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I was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age of ten, fueling a childhood curiosity that would become my lifelong passion and obsession. From music and sound to physics, software and hardware, and back. I went on to study Sound Engineering in Lima and then in Montreal, and later completed a Master’s degree in Sound Studies at the UdK Berlin under the mentorship of Robert Henke. I recently earned a certificate in Game Audio Production with Wwise at Berklee. My time in Berlin refined my skills in sound design and field recording. I worked across film and theater with the Filmakademie Baden-Württemberg and Nationaltheater Reinickendorf, served as field recordist for the Swiss Radio and Television Corporation during the COVID-19 pandemic, collaborated with brands like Blutsgestwister or film agencies like Pelicano Films and Rother Films, to eventually produce educational audiovisual projects for medical students the past years. I crave and look forward to projects with body. I can safely say that I genuinely love the quality of sound, its weirdness and intent. It is a phenomenon that I am fascinated with.…I was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age of ten, fueling a childhood curiosity that would become my lifelong passion and obsession. From music and sound to physics, software and hardware, and back. I went on to study Sound Engineering in Lima and then in Montreal, and later completed a Master’s degree in Sound Studies at the UdK Berlin under the mentorship of Robert Henke. I recently earned a certificate in Game Audio Production with Wwise at Berklee. My time in Berlin refined my skills in sound design and field recording. I worked across film and theater with the Filmakademie Baden-Württemberg and Nationaltheater Reinickendorf, served as field recordist for the Swiss Radio and Television Corporation during the COVID-19 pandemic, collaborated with brands like Blutsgestwister or film agencies like Pelicano Films and Rother Films, to eventually produce educational audiovisual projects for medical students the past years. I crave and look forward to projects with body. I can safely say that I genuinely love the quality of sound, its weirdness and intent. It is a phenomenon that I am fascinated with.

Marc Hönninger

Sound Designer, Sound Editor, Soundtrack Musician, +4

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I was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age of ten, fueling a childhood curiosity that would become my lifelong passion and obsession. From music and sound to physics, software and hardware, and back. I went on to study Sound Engineering in Lima and then in Montreal, and later completed a Master’s degree in Sound Studies at the UdK Berlin under the mentorship of Robert Henke. I recently earned a certificate in Game Audio Production with Wwise at Berklee. My time in Berlin refined my skills in sound design and field recording. I worked across film and theater with the Filmakademie Baden-Württemberg and Nationaltheater Reinickendorf, served as field recordist for the Swiss Radio and Television Corporation during the COVID-19 pandemic, collaborated with brands like Blutsgestwister or film agencies like Pelicano Films and Rother Films, to eventually produce educational audiovisual projects for medical students the past years. I crave and look forward to projects with body. I can safely say that I genuinely love the quality of sound, its weirdness and intent. It is a phenomenon that I am fascinated with.…I was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age of ten, fueling a childhood curiosity that would become my lifelong passion and obsession. From music and sound to physics, software and hardware, and back. I went on to study Sound Engineering in Lima and then in Montreal, and later completed a Master’s degree in Sound Studies at the UdK Berlin under the mentorship of Robert Henke. I recently earned a certificate in Game Audio Production with Wwise at Berklee. My time in Berlin refined my skills in sound design and field recording. I worked across film and theater with the Filmakademie Baden-Württemberg and Nationaltheater Reinickendorf, served as field recordist for the Swiss Radio and Television Corporation during the COVID-19 pandemic, collaborated with brands like Blutsgestwister or film agencies like Pelicano Films and Rother Films, to eventually produce educational audiovisual projects for medical students the past years. I crave and look forward to projects with body. I can safely say that I genuinely love the quality of sound, its weirdness and intent. It is a phenomenon that I am fascinated with.

Available to hire

I was born in Germany in 1982 and raised in Latin America, where I developed a deep connection to music and sound. I began composing on an Ensoniq synthesizer at the age of ten, fueling a childhood curiosity that would become my lifelong passion and obsession. From music and sound to physics, software and hardware, and back.

I went on to study Sound Engineering in Lima and then in Montreal, and later completed a Master’s degree in Sound Studies at the UdK Berlin under the mentorship of Robert Henke. I recently earned a certificate in Game Audio Production with Wwise at Berklee. My time in Berlin refined my skills in sound design and field recording. I worked across film and theater with the Filmakademie Baden-Württemberg and Nationaltheater Reinickendorf, served as field recordist for the Swiss Radio and Television Corporation during the COVID-19 pandemic, collaborated with brands like Blutsgestwister or film agencies like Pelicano Films and Rother Films, to eventually produce educational audiovisual projects for medical students the past years. I crave and look forward to projects with body. I can safely say that I genuinely love the quality of sound, its weirdness and intent. It is a phenomenon that I am fascinated with.