I am a composer, sound designer, audio engineer, and producer with an extensive 15+ years experience across music releases, live performance & events, art installations, and audio for screen and media.
I am a composer, sound designer, audio engineer, and producer with an extensive 15+ years experience across music releases, live performance & events, art installations, and audio for screen and media.
I specialize in game audio, but have a deep love and capacity to work in other realms.
My practice focuses on tonal storytelling and representation, thematic development, and created stylistics to support the media and artists I’m collaborating with. Through a synthesis of creative disciplines, advanced musical theory and audio production skills, I aim to translate complex musical ideas into immersive audio experience, including the development of vertical and horizontal adaptive audio when appropriate.
You can be assured I approach each project with both artistic curiosity and pragmatic acknowledgement of project scope in my commitment to delivering thoughtful, high-quality sound worlds.
Tonally I specialize in tension and release, intensity and subtlety, and codified works - evocative, whimsical, mysterious, cerebral, thrilling, poignant, idiosyncratic, mystical - horror, action, retro (8 - 16 bit), JRPG, ambient, sci-fi, etc
Steinberg Cubase
Logic Pro
Pro Tools
Ableton Live
Final Cut Pro X
Adobe Photoshop
Adobe Illustrator
Reaper
SibeliusWorking with solo developer with funding through Screen Australia. I've developed a soundtrack to a retro-horror game set in 80's rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Working with solo developer with funding through Screen Australia. I’ve developed a soundtrack to a retro-horror game set in 80’s rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Working with solo developer with funding through Screen Australia. I’ve developed a soundtrack to a retro-horror game set in 80’s rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Working with solo developer with funding through Screen Australia. I’ve developed a soundtrack to a retro-horror game set in 80’s rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Working with solo developer with funding through Screen Australia. I’ve developed a soundtrack to a retro-horror game set in 80’s rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Working with solo developer with funding through Screen Australia. I’ve developed a soundtrack to a retro-horror game set in 80’s rural Queensland, Australia. The brief was to take inspiration from survival horror classics Resident Evil and Silent Hill, as well as classic ozploitation film such as Razorback and Wake in Fright in synthesizing the games identity.
Music artist requested 2x paintings (front and back), full layout design (including font designs) and illustrations + design of the vinyl sticker label (A and B side).
Operate binaural audio, lighting, and sequenced systems within an immersive production; deliver audience safety briefings and maintain technical readiness of equipment.
Assisted installation of exhibition audio, lighting, and visual systems; fabricated and installed custom electrical looms and technical components.
Composition of OST and sound design for the indie horror game LOGGERHEAD based and set in Queensland Australia. I have utilized outback field recordings in capturing those endemic sounds of the landscape and it's fauna for application in vertically, and horizontally adaptive audio.
Specialized in Trumpet performance
Specialized in Painting
Specialized in Film, Game and Gallery adaptive audio / final GPA 6.87
Post a job and invite Jim, or contact them directly. No hidden commission.