I am Jim Reeve-Baker, a Scotland-based professional podcast producer and audio editor specializing in experimental music, contemporary arts, and research-led creative work. I combine a PhD in Creative Music Practice with hands-on production experience to help artists, researchers, and cultural organisations shape complex material into clear, engaging, well-structured audio. I work across the full production process—from editorial development and interview shaping to structural editing, sound design, and final delivery. Since 2023 I have worked as an Independent Podcast Producer on Into the Noise and Artefacts projects, and I have been a Freelance Sound Engineer & Audio Specialist since 2007, providing studio recording, live sound, field recording, and editing services for bands, solo artists, and arts organizations.

Jim Reeve-Baker

I am Jim Reeve-Baker, a Scotland-based professional podcast producer and audio editor specializing in experimental music, contemporary arts, and research-led creative work. I combine a PhD in Creative Music Practice with hands-on production experience to help artists, researchers, and cultural organisations shape complex material into clear, engaging, well-structured audio. I work across the full production process—from editorial development and interview shaping to structural editing, sound design, and final delivery. Since 2023 I have worked as an Independent Podcast Producer on Into the Noise and Artefacts projects, and I have been a Freelance Sound Engineer & Audio Specialist since 2007, providing studio recording, live sound, field recording, and editing services for bands, solo artists, and arts organizations.

Available to hire

I am Jim Reeve-Baker, a Scotland-based professional podcast producer and audio editor specializing in experimental music, contemporary arts, and research-led creative work. I combine a PhD in Creative Music Practice with hands-on production experience to help artists, researchers, and cultural organisations shape complex material into clear, engaging, well-structured audio.

I work across the full production process—from editorial development and interview shaping to structural editing, sound design, and final delivery. Since 2023 I have worked as an Independent Podcast Producer on Into the Noise and Artefacts projects, and I have been a Freelance Sound Engineer & Audio Specialist since 2007, providing studio recording, live sound, field recording, and editing services for bands, solo artists, and arts organizations.

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Language

English
Fluent

Work Experience

Independent Podcast Producer at Independent Podcast Production (Into the Noise; Artefacts)
January 1, 2023 - Present
Independent podcast producer responsible for research, guest liaison and recording; structural editing of extended interviews; development of thematic framing; mixing, mastering, and publishing; script writing and integration of musical excerpts for projects Into the Noise and Artefacts.
Freelance Sound Engineer & Audio Specialist at Self-employed / Freelance
January 1, 2007 - Present
Studio recording and co-engineering for bands and solo artists; live sound setup and technical supervision; field recording and sound processing; audio editing across Pro Tools, Logic, and Ableton Live.

Education

PhD, Creative Music Practice at University of Edinburgh
January 11, 2030 - January 1, 2023
MA Musicology at University of Amsterdam
January 11, 2030 - January 1, 2016
BMus Creative Music Technologies (2:1) at Kingston University
January 11, 2030 - January 1, 2012

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services
    paper Into the Noise

    Into the Noise is a long-form interview series featuring experimental musicians, artists, and composers. Each episode is structured around listening to selected works by the interviewee, using these as points of departure for discussion. The focus is on process, material, and context, with conversations developing organically across technical, conceptual, and aesthetic concerns.

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