Audio specialist and sound engineer with 20+ years of professional experience in audio post-production, including dialogue and voiceover restoration, sound design, mixing, mastering, and standards-compliant delivery. Expert user of Pro Tools, iZotope RX, and Melodyne, with a focus on loudness conformance to EBU R128, ITU-R BS.1770, ATSC A/85, and CALM Act requirements. Experienced in conforming audio to picture for screen, stage, and touring productions, synchronising to timecode and frame rate, and delivering organised, labelled stems across multiple platform versions. Also has a strong creative background from composition and orchestration studies, enabling both emotional storytelling and precise technical delivery for trailers, campaigns, and promo content.

Artur Tomasz Mackiewicz

Pro

Audio specialist and sound engineer with 20+ years of professional experience in audio post-production, including dialogue and voiceover restoration, sound design, mixing, mastering, and standards-compliant delivery. Expert user of Pro Tools, iZotope RX, and Melodyne, with a focus on loudness conformance to EBU R128, ITU-R BS.1770, ATSC A/85, and CALM Act requirements. Experienced in conforming audio to picture for screen, stage, and touring productions, synchronising to timecode and frame rate, and delivering organised, labelled stems across multiple platform versions. Also has a strong creative background from composition and orchestration studies, enabling both emotional storytelling and precise technical delivery for trailers, campaigns, and promo content.

Available to hire

Audio specialist and sound engineer with 20+ years of professional experience in audio post-production, including dialogue and voiceover restoration, sound design, mixing, mastering, and standards-compliant delivery. Expert user of Pro Tools, iZotope RX, and Melodyne, with a focus on loudness conformance to EBU R128, ITU-R BS.1770, ATSC A/85, and CALM Act requirements.

Experienced in conforming audio to picture for screen, stage, and touring productions, synchronising to timecode and frame rate, and delivering organised, labelled stems across multiple platform versions. Also has a strong creative background from composition and orchestration studies, enabling both emotional storytelling and precise technical delivery for trailers, campaigns, and promo content.

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Experience Level

Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
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Language

English
Fluent
Polish
Fluent

Work Experience

Composer / Arranger / Mixing & Mastering Engineer at Educational Projects Foundation
January 1, 2022 - January 1, 2024
Led composition, orchestration, arrangement, mixing, and mastering processes for multiple album productions released on CD and vinyl; delivered polished final productions with refined dynamics and sound quality.
Composer / Producer – Various commissioned projects (Polskość Pomorza, Warszawa-miasto nieugięte, etc.) at Independent / Freelance
January 1, 2021 - Present
Selected works including Polskość Pomorza (2021-2023), Warszawa-miasto nieugięte (2022), Tak, jak byśmy nigdy nie istnieli (2022), Onet Szabat (2023), My Polacy. O polskości Śląska (2023), Dziś jest pojutrze (2024); Sonata Liberationis – Piano Quintet; Symfonia for Chamber Orchestra; Caskey album Black Sheep 5 – composition and co-production
Co-composer, co-producer, mix and mastering engineer at Educational Project Society
January 1, 2021 - December 31, 2021
Music composition and arrangement; full music production and sound development; mixing and mastering for CD and vinyl release; collaboration with artists and production teams; delivery of final masters ready for distribution (2021)
Composer, sound designer, sound engineer at Educational Projects Association in Warsaw Poland
April 25, 2016 - July 18, 2025
Composed original music for an educational organization Wrote works for piano quintet and chamber ensembles Delivered fully notated scores and audio mockups
Mixing & Mastering Engineer / Producer at Independent studio (Warsaw)
January 1, 2012 - Present
Built and ran an independent production studio providing end-to-end audio for commissioned album releases, including tracking, editing, mixing, mastering, and final delivery. Mastered every release and mixed the majority, working on concept-driven historical albums where music, narration, and archival sources must be balanced within a single production. Deliver separate masters per format and loudness target (digital, CD, vinyl) with structured audio QA and critical listening across a release catalogue.
Mixing & Mastering Engineer / Producer at Independent studio
January 1, 2012 - Present
End-to-end audio delivery for commissioned album releases, including tracking, editing, mixing, mastering, and final delivery. Built and operates an independent production studio from 2012 onwards. Mastered every release and mixed the majority of multiple historically themed albums for a largely narrative/concept-driven catalog, balancing music, narration, and archival sources within a single production. Delivers separate masters per format and loudness target for digital, CD, and vinyl releases, with structured audio QA and critical listening across the release catalogue.
Audio Engineer / Live Sound Engineer at Mono Bar (Warsaw)
February 1, 2010 - March 1, 2013
Managed live audio production for concerts and music events under real-time, zero-retake constraints, including mixing, monitoring, and signal routing. Supported recording and editing, and performed audio-to-video synchronization.
Audio Engineer / Live Sound Engineer at Mono Bar
February 1, 2010 - March 1, 2013
Managed live audio production including real-time mixing and monitoring, signal routing, and recording/editing for professional concerts and music events under low retake conditions. Performed audio-to-video synchronisation, including recording, editing, and synchronising outputs for subsequent use.
Live Sound Engineer at Mono Bar
January 1, 2010 - January 1, 2013
Managed live sound engineering operations for concerts and venue productions; delivered high-quality live mixes in fast-paced production environments while maintaining reliable technical performance.
Freelance Audio Engineer / Sound Designer / Editor at Independent / Freelance
January 1, 2010 - Present
Dialogue editing and noise reduction; sound design and audio layering for video content; mixing and mastering for music releases; audio restoration and artifact detection using RX tools; preparation of broadcast-ready audio material; collaboration with artists and production teams; documentation and annotation of audio issues for QA workflows
Live Sound Engineer at Mono Bar, Warsaw
January 1, 2010 - January 1, 2013
Live audio setup and FOH mixing; stage monitoring and technical coordination; maintaining consistent sound quality during events; cooperation with performers and production staff; live recording and YouTube promo videos.
Freelance Audio Engineer / Sound Designer / Editor at Freelance
January 1, 2010 - Present
Audio production and post-production for music, multimedia projects, and digital content. Responsibilities include dialogue editing and noise reduction, sound design and audio layering for video content, mixing and mastering for music releases, audio restoration and artifact detection using RX tools, preparation of broadcast-ready audio material, collaboration with artists and production teams, and documentation/annotation of audio issues for QA workflows.
Session Musician / Keyboard & Synthesizer Performer at Maleo Reggae Rockers
January 1, 2009 - Present
Performed as a keyboard and synthesizer performer, contributed to studio and live productions, and supported recording workflows for commercial and artistic releases.
Session Musician – Keyboards and Synthesizers at Independent / Session Musician
January 1, 2009 - Present
Studio recording sessions; international touring; collaboration with music producers and artists
Session Musician – Keyboards and Synthesizers at Self-employed / Freelance
January 1, 2009 - Present
Studio recording sessions; international touring; collaboration with music producers and artists. Collabs with among of others: DAAB, Maleo, Caskey.
Audio Post-Production Specialist / Sound Engineer at Freelance (Warsaw)
January 1, 2007 - Present
Deliver broadcast- and platform-compliant audio masters and organised, labelled stems with loudness targets aligned to EBU R128, ITU-R BS.1770, ATSC A/85 and CALM Act. Handle dialogue, voiceover, and interview restoration using noise reduction, spectral repair, de-essing, and removal of hum, clicks, and distortion; apply pitch and timing corrections with Melodyne. Perform audio-to-picture post workflows in Pro Tools using timecode/frame-rate alignment, working from MOV/MP4 references and AAF/OMF exchanges; deliver separated stems and structured track layouts. Own the full mix-to-master chain: EQ, compression, limiting, transient and dynamics processing, stereo imaging and phase control, followed by QA and critical listening for final delivery. Provide sound design and custom asset creation for picture, including library/sample-based FX layering and re-editing, and manage client and production team communication to translate creative briefs into technically precise deliverables.
Audio Post-Production Specialist / Sound Engineer at Freelance
January 1, 2007 - Present
Audio post-production and sound engineering for broadcast and platform-compliant delivery. Handles dialogue and voiceover restoration and editing using iZotope RX (noise reduction, spectral repair, de-essing, hum/click/distortion removal) and Melodyne for tuning and timing corrections. Works with video post-production workflows by conforming audio to picture in Pro Tools, synchronising to timecode/frame rate using MOV/MP4 references and AAF/OMF session exchange, and delivering separated stems with organised labels across multiple platform versions. Owns the full mix-to-master chain in Pro Tools (EQ, compression, limiting, transient/dynamics processing, stereo imaging, phase control) and measures loudness to EBU R128, ITU-R BS.1770, ATSC A/85 and CALM Act targets. Provides sound design and custom asset creation for picture, maintains a working sound library, and leads client/production teams through the audio process from creative brief to technical deliverables.
Audio Engineer / Music Technology Specialist / Producer at Freelance
January 1, 2007 - Present
Lead audio production, editing, mixing, mastering, and delivery workflows for music and multimedia productions using Avid Pro Tools, AI-assisted production tools, and modern music technology systems.
Freelance Audio Engineer / Music Technology Specialist / Producer at Self-Employed
January 1, 2007 - Present
Lead audio production, editing, mixing, mastering, and delivery workflows for music and multimedia projects using Avid Pro Tools, AI-assisted production tools, and modern music technology systems. Create and deliver audio content across electronic music, orchestral productions, beatmaking, meditation music, binaural beats, and multimedia projects. Research and implement AI-assisted workflows for vocal refinement, stem separation, audio cleanup, sound enhancement, and production optimization. Work with notation-based workflows using Sibelius for orchestration, score preparation, arrangement editing, and score-to-audio alignment. Apply advanced vocal editing, pitch correction, timing refinement, and restoration using Melodyne and iZotope RX. Collaborate with artists and production stakeholders to achieve technical and artistic goals.
Freelance Audio Engineer / Music Technology Specialist / Producer at Self-employed / Freelance
January 1, 2007 - Present
Lead audio production, editing, mixing, mastering, and delivery workflows for music and multimedia productions using Avid Pro Tools, AI-assisted production tools, and modern music technology systems.
Co-Producer / Mixing & Mastering Engineer at Maleo
January 1, 2005 - January 1, 2010
Co-produced, mixed, and mastered full-length album releases. Managed production workflows from recording/session preparation through restoration, mixing, mastering, and release delivery.
Classical Composer (notated projects) at Independent
January 1, 2004 - Present
Composed and fully notated 'Mała Symfonia' for chamber orchestra; composed and fully scored a five-movement Sonata for Piano Quintet; combined formal classical training with modern music production across orchestral and contemporary projects.
Composer at Classical Composition Projects
January 1, 2004 - Present
Composed and fully notated works including 'Mała Symphony' for chamber orchestra and a five-movement Sonata for Piano Quintet; integrated formal classical training with modern production workflows.
Assistant Engineer at Psalm Studio; Soundmaking Studio; Sound And More (Warsaw)
January 1, 2001 - January 1, 2007
Trained under supervising engineers in recording and post-production studios, assisting with tracking, editing, mixing, and mastering for commercial album productions.
Audio Post-Production & Sound for Screen, Stage and Touring at <<ROK>> (Selected productions; details not specified in resume)
January 1, 2001 - January 1, 2005
Contributed audio and music to screen, touring, and theatre productions, including sound design and arrangement, synthesiser sound design and performance, and synchronization of playback tracks to stage action. Applied critical listening and QA across projects from source material through final delivery.
Assistant Engineer at Psalm Studio / Soundmaking Studio / Sound And More
January 1, 2001 - January 1, 2007
Early-career training working under supervising engineers across recording and post-production studios. Supported tracking, editing, mixing, and mastering for commercial album productions.
Audio Post-Production & Sound for Screen, Stage and Touring
January 1, 2001 - January 1, 2005
Selected projects including television (audio and music contribution such as sound design, arrangement, and performance), international touring (synthesiser sound design and performance), and theatre productions (music arrangement/performance, sound design, and synchronisation of playback tracks to stage action). Applied critical listening and audio QA from source material to final delivery.

Education

Master of Arts (MA) in Composition at Academy of Music / University of Music (Faculty of Composition)
October 1, 1997 - June 29, 2001
Degree completed with an original Piano Concerto as the diploma composition.
Master of Arts at Fryderyk Chopin University of Music – Warsaw
January 11, 2030 - May 20, 2026
Master of Arts at Fryderyk Chopin University of Music – Warsaw
January 11, 2030 - May 22, 2026
Master of Arts (MA) at Fryderyk Chopin University of Music in Warsaw
January 11, 2030 - May 22, 2026
Master of Arts (MA) at Fryderyk Chopin University of Music in Warsaw
January 11, 2030 - May 22, 2026
Master of Arts (MA) at Fryderyk Chopin University of Music in Warsaw
January 11, 2030 - May 27, 2026
Master of Arts (M.A.) at The Fryderyk Chopin University of Music, Warsaw
January 1, 1997 - January 1, 2001
Master of Arts (M.A.) — Composition, Music Theory and Conducting; Audio Engineering & Sound Direction at The Fryderyk Chopin University of Music, Warsaw
January 1, 1997 - January 1, 2001

Qualifications

Master of Art Degree
October 1, 1997 - June 22, 2001
Master of Arts
January 11, 2030 - May 22, 2026

Industry Experience

Media & Entertainment, Professional Services, Education, Software & Internet, Other
    BeatStars

    I started building my BeatStars catalog to showcase my work as a music producer and composer across multiple genres, including hip-hop, trap, phonk, cinematic, and electronic music. This portfolio reflects my approach to composition, sound design, arrangement, mixing, and mastering.

    BeatStars Portfolio:

    https://www.twine.net/signin

    One of my beats was licensed and used by U.S. rapper Caskey on the track “Hex My Enemies”, demonstrating my ability to create commercially viable productions for professional artists and the international music market.

    Scoring short AI generated film

    I’ve always dreamed of scoring and recording music for a film. So I grabbed the first video I could find, generated by Grok Imagine and created by Alex Utopia from X. Full scoring with sound effects and sound production, including mixing and mastering. That one-minute story was completed with sound in just two days. One day for sound design, the next for mixing and mastering.

    https://www.twine.net/signin