I’m a musician who specializes in composition for the wide array of needs both in the artists’ sector as well as the corporate. I am skilled in vocal and piano performance with a focus in jazz, pop and related genres. I compose for all instruments, and have experience writing for film, televison, advertisements, video games, as well as live stage performance including musicals and dance in addition to live musical performance. I use Finale and Dorico notation software programs.
As a composer, I am trained in music production, which involves recording, editing, mixing, mastering, and promotion. The DAW I most often use is LogicPro.
I write for my solo artist and collaborative projects, and lead ensembles of various sizes.
I am additionally experienced in voiceover work in both Spanish and English, am amenable to in-person work as well as remote, as I record and edit myself in my home studio for both musical as well as spoken work. My vocal microphone is an upgraded WA47; I use a Focusrite interface and work in LogicPro for most of my projects…
Employment and project experience
•Independent Solo and Collaborating Songwriter, 1998–present;
•Collaborating Composer for “L.I.F.E.” live dance project, March of 2024;
•“Bullet Number Twelve for Chamber Orchestra” Commissioned by Foot In The Door New Music Ensemble, April 29, 2025, West Hartford, CT
•Collaborating songwriter/recording artist for fellow independent artist Cooper Perry
•Studied Film Composition under Mark Orton (Academy Award-Winning The Holdovers, 2023 & Nebraska, 2014) and Vicente Avella (multiple award-winning composer and director of production company Pandora’s Boombox).
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Musical translation of the penultimate climactic chapter of Hannah Tinti’s 2017 novel The Twelve Lives of Samuel Hawley. Performed in West Hartford, CT by Foot In The Door Ensemble on April 29, 2025, conducted by Dr. Rusty Koenig.
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