Documentary & Drama Composer — Underscore that supports the story, never competes with it. I'm Laurent, a film composer specialized in underscore for documentaries and...
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Documentary & Drama Composer — Underscore that supports the story, never competes with it. I'm Laurent, a film composer specialized in underscore for documentaries and...
See MoreSão Paulo-based Freelance Video Editor & Motion Designer with experience creating commercial, branded, and social media content for international brands, specializing in ...
See MoreAudio visual and content quality specialist with nearly 5 years of experience in high-demand international production environments. Strong background in quality control (...
See MoreI have been a graphic designer, social media manager and music producer for 7 years and have worked with around a hundred artists and companies. My specialty is creating ...
See MoreAdriano Nascimento is a Brazilian Supervising Sound Editor, Sound Designer, Re-recording Mixer, Composer, and Sound Engineer with nearly two decades of experience in film...
See MoreHi, I’m Pablo López. I’m a professional composer and sound designer with extensive experience on high-profile film and advertising campaigns. I craft musical worlds that ...
See MoreBased in Brazil, I'm a Sound Editor expert focused on Ableton Live, Adobe After Effects, and Adobe Audition. I take a clear, collaborative approach to every project.
See MoreI'm a video editor with 7+ years of experience, specializing in YouTube and short-form content for Instagram, TikTok, and Shorts. My passion lies in creating engaging and...
See MoreI am an experienced audio editor with a background in delivering clean, broadcast-quality audio for podcasts and videos. I work well with professional software like Pr...
See MoreI am Ronaldo da Silva Andrade, a video editor with over 20 years of experience in broadcasting and online media. I excel at fast real-time editing and delivering high-qua...
See MoreI'm Leonardo Tows, a music producer and sound designer based in São Paulo, Brazil, with international experience delivering albums, mixes, and sound design for audiovisua...
See MoreI'm an experienced Sound Editor based in Feira de Santana, Brazil. I specialise in Adobe After Effects, Adobe Premiere Pro, and Icon and enjoy helping teams turn ideas in...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
R$10,000 – R$27,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and assembling recorded sound to enhance the overall audio experience in film, television, and other media. Their work involves selecting and editing sound effects, dialogue, and music to create a cohesive soundtrack. Key tasks include:
Sound Editors play a crucial role in shaping the auditory experience, ensuring that the final product resonates with the audience.
Exceptional Sound Editors possess a unique combination of technical skills and artistic vision. Key qualities include:
These qualities allow them to produce an immersive auditory experience that enhances the overall project.
Typical day rates for Sound Editors in Brazil vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To find the perfect Sound Editor in Brazil, assess their portfolio for relevant work that aligns with your project's style. Look for evidence of their creative approach and technical ability in previous projects. Additionally, consider their communication skills during initial conversations; a good fit should understand your vision and provide insightful suggestions. Client reviews and recommendations can also offer valuable insights into their reliability and professionalism. Finally, trust your instincts; the right Sound Editor should make you feel confident in their ability to bring your audio vision to life.
When interviewing potential Sound Editors, consider asking the following questions:
These questions will help you gauge their experience, problem-solving skills, and compatibility with your project.
Hiring a Sound Editor in Brazil involves several steps to ensure you find the right match for your project. Start by defining your project requirements, including the type of sound editing needed and your budget. Next, leverage platforms like Twine to find skilled professionals. Post a job listing that clearly outlines your expectations, and browse through profiles of Sound Editors. Pay attention to their portfolios, experience, and client reviews. Finally, communicate directly with potential hires to gauge their understanding of your needs and their creative approach.
Hiring a freelance Sound Editor provides flexibility and often lower costs compared to working with an agency. Freelancers typically have more direct communication with clients, allowing for a personalized approach. However, agencies may offer a broader range of services, including project management and a team of specialists. Choosing between the two depends on your project’s complexity, budget, and desired level of involvement. For straightforward projects, a freelancer may be ideal, while agencies could be better for larger, more complex endeavors requiring multiple skill sets.
A well-crafted project brief for a Sound Editor should include:
This detailed information will help potential candidates understand your needs and allow them to present their best work.
Hiring on Twine is simple.
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