Hi, I'm Matevž Selan, a dedicated sound professional with over 25 years of experience shaping sound for promotional, documentary, and news broadcasts, as well as a range ...
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Hi, I'm Matevž Selan, a dedicated sound professional with over 25 years of experience shaping sound for promotional, documentary, and news broadcasts, as well as a range ...
See MoreI'm a sound designer from Slovenia, Europe. - Specializations: sound&video production. - Software: Ableton Live, Adobe Audition, iZotope RX, Wwise, Davinci Resolve, A...
See MoreI'm Sandra Camaj, a telecommunications engineer turned audio and production specialist based in Slovenia. I work on sound editing, audio tech, and production coordination...
See MoreHI, I’m Sandra, an audio producer and a sound designer with experience in various fields; film, gaming, voiceovers and podcasts. I loove sound, which is a weird but a ver...
See MoreI am, primarily, a video editor with a passion for the craft, i have been editing things since I was little, both for fun and professionally. I have experience working...
See MoreHi, I’m Ajda Troha. I was born on 1999-07-03 in Ljubljana, Slovenia. I earned a Bachelor’s degree in Communicology (Communication Studies - Media and Communication Studie...
See MoreHi, I'm Ryan Rodriguez. I'm a Dynamic Operations Executive with a proven track record at Florida Breeze Lawncare, skilled at strategic planning and process improvements. ...
See MoreWith over 10 years of industry experience in video production and post-production, I offer a versatile and results-driven approach to content creation. I have served in r...
See MoreI am Milan Mašič, a seasoned engineer with over 40 years of experience in traffic automation and a passion for audio and video projects. I have designed and implemented e...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
€2,200 – €5,800
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and enhancing audio for various forms of media, including films, television shows, video games, and podcasts. Their duties typically include:
Sound Editors play a crucial role in storytelling by ensuring that the audio complements the visual experience, enhancing the overall impact of the project.
Exceptional Sound Editors possess a unique combination of technical skills and creative vision. Key qualities include:
These attributes are crucial for delivering a polished final product that resonates with audiences.
Typical day rates for Sound Editors in Slovenia vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your needs, start by reviewing their portfolio to assess their previous work. Look for relevant experience in your specific genre or project type. Additionally, consider their communication style; a good Sound Editor should be open to feedback and able to collaborate effectively. Reading reviews and testimonials from past clients can provide insights into their reliability and professionalism. Schedule interviews to discuss your project's vision and gauge their enthusiasm and understanding. A perfect match will demonstrate both technical expertise and a passion for storytelling through sound.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you understand their capabilities and work ethic, ensuring a good fit for your project.
To hire a Sound Editor in Slovenia, start by defining your project requirements, including the scope, budget, and timeline. Utilize platforms like Twine, where you can post your job listing to attract qualified professionals. It's essential to review portfolios and assess candidates based on their experience and relevant skills. Consider the specific audio needs of your project, such as whether you need expertise in film, television, or digital media. Engaging in discussions with potential hires can also help gauge their understanding of your vision and their ability to deliver quality work.
Hiring a freelance Sound Editor typically offers more flexibility and cost-effectiveness. Freelancers often have lower overhead costs and can negotiate rates directly with clients. This arrangement allows for more personalized communication and rapid decision-making. In contrast, agencies usually provide a team of professionals with diverse skills, ensuring a higher level of service and support. Agencies can handle larger projects and offer project management, but they may come with higher fees. Ultimately, the choice depends on your project’s scale, budget, and the level of expertise required.
A well-crafted project brief for a Sound Editor should include the following elements:
Providing comprehensive information will help attract qualified candidates who can meet your expectations.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.