Hi, I’m Judith Monsálvez Sánchez, a graphic designer and illustrator with over a decade of international experience across the UK, Japan, and Spain. I specialize in narrative-driven design, visual identity, editorial illustration, and creative direction, delivering bold, human-centered work for branding, packaging, education, and cultural projects.
I love crafting stories through visuals; combining precise craft with a warm, accessible tone. My process blends research, mood-boards, and iterative storytelling to create assets that perform across print, web, and social media.
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Project Description
A Corporate Identity Manual developed to unify and standardize the visual branding of Han-A, an association operating across Spain through autonomous communities. The manual ensures consistent application of branding elements while allowing regional adaptations when necessary.
Initial Problem
Han-A needed a cohesive branding system to address inconsistencies in visual identity across its autonomous communities. While operating independently, the communities required a unified brand to present a professional image nationally, especially for shared resources like the website or social media.
Process
Audit: Reviewed past logos to identify design flaws (e.g. inconsistent fonts, poor hierarchy).
Color Palette: Defined red, blue, black, and white based on Korean flag for cultural coherence.
Typography: Explored modern, readable typefaces fitting for formal and informal use.
Sketches: Developed multiple layouts (icon, horizontal, vertical) for flexibility.
Icon Design: Created a unified symbol merging tradition and modernity.
Feedback: Collected input from community leaders to refine the design.
Final System: Built a modular identity adaptable across formats and regions.
 to reflect each book’s unique identity. The goal is to create modern, elegant, and thought-provoking covers that stand out individually while forming a unified collection.
Initial Problem
Many book covers today lack visual impact because they are either too generic or overly detailed, failing to convey the book’s atmosphere and core themes effectively. Often, covers rely on overused visual clichés or cluttered compositions that do little to spark curiosity or offer a unique identity. This project aims to break from those norms by using refined symbolism and minimalism to highlight the essence of each story.
Process
The design process was comprehensive and iterative, involving several key phases:
Research & Concept Development: In-depth research into themes, genres, and visual references, focusing on emotional tone and symbolism.
Sketching & Ideation: Multiple hand-drawn sketches explored layouts, symbols, and typography, refining ideas to find the strongest concepts.
Color & Typography Selection: A simple yet impactful palette (black with accent colors) paired with clear, artistic typography for balance and legibility.
Digital Execution & Refinement: Designs were digitized, with careful adjustments to geometric and symbolic elements for harmony and balance.
Feedback & Final Adjustments: Feedback led to final tweaks in imagery, color, and presentation to align with minimalism and audience appeal.
Solution
The final result is a striking series of minimalist book covers that address the initial problems by using clear symbolism and a clean layout. Each cover integrates a distinct, meaningful icon with a bold pop of color that draws attention and sparks curiosity, all while maintaining a unified visual language across the series. This approach ensures the covers are modern, memorable, and reflective of the book’s core identity, offering a refreshing alternative to conventional, crowded designs.
. Though it presents itself as a promotional poster, the focus lies more in the craft of the poster itself — from layout to typography — than in marketing strategy.
Initial Problem
Posters in the food industry often rely heavily on photography or branding consistency. This project approached it differently — using illustration and custom type to create a more expressive and editorial-style piece. Rather than focusing on a cohesive brand, the aim was to experiment with the personality of the poster: its voice, tone, and visual rhythm.
Process
Initial sketch explorations for layout and type hierarchy
Colour palette testing based on the Ube theme
Style development with soft textures and rounded type
Experimentation with typographic voice and playful copywriting
Final composition with balanced illustration and lettering elements
 referenced Asiana’s branding while maintaining a muted, impersonal aesthetic.
· No food imagery was used, shifting the focus entirely to typography and layout.
· Minimalist typefaces reinforced the instruction-style approach.
· Mockups were tested in real contexts to refine spacing, hierarchy, and overall clarity.
Each decision reinforced the Anti-Branding concept, resulting in a design that is both functional and conceptually bold.
.
Color palette: Selecting bold, appealing colors to reflect fruitiness and freshness.
Typography: Combining expressive fonts for the logo or product name with legible typefaces for product info.
Layout: Designing the label with a clear visual hierarchy and balance, ensuring both aesthetics and functionality.
Illustration elements: Integrating fruit graphics and splash motifs to emphasize flavor and movement.
Mockup: Applying the final design to a bottle to visualize the product in a real-world setting.
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Solution
The final Milkshake Label solves the earlier design problems by creating a label that is:
Visually engaging, thanks to its use of color and playful graphics.
Targeted to its audience, appealing to children and teens through fun, energetic design choices.
Informative and well-structured, using clear hierarchy for easy readability of product details.
Brand-friendly, as it establishes a distinct identity while remaining adaptable for other flavors or variations.
It’s a cohesive, flavorful packaging solution that enhances both the product’s appeal and shelf presence.
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