Dr. Nick Virzi is a composer from New York City whose work includes acoustic, electronic, and electroacoustic music, as well as intermedia pieces and multichannel installations. His recent pieces explore the relationships between humans and the natural world, numerology and rhythmic structure, and ethnography and identity. His practice includes field recording in nature preserves, orchestration of rhythmic frameworks based on complex numerical systems, and ethnographic research focused on collecting and adapting archival media as an exploration of his identity as an Italian-American. Nick’s music has been performed throughout the USA and internationally by leading artists such as cellist Séverine Ballon, soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar, Distractfold, the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. He has been a featured composer at international festivals including Gaudeamus Muziekweek and the Impuls Academy and at venues such as the Juilliard School in NYC and the Royal Academy of Music in Aarhus, Denmark. His recent projects include “Convergent Boundaries” for Percussion Trio and Electronics, an electroacoustic piece commissioned by the Novalis Music and Art Festival and premiered by Line Upon Line Percussion. Dr. Virzi completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He recently completed the H&S Dean’s Fellowship at Stanford University, where he was a Lecturer in the Department of Music and the Center for Computer Research in Music and Acoustics (CCRMA).

Dr. Nick Virzi

Dr. Nick Virzi is a composer from New York City whose work includes acoustic, electronic, and electroacoustic music, as well as intermedia pieces and multichannel installations. His recent pieces explore the relationships between humans and the natural world, numerology and rhythmic structure, and ethnography and identity. His practice includes field recording in nature preserves, orchestration of rhythmic frameworks based on complex numerical systems, and ethnographic research focused on collecting and adapting archival media as an exploration of his identity as an Italian-American. Nick’s music has been performed throughout the USA and internationally by leading artists such as cellist Séverine Ballon, soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar, Distractfold, the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. He has been a featured composer at international festivals including Gaudeamus Muziekweek and the Impuls Academy and at venues such as the Juilliard School in NYC and the Royal Academy of Music in Aarhus, Denmark. His recent projects include “Convergent Boundaries” for Percussion Trio and Electronics, an electroacoustic piece commissioned by the Novalis Music and Art Festival and premiered by Line Upon Line Percussion. Dr. Virzi completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He recently completed the H&S Dean’s Fellowship at Stanford University, where he was a Lecturer in the Department of Music and the Center for Computer Research in Music and Acoustics (CCRMA).

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Dr. Nick Virzi is a composer from New York City whose work includes acoustic, electronic, and electroacoustic music, as well as intermedia pieces and multichannel installations. His recent pieces explore the relationships between humans and the natural world, numerology and rhythmic structure, and ethnography and identity. His practice includes field recording in nature preserves, orchestration of rhythmic frameworks based on complex numerical systems, and ethnographic research focused on collecting and adapting archival media as an exploration of his identity as an Italian-American. Nick’s music has been performed throughout the USA and internationally by leading artists such as cellist Séverine Ballon, soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar, Distractfold, the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. He has been a featured composer at international festivals including Gaudeamus Muziekweek and the Impuls Academy and at venues such as the Juilliard School in NYC and the Royal Academy of Music in Aarhus, Denmark. His recent projects include “Convergent Boundaries” for Percussion Trio and Electronics, an electroacoustic piece commissioned by the Novalis Music and Art Festival and premiered by Line Upon Line Percussion. Dr. Virzi completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He recently completed the H&S Dean’s Fellowship at Stanford University, where he was a Lecturer in the Department of Music and the Center for Computer Research in Music and Acoustics (CCRMA).

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English
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Italian
Advanced
Spanish; Castilian
Intermediate

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Education

Doctor of Musical Arts (D.M.A.) at Stanford University
June 1, 2019
Bachelor of Music (B.M.) at SUNY Purchase Conservatory of Music
June 1, 2010

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Industry Experience

Education, Media & Entertainment, Software & Internet
    paper Riverdaughter

    Riverdaughter (2023) is based on the character Goldberry, the “River-daughter,” from J.R.R. Tolkien’s The Lord of the Rings, Part One: The Fellowship of the Ring. In Chapter 6, “The Old Forest,” Tolkien introduces Goldberry, an enigmatic being thought to be the spirit of the river Withywindle. When the Hobbits first encounter Goldberry, Tolkien describes her voice:

    “Then another clear voice, as young and ancient as Spring, like the song of a glad water flowing down into the night from a bright morning in the hills, came falling like silver to meet them.”

    Riverdaughter is an imagined realization of Goldberry’s voice, inspired in part by the sounds of water heard throughout my travels in the wilderness of California. The music is composed using naturally occurring acoustic phenomena, including sympathetic resonances on the cello. The electronics are performed live using field recordings of water sounds from the Yuba River in Northern California. The music video for this piece was also filmed on location at the Yuba River. The Yuba is itself an idyllic natural setting inhabited by people living in harmony with the natural world, perhaps a close real-world equivalent to Tolkien’s Withywindle.

    Commissioned and performed by Molly Aronson (June 2023).
    https://www.nickvirzi.com/

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