity.

I took time away to recover from a resolved thyroid-related condition; now fully healthy and excited to rejoin the workforce.

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Language

English
Fluent

Work Experience

Freelance Illustrator at FF3399 (Self)
May 1, 2012 - Present
Developed engaging illustrations by effectively integrating line, color, space, and perspective to convey ideas, moods, and narratives. Produced character designs, concept sketches, and editorial illustrations using a combination of traditional drawing and digital tools (Photoshop, Illustrator, Procreate). Interpreted briefs and collaborated with clients, editors, and art directors to meet creative and branding goals. Delivered polished artwork on deadline, incorporating revisions based on stakeholder feedback. Created visual assets based on photographic reference, live models, and conceptual input for use in educational, editorial, and character-driven projects. Estimated project timelines and materials to align with client budgets and scope.
Texture Artist at Outward Inc.
June 30, 2020 - July 9, 2025
Created high-quality texture maps (PBR and non-PBR) for materials including textiles, metals, wood, stone, and hair/fur using industry-standard tools (Substance Painter, Photoshop). Applied textures to 3D assets and ensured accurate material representation based on real-world references. Worked cross-functionally with 3D modelers, engineers, and pipeline teams to ensure visual consistency and technical compatibility. Ensured 3D assets met visual and performance standards for AR platforms, optimizing for lighting, material realism, and interactivity. Maintained detailed documentation across all project stages, including asset tracking, revisions, and QA notes. Standardized shaders, render settings, and lighting environments for consistency and streamlined workflow. Balanced independent work with team collaboration, stepping in to support tight deadlines and high-priority deliverables.
2D/3D Data & Touch-Up Artist at Apple
October 31, 2017 - July 9, 2025
Created and animated 2D/3D sequences under tight deadlines for product demos and geospatial tools using Adobe After Effects and 3D modeling software. Conducted critical QA and data integrity checks on large datasets to ensure high accuracy across geospatial products. Designed 3D city flyover tours and performed geospatial analysis and data correction tasks. Collaborated with development teams to identify and report bugs using internal defect tracking tools. Maintained clear and concise documentation for all project components, ensuring transparency and reproducibility of results.

Education

Bachelor of Fine Arts at San Jose State University
August 1, 2006 - May 1, 2013
Bachelor of the Fine Arts at San Jose State University
September 1, 2006 - May 31, 2013

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Software & Internet, Gaming, Professional Services
    uniE621 Eros and Psyche Limited Edition Enamel Pin
    This limited edition enamel pin—based on my original illustration Eros and Psyche—was a passion project that allowed me to merge storytelling with product design. Only 100 were produced. illustrator designer pin enamelpin
    uniE621 Eros and Psyche Enamel Pin mock up final
    This limited edition enamel pin—based on my original illustration Eros and Psyche—was a passion project that allowed me to merge storytelling with product design. Only 100 were produced. enamelpin illustration
    uniE621 Eros and Psyche
    I'll be up front. I'm still upset about the ending of the rise of skywalker. illustrator fanart
    uniE621 The High Priestess
    Part of a series of tarot card illustrations I am working on featuring characters from Frozen. The high priestess is all about discovering your inner power and spirituality-- I felt the meaning really fit Elsa at this moment. illustrator tarot
    uniE621 Nike Casual Outfit designs
    A number of thumbnails for casual outfits for the main character of my series. I only needed one for the first chapter-- however a number of these will end up seeing re-use illustration illustrator visualdevelopment costumdesign
    uniE621 Shinji winter outfit design
    This was actually a rework of an older iteration of this outfit which I felt didn't match his vibe any longer. I wanted to push his more intimidating stature and add that pop of bright red to add a bit of flair to the design. Shinji is actually wearing an in-universe brand called Hephaestus, you can see the symbol hiding on the coat, as well as a few other easter eggs. illustration illustrator visualdevelopment costumdesign
    uniE621 Fibonacci’s Riddle page 26
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator
    uniE621 Fibonacci’s Riddle page 9
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator
    uniE621 Fibonacci’s Riddle page 7
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator
    uniE621 Fibonacci’s Riddle page 22
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator
    uniE621 Fibonacci’s Riddle page 17
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator
    uniE621 Fibonacci’s Riddle page 23
    A whimsically eerie twist on a beloved aesthetic, Fibonacci’s Riddle was a commissioned children’s book project retelling the story of Alan Wake II—but through the lens of childhood nostalgia. Think Calvin & Hobbes meets psychological horror. I was provided with the final manuscript and given full creative freedom to interpret the story visually. Inspired by the expressive watercolor charm of Bill Watterson, I blended hand-drawn warmth with surreal digital artifacts, visual distortion, and glitch effects. The result is a gentle unraveling of comfort, drawing readers in with familiar visuals—only to quietly unsettle them as reality begins to fray at the edges. The completed illustrations were printed into a physical book and prominently featured in the video linked below. This project was an absolute joy to work on—a rare opportunity to merge heartfelt nostalgia with eerie narrative twists, and a perfect playground for experimenting with visual storytelling. illustrator