I’m Teresa Tonim, a lettering artist and graphic designer based in Évora, Portugal. I create branding, packaging, murals and illustrated assets that tell a story and help brands stand out.
I also share knowledge through lettering workshops and continue learning through courses like Martina Flor’s The Lettering Seminar. Fluent in Portuguese and English with a touch of Spanish, I love collaborating with teams to craft visual experiences that resonate with their audience.
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Street art proposal for the “Évora às Pinceladas 2025” competition, for the decoration of street basketball courts.
The phrase “Ball is Life” was chosen along with basketball players, representative of street basketball culture.
Mural in acrylic paint on a 100 m2 concrete field.
I feel most inspired to produce lettering when I have a message I want to convey to myself.
This message came at a time when, in addition to being busy with work and the dance association I presided over, I was also filling my time with the so-called doomscroll. I didn’t have time alone with my thoughts and boredom. There was no time to play with pens and pencils. I couldn’t stop to relax, without being constantly bombarded with content.
Being surrounded by water reminds me of this escape from content, which is why I chose the “pool bottom” for the illustration style.
The organic Ginjinha from Courelas da Torre had a new bottle and a new bottle needed a new label to complete the set.
I created a simple but elegant label design for the slim bottle of this uniquely flavored and aromatic ginja.
This design stands out from other sour cherry labels, making the bottle fly off the store shelves.
Gestão de Resíduos JMM is a company located in Évora, specialized in waste recycling in Alentejo. At the beginning of its operation, it focused on the collection, reception, and trade of ferrous and non-ferrous metals, having since expanded its operations to other services and types of materials.
With the company’s expansion, rebranding became essential to communicate this evolution and reinforce its positioning in the market.
Challenge:
Develop a new visual identity that communicates the company’s transition to a broader role in the treatment and recycling of different types of waste. The name change also required a reformulation of the brand that would ensure coherence and clarity in its positioning.
Solution:
The new visual identity integrates graphic elements that represent the diversity of materials now processed, without compromising the brand’s visual heritage.
The hydraulic claw, an iconic and recognized element in the sector, was maintained as the central symbol, ensuring continuity and recognition in the market.
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