I am Ogeday Ergüven, a sound designer, composer, and mix engineer, born on November 5, 1996, in Turkey. I graduated from Istanbul Bilgi University’s Music Department in...
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I am Ogeday Ergüven, a sound designer, composer, and mix engineer, born on November 5, 1996, in Turkey. I graduated from Istanbul Bilgi University’s Music Department in...
See MoreI am a Sound editor with more that 20 years of experience in the industry. I worked in major dubbing studios in Spain and Argentina, I have countless hours behind Pro Too...
See MoreI am a sound engineer who graduated from BFM in 2026 with a degree in film arts, specializing in film sound. I have experience in location sound recording, dialogue recor...
See MoreHi, I’m a cellist, composer, multi-instrumentalist, music producer and sound designer working with film, games, theatre, dance productions and recorded music. I’ve wor...
See MoreMy name is Polina, and since I was a child, my greatest passion has been storytelling. At a very young age, even before I learned to write, I would think of stories and i...
See MoreI enjoy working with people and encouraging them. I think differently and adapt quickly to new situations. Listening and understanding is of utmost importance to me.
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
€2,200 – €5,800
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is a crucial part of the post-production process in film, television, and music. Their primary responsibility is to manipulate and enhance audio tracks to ensure high-quality sound. This includes editing dialogue, sound effects, and music to create a cohesive auditory experience. Sound Editors work closely with directors, producers, and other creatives to understand the project’s vision and make precise adjustments. They also employ various tools and software to mix sounds, remove unwanted noise, and ensure that all audio elements fit seamlessly within the final product. A Sound Editor’s expertise can significantly elevate the overall quality of a production by enhancing storytelling through sound.
Exceptional Sound Editors possess a unique combination of technical skills and artistic sensibility. Key qualities include:
These qualities enable them to craft high-quality audio that complements visual elements seamlessly.
Typical day rates for Sound Editors in Estonia vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
Recognizing the perfect Sound Editor in Estonia for your project involves a combination of reviewing their portfolio, assessing their communication skills, and understanding their experience. Look for candidates with a diverse range of projects that align with your needs. Pay attention to their previous work quality and style. During interviews, gauge their enthusiasm for the project and their ability to collaborate effectively. A Sound Editor who asks insightful questions about your vision and demonstrates a clear understanding of audio techniques is likely to be a good fit. Additionally, consider their availability and work ethic to ensure they can meet your project deadlines.
When interviewing a Sound Editor, it's essential to ask questions that reveal their expertise and approach. Consider these key questions:
These questions will help you assess their suitability for your project and ensure you find a Sound Editor who aligns with your creative vision.
Hiring a Sound Editor in Estonia involves a few strategic steps to ensure you find the right professional for your project. Start by defining your project’s needs, including the type of audio work required and your budget. Use platforms like Twine to post your job, providing detailed descriptions of your expectations. Review portfolios and samples of previous work to shortlist candidates. You can also leverage local Estonian networks or social media groups to find recommendations. Once you have a few potential candidates, schedule interviews to discuss their experience and approach to sound editing. This helps in assessing their fit for your project.
The choice between hiring a freelance Sound Editor and working with an agency in Estonia comes down to flexibility, cost, and the scope of your project. Freelancers often offer lower rates and more personalized service, allowing for direct communication and collaboration. They may be more adaptable to your project’s specific needs. In contrast, agencies typically provide a team of professionals, offering a broader range of services and quicker turnaround times for larger projects. However, agency rates may be higher due to overhead costs. Ultimately, your choice should align with your project requirements, budget, and timeline.
A well-structured project brief for a Sound Editor should include the following elements:
Including these elements in your project brief will ensure that potential Sound Editors have a clear understanding of your expectations and can tailor their proposals accordingly.
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