AI Collection (Audio), DaVinci Resolve Studio, Izotope Neutron
Award-winning Sound Designer, Mixer, and Recordist with 12+ years of experience delivering immersive audio for film, TV, corporate projects, live performances, and podcas...
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AI Collection (Audio), DaVinci Resolve Studio, Izotope Neutron
Award-winning Sound Designer, Mixer, and Recordist with 12+ years of experience delivering immersive audio for film, TV, corporate projects, live performances, and podcas...
See MoreI am a video editor and producer who creates high-quality videos that inform, inspire and connect. My background in photography, motion graphics, and video storytelling h...
See MoreKayla Marriott is a media producer based in the Bay Area. Driven by a passion for bringing diverse voices to the forefront of her work. With a background in set work, com...
See MoreI am a supervising sound editor based in the San Francisco Bay Area. Feel free to look me up on IMDB.
See MoreSenior Audio & Podcast Producer with over 26 years of experience producing high-rating broadcasts, premium digital audio, and live shows across major media markets. Prove...
See MoreI’m Hank Liu, a film and television editor/producer who loves shaping stories through careful editing, sound design, and smart post-production workflows. I thrive on coll...
See MoreHello, my name is Jay! I'm a genderqueer artist studying animation at California College of the Arts (with a minor in Writing and Literature). I've been writing stories e...
See MoreBased in San Francisco, United States, I'm a Sound Editor expert focused on Adobe After Effects, Adobe Photoshop, and Adobe Premiere Pro. I take a clear, collaborative ap...
See MoreI am a Berklee-trained audio engineer, sound designer, and composer with 12+ years of experience across live sound, broadcast, post-production, and corporate AV. I’ve mix...
See MoreHi, I’m Ju Hyun Hong, a detail-oriented sound specialist with a strong foundation in sound systems, production audio, and post-production workflows. I have hands-on exper...
See MoreHi, I'm Nisha C. Anand, a passionate videographer and video editor with over 12 years of experience in video production and post-production. I love telling creative stori...
See MoreI'm David Cox, a filmmaker and designer with a background in animation, interactive multimedia, and education. I create stories across moving images, sound, and interacti...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
$5,000 – $13,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A sound editor is responsible for manipulating and enhancing audio elements in film, television, and other media. Their primary tasks include selecting and arranging sound effects, dialogue, and music tracks to create a cohesive audio experience. Sound editors work closely with directors and sound designers to ensure that the audio aligns with the visual content and enhances the storytelling. They are skilled in using digital audio workstations (DAWs) and have a keen sense of timing and rhythm. Additionally, sound editors may also be involved in the process of mixing audio, ensuring that all elements are balanced and polished for the final product.
Exceptional sound editors possess a unique blend of technical skills and artistic sensibility. Key qualities include:
These qualities ensure that sound editors can deliver top-notch audio experiences that resonate with audiences.
Typical day rates for Sound Editors in United States vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
Recognizing the perfect sound editor for your needs involves assessing several factors. Start by reviewing their portfolio to check for projects similar to yours. Look for versatility in their work, indicating they can adapt to different styles and genres. Communication is also vital; a good sound editor should ask insightful questions and understand your vision. Consider their experience level and ask for references to gain insights into their reliability and professionalism. Finally, trust your instincts: a strong rapport and mutual understanding will enhance collaboration and lead to a successful project.
During a sound editor interview, consider asking the following key questions:
These questions will help you gauge their expertise, compatibility, and ability to meet your project's requirements.
Hiring a sound editor in San Francisco involves several key steps. Start by defining your project requirements, including the scope, timeline, and budget. Utilize online platforms like Twine to post your job and attract potential candidates. Network within the local film community or attend industry events to find recommendations. When evaluating candidates, review their portfolios and previous work to assess their style and expertise. Set up interviews to discuss your project in detail and gauge their communication skills. Finally, ensure a clear agreement on the deliverables and timeline before finalizing your hire.
Hiring a freelance sound editor offers flexibility and cost-effectiveness, as freelancers typically have lower overheads compared to agencies. You can directly communicate with the freelancer, allowing for a more personalized approach to your project. Additionally, freelancers may have specialized skills tailored to specific genres or styles. On the other hand, working with an agency can provide a broader range of services and access to a team of professionals, ensuring that all aspects of sound design are covered. Agencies often have established processes and resources, which can lead to faster turnaround times. Ultimately, the choice depends on your project needs and budget.
A comprehensive project brief or job description for a sound editor should include the following elements:
Including these details will help attract the right candidates and ensure alignment on project expectations.
Hiring on Twine is simple.
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