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I am a versatile and eclectic composer, producer, and sound designer dedicated to creating impactful music for visual media. From a young age, I was drawn to film music, often remembering melodies long after watching a film and replaying them on the piano, which shaped my passion for storytelling through sound. With a foundation in classical composition, I explore distinctive orchestral textures and melodic ideas through both electronic and acoustic techniques. My work moves fluidly between experimental electronic, orchestral, jazz, ballad, and pop styles, reflecting my curiosity and commitment to artistic exploration beyond genre boundaries. At the core of my style is crafting emotionally resonant, memorable melodies seamlessly integrated into immersive sonic textures, allowing theme and atmosphere to coexist naturally. Professionally, I serve as a Music Director, Composer, and Producer across independent and collaborative media projects, overseeing composition, creative coordination, and final deliverables. I contributed additional music to the animated series Princess Power (2023), distributed on major platforms such as Netflix. I have also scored multiple short films, including Mehrabian's Law (Yunho is_) (2024), which received the Audience Award at the Movie Block Short Film Contest in 2025. As an artist, I have presented my original jazz compositions in live performances at DROM in New York City, expanding my creative voice beyond screen-based work. Technically, I work primarily in Logic Pro and am also proficient in Ableton Live, Pro Tools, Cubase, and Sibelius. My skill set includes advanced MIDI programming, orchestration, Kontakt programming, recording and mixing, score preparation, transcription, and large-scale session organization—allowing me to deliver polished results efficiently under tight deadlines.…I am a versatile and eclectic composer, producer, and sound designer dedicated to creating impactful music for visual media. From a young age, I was drawn to film music, often remembering melodies long after watching a film and replaying them on the piano, which shaped my passion for storytelling through sound. With a foundation in classical composition, I explore distinctive orchestral textures and melodic ideas through both electronic and acoustic techniques. My work moves fluidly between experimental electronic, orchestral, jazz, ballad, and pop styles, reflecting my curiosity and commitment to artistic exploration beyond genre boundaries. At the core of my style is crafting emotionally resonant, memorable melodies seamlessly integrated into immersive sonic textures, allowing theme and atmosphere to coexist naturally. Professionally, I serve as a Music Director, Composer, and Producer across independent and collaborative media projects, overseeing composition, creative coordination, and final deliverables. I contributed additional music to the animated series Princess Power (2023), distributed on major platforms such as Netflix. I have also scored multiple short films, including Mehrabian's Law (Yunho is_) (2024), which received the Audience Award at the Movie Block Short Film Contest in 2025. As an artist, I have presented my original jazz compositions in live performances at DROM in New York City, expanding my creative voice beyond screen-based work. Technically, I work primarily in Logic Pro and am also proficient in Ableton Live, Pro Tools, Cubase, and Sibelius. My skill set includes advanced MIDI programming, orchestration, Kontakt programming, recording and mixing, score preparation, transcription, and large-scale session organization—allowing me to deliver polished results efficiently under tight deadlines.

Henny Kim

Composer, Music Producer, Sound Designer, +4

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I am a versatile and eclectic composer, producer, and sound designer dedicated to creating impactful music for visual media. From a young age, I was drawn to film music, often remembering melodies long after watching a film and replaying them on the piano, which shaped my passion for storytelling through sound. With a foundation in classical composition, I explore distinctive orchestral textures and melodic ideas through both electronic and acoustic techniques. My work moves fluidly between experimental electronic, orchestral, jazz, ballad, and pop styles, reflecting my curiosity and commitment to artistic exploration beyond genre boundaries. At the core of my style is crafting emotionally resonant, memorable melodies seamlessly integrated into immersive sonic textures, allowing theme and atmosphere to coexist naturally. Professionally, I serve as a Music Director, Composer, and Producer across independent and collaborative media projects, overseeing composition, creative coordination, and final deliverables. I contributed additional music to the animated series Princess Power (2023), distributed on major platforms such as Netflix. I have also scored multiple short films, including Mehrabian's Law (Yunho is_) (2024), which received the Audience Award at the Movie Block Short Film Contest in 2025. As an artist, I have presented my original jazz compositions in live performances at DROM in New York City, expanding my creative voice beyond screen-based work. Technically, I work primarily in Logic Pro and am also proficient in Ableton Live, Pro Tools, Cubase, and Sibelius. My skill set includes advanced MIDI programming, orchestration, Kontakt programming, recording and mixing, score preparation, transcription, and large-scale session organization—allowing me to deliver polished results efficiently under tight deadlines.…I am a versatile and eclectic composer, producer, and sound designer dedicated to creating impactful music for visual media. From a young age, I was drawn to film music, often remembering melodies long after watching a film and replaying them on the piano, which shaped my passion for storytelling through sound. With a foundation in classical composition, I explore distinctive orchestral textures and melodic ideas through both electronic and acoustic techniques. My work moves fluidly between experimental electronic, orchestral, jazz, ballad, and pop styles, reflecting my curiosity and commitment to artistic exploration beyond genre boundaries. At the core of my style is crafting emotionally resonant, memorable melodies seamlessly integrated into immersive sonic textures, allowing theme and atmosphere to coexist naturally. Professionally, I serve as a Music Director, Composer, and Producer across independent and collaborative media projects, overseeing composition, creative coordination, and final deliverables. I contributed additional music to the animated series Princess Power (2023), distributed on major platforms such as Netflix. I have also scored multiple short films, including Mehrabian's Law (Yunho is_) (2024), which received the Audience Award at the Movie Block Short Film Contest in 2025. As an artist, I have presented my original jazz compositions in live performances at DROM in New York City, expanding my creative voice beyond screen-based work. Technically, I work primarily in Logic Pro and am also proficient in Ableton Live, Pro Tools, Cubase, and Sibelius. My skill set includes advanced MIDI programming, orchestration, Kontakt programming, recording and mixing, score preparation, transcription, and large-scale session organization—allowing me to deliver polished results efficiently under tight deadlines.

Available to hire

I am a versatile and eclectic composer, producer, and sound designer dedicated to creating impactful music for visual media. From a young age, I was drawn to film music, often remembering melodies long after watching a film and replaying them on the piano, which shaped my passion for storytelling through sound. With a foundation in classical composition, I explore distinctive orchestral textures and melodic ideas through both electronic and acoustic techniques. My work moves fluidly between experimental electronic, orchestral, jazz, ballad, and pop styles, reflecting my curiosity and commitment to artistic exploration beyond genre boundaries. At the core of my style is crafting emotionally resonant, memorable melodies seamlessly integrated into immersive sonic textures, allowing theme and atmosphere to coexist naturally.

Professionally, I serve as a Music Director, Composer, and Producer across independent and collaborative media projects, overseeing composition, creative coordination, and final deliverables. I contributed additional music to the animated series Princess Power (2023), distributed on major platforms such as Netflix. I have also scored multiple short films, including Mehrabian’s Law (Yunho is_) (2024), which received the Audience Award at the Movie Block Short Film Contest in 2025. As an artist, I have presented my original jazz compositions in live performances at DROM in New York City, expanding my creative voice beyond screen-based work. Technically, I work primarily in Logic Pro and am also proficient in Ableton Live, Pro Tools, Cubase, and Sibelius. My skill set includes advanced MIDI programming, orchestration, Kontakt programming, recording and mixing, score preparation, transcription, and large-scale session organization—allowing me to deliver polished results efficiently under tight deadlines.