My original score for the MYST (2020) launch trailer, for Cyan Worlds. All of the trailer’s audio is my music.
- Composer
- Film Composer
- Game Composer
- +1
I'm a composer and sound designer in Los Angeles. I scored both trailers for MYST (2020) for Cyan Worlds, and I'm now scoring, designing sound for and mixing The Myst Documentary.
I’m a composer and sound designer in Los Angeles. I scored both trailers for MYST (2020) for Cyan Worlds, and I’m now scoring, designing sound for and mixing The Myst Documentary.
I specialize in adaptive music for games, with stem-based and dynamic cues, and I implement audio myself in Unity, Unreal Engine and Godot. I also record Foley, ADR, voice-over and binaural audio, and clean up dialogue with iZotope RX. I’ve designed sound and mixed live audio for theatre since 2015.
I work remotely and take projects of any size, from a 60-second brand video to a full game score. I’d especially love immersive work like escape rooms and installations.
My original score for the MYST (2020) launch trailer, for Cyan Worlds. All of the trailer’s audio is my music.
My original score for the MYST (2020) announce trailer, for Cyan Worlds. It has over 280,000 views.
A playlist of highlights from my music.
My sound design reel, all on original footage.
An interactive adaptive music and ambience piece, built from looping layers that switch on and off. Try it in your browser: https://www.twine.net/signin
A dark ambience track for horror, escape room and game projects.
Comedy writing and the voice of Roger for Dialtown: Phone Dating Sim. I co-wrote the dialogue for the Roger’s Route DLC and voiced Roger.
Scoring The Myst Documentary with director Philip Shane and the editing team. Also producing its sound effects and Foley, and mixing the film.
Technical direction and live audio mixing for the annual musicals, including The Lion King Jr. and Annie Jr.
Co-wrote the Roger's Route DLC and voiced Roger. Built the iOS, Android and Mac ports.
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