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Original suspense cue built around tension, atmosphere, and psychological restraint.

The piece combines strings (violins and violas), ukulele, and clarinet to create an unusual yet cohesive palette — blending warmth and fragility with underlying unease.

Through subtle layering, evolving textures, and controlled dynamics, the music builds a sense of suspense and emotional tension towards a neutral and nostalgic release

The contrast between organic timbres and minimal development allows the piece to feel intimate, unpredictable, and quietly unsettling.

Composed, produced, and mixed by me.

A selection of original music for film, focused on thriller and drama.

This reel explores tension, minimalism, and emotional depth — music designed to support storytelling, pacing, and atmosphere.

Includes:
– Tension-driven cues
– Emotional / end credits themes
– Minimalist textures and sound design

All music composed, produced, and mixed by me.

Available for short films, features, and independent projects.

Original music for a sci-fi short film (48 Hour Film Project).

A suspense-driven score combining minimalism, texture, and subtle sound design to support narrative tension and atmosphere. Built primarily with synthesizers and layered electronic textures, the music explores evolving timbres, low-frequency tension, and restrained harmonic movement.

The sound palette focuses on atmospheric synths, processed tones, and gradual development to create a sense of unease and forward motion.

Delivered under a 48-hour production timeline.

Composed, produced, and mixed by me.

Orchestral arrangement of Prelude No. 4 in E minor (Largo) by Frédéric Chopin, commissioned by a client.

The brief called for a minimal, atmospheric reinterpretation with an eerie, suspense-driven character.

This version expands the original piano work into a restrained orchestral setting, using subtle harmonic tension, evolving textures, and careful use of space to create a darker, more introspective sound world.

Blending classical sensitivity with a cinematic, thriller-inspired approach, the arrangement emphasizes psychological depth while preserving the emotional core of the piece.

Arranged, produced, and mixed by me.

Rescore of a scene from Escape (Dolby), originally featuring a song by Imogen Heap.

This reinterpretation shifts the original approach — from a song-driven structure to a cinematic, tension-focused score built around synthesizers. Using layered synth textures, evolving pads, and processed electronic elements, the music explores atmosphere, scale, and emotional contrast.

While the original leans toward a more melodic and lyrical experience, this version moves into a more restrained and suspense-driven direction — emphasizing space, texture, and gradual development.

The score is designed to enhance the sci-fi environment and psychological dimension of the scene without overpowering the visual narrative.

All music composed, produced, and mixed by me.

Rescore of the iconic coin toss scene from No Country for Old Men (originally scored by Carter Burwell).

Unlike the original version, which features no music, this reinterpretation introduces a minimal, tension-driven score built entirely from processed acoustic guitar and slide textures.

The piece explores psychological pressure and slow-building suspense, using restraint, timbre, and subtle movement to enhance the scene without overpowering it.

This project gained strong engagement on YouTube, resonating with audiences for its unique sonic approach and narrative sensitivity.

All music composed, performed, and produced by me.

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Original music composed for a video game project.

The brief called for a nostalgic instrumental piece evoking the warmth of home, while capturing a sense of care, emotional connection, and quiet adventure.

The composition blends intimacy and subtle movement, using gentle melodic development and soft textures to reflect both comfort and responsibility — balancing tenderness with a sense of forward motion.

Designed to support narrative immersion and emotional resonance within the game world.

Composed, produced, and mixed by me.